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Total Count: 22


Audience Score

User Ratings: 2,512
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Movie Info

No one living can say whether the original, ten-hour version of Erich von Stroheim's most famous movie was the epic masterpiece it was touted to be. The 140-minute version is all that remains, and while it's only a quarter of the film it was meant to be, it's still one of the greatest accomplishments of the silent film era. Based on the turn-of-the-century novel McTeague by Frank Norris, Greed takes place primarily in the San Francisco of the early 1900's. McTeague (Gibson Gowland), a brutish, earthy man comes to practice dentistry in the lower-middle-class Polk Street district. There he meets and befriends Marcus Schouler (Jean Hersholt). One day Marcus brings in his cousin and girlfriend, Trina Sieppe (Zasu Pitts) for some dental work. A romance between McTeague and Trina gradually ensues, and Marcus graciously steps aside -- until he discovers that Trina has won 5000 dollars in a lottery. He jealously watches as Trina and McTeague get married. But all is not well with the couple -- Trina holds onto her winnings for dear life, refusing to let go of a cent, even when they are forced to live in reduced circumstances because McTeague has lost his practice (Marcus has turned him in for not having a license). McTeague takes to drink as he and Trina sink into poverty and violent arguments break out between them. Finally McTeague leaves his miserly wife, who is now working as a charwoman during the day while gloating over her gold coins at night. But he later returns, intoxicated, to her squalid room and murders her, escaping with her money. He flees across the desert, pursued by a posse which includes Marcus, who still lusts after the gold. The two finally meet up on the cracked, overheated salt flats and fight to the death. But as McTeague gives Marcus the fatal blow, Marcus snaps his handcuffs around McTeague's wrist. Thus, McTeague must die in the middle of the desert, cuffed to the dead Marcus with the gold by his side. As Norris's novel was a protest against the elaborate fluff that was popular reading during the end of the 19th century, Greed was a protest against the pretentiousness and glamour that was part and parcel of Hollywood in the '20s. Nevertheless, it is a stunning visual work, and the overall sordidness of the film has a dreamy, rather nightmarish aura. Out of any American director of his era, only von Stroheim could have found such beauty in ugliness and created such fascination for the commonplace. He shot Greed with utter faithfulness to the Norris book and proposed to run the lengthy film on more than one evening, but the idea was far ahead of its time and the releasing studio, MetroGoldwyn-Mayer, insisted on radical trimming. Some of the cuts are tragic -- the introduction of McTeague's character makes him seem particularly loutish, and later it is difficult to tell whether Trina is merely a prim Victorian maiden, or if she is truly repulsed by the advances of her husband-to-be. The loss of various subplots will also be cause for eternal speculation by film historians. However, enough of Greed remains to prove that von Stroheim was an early example of an auteur par excellence.

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Gibson Gowland
as John McTeague
Jean Hersholt
as Marcus Schouler
Chester Conklin
as Hans Sieppe
Sylvia Ashton
as Mrs. Sieppe
Austin Jewell
as August Sieppe
Oscar Gottell
as Sieppe Twin
Otto Gottell
as Sieppe Twin
Erich von Ritzau
as Traveling Dentist
Tempe Piggott
as McTeague's mother
Gunther von Ritzau
as Dr. "Painless" Potter
Jack Curtis
as McTeague's Father
Lon Poff
as Lottery Agent
S.S. Simon
as Joe Frenna, Saloon Keeper
James Gibson
as Deputy Sheriff
Cesare Gravina
as Zerkow, a Junkman
Frank Hayes
as Old Grannis
Fanny Midgley
as Miss Baker
Jack McDonald
as Gribbons
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Critic Reviews for Greed

All Critics (22) | Top Critics (7)

  • The picture brings to light three great character performances by Gibson Gowland as McTeague, Jean Hersholt as the chum, and ZaSu Pitts as the wife.

    Feb 23, 2012 | Full Review…

    Variety Staff

    Top Critic
  • Von Stroheim's rep, after a long dormancy, has been on the rise, and this is the best evidence of his work you'll get until someone finds those lost five hours in some Ukrainian subcellar.

    Jun 17, 2008 | Full Review…
  • Mr. von Stroheim has not missed a vulgar point, but on the other hand his direction of the effort is cunningly dramatic.

    Mar 25, 2006 | Full Review…
  • Even now its relentlessly cynical portrait of physical and moral squalor retains the ability to shock, while the Von's obsessive attention to realist detail is never prosaic.

    Feb 9, 2006 | Full Review…

    Geoff Andrew

    Time Out
    Top Critic
  • Erich von Stroheim's Greed (1925), like the Venus de Milo, is acclaimed as a classic despite missing several parts deemed essential by its creator.

    Jan 6, 2002 | Rating: 4/4 | Full Review…
  • Von Stroheim's rep, after a long dormancy, has been on the rise, and this is the best evidence of his work you'll get until someone finds those lost five hours in some Ukrainian subcellar.

    Jan 1, 2000

Audience Reviews for Greed

  • Jan 30, 2017
    One of the most memorable silent films in the 20s, Greed is an adaptation from the novel McTeague about how greed ruined people's live. Because the original is lost, we only have the restored version with some still images to bridge the gap of missing fragments. It was very shocking for its day I believe, it is still entertaining to watch nonetheless.
    Sylvester K Super Reviewer
  • Jul 10, 2011
    Keep in mind that Greed's recent reconstruction was an attempt to revive as much of the story as possible, given the initial ambitions by Stroheim to ask from the audience to sit for 10 hours to witness his masterpiece. Although the intentions are honorable and the result definitely offers a deeper insight for hardcore fans, it should not be a first-timer experience. You should see what nowadays remains filmed instead of constant interruptions that make you walk through the alleyways of a visual museum. How ironic is the fact that Stroheim's main idea does not only still applies to nowadays life circumstances, but applies even more accurately than before. Material richness and greed will always be there unless a general consensus is established and accepted regarding the respect of the goods and properties of others, and of sharing. Unfortunately, such possible utopia never reached an agreement. The result is that neoliberal economy has taken the throne of the world and now this movie feels alien to us. However, that's exactly the incorrect approach to Greed. 99/100
    Edgar C Super Reviewer
  • May 04, 2009
    An impressive achievement leaves one wondering what was lost from Von Stroheim's original nine hour epic original. What's left is compelling with great work from ZaSu Pitts as the rapacious Trina.
    jay n Super Reviewer

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