A Star Is Born

Critics Consensus

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Total Count: 18


Audience Score

User Ratings: 2,665
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Movie Info

A Star is Born came into being when producer David O. Selznick decided to tell a "true behind-the-scenes" story of Hollywood. The truth, of course, was filtered a bit for box-office purposes, although Selznick and an army of screenwriters based much of their script on actual people and events. Janet Gaynor stars as Esther Blodgett, the small-town girl who dreams of Hollywood stardom, a role later played by both Judy Garland and Barbra Streisand in the 1954 and 1976 remakes. Jeered at by most of her family, Esther finds an ally in her crusty old grandma (May Robson), who admires the girl's "pioneer spirit" and bankrolls Esther's trip to Tinseltown. On arrival, Esther heads straight to Central Casting, where a world-weary receptionist (Peggy Wood), trying to let the girl down gently, tells her that her chances for stardom are about one in a thousand. "Maybe I'll be that one!" replies Esther defiantly. Months pass: through the intervention of her best friend, assistant director Danny McGuire (Andy Devine), Esther gets a waitressing job at an upscale Hollywood party. Her efforts to "audition" for the guests are met with quizzical stares, but she manages to impress Norman Maine (Fredric March), the alcoholic matinee idol later played by James Mason and Kris Kristofferson. Esther gets her first big break in Norman's next picture and a marriage proposal from the smitten Mr. Maine. It's a hit, but as Esther (now named Vicki)'s star ascends, Norman's popularity plummets due to a string of lousy pictures and an ongoing alcohol problem. The film won Academy Awards for director William Wellman and Robert Carson in the "original story" category and for W. Howard Greene's glistening Technicolor cinematography. ~ Hal Erickson, Rovi

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Janet Gaynor
as Esther/Vicki
Fredric March
as Norman Maine
Adolphe Menjou
as Oliver Niles
Andy Devine
as Danny McGuire
May Robson
as Lettie
Owen Moore
as Casey Burke
Elizabeth Jenns
as Anita Regis
J.C. Nugent
as Theodore Smythe
Clara Blandick
as Aunt Mattie
Peggy Wood
as Central Casting Receptionist
Edgar Kennedy
as Pop Randall
Adrian Rosley
as Makeup Man
Arthur Hoyt
as Makeup Man
Vince Barnett
as Photographer
Paul Stanton
as Academy Awards Speaker
Robert Emmett O'Connor
as Bartender at Santa Anita
Irving Bacon
as Station Agent
Clarence Wilson
as Justice of the Peace
Jonathan Hale
as Night Court Judge
Francis Ford
as Prisoner
Eddie Kane
as People at Burke's Party
Lee Phelps
as Bailiff
Leonard Walker
as Orchestra Leader at Hollywood Bowl
Gayne Whitman
as Announcer at Chinese Theater
Jed Prouty
as Artie Carver
George Chandler
as Delivery Boy
Jane Barnes
as Waitress
Pat Flaherty
as Cuddles
Charles Williams
as Assistant Cameraman
Billy Dooley
as Painter
Helene Chadwick
as Woman at Preview
Harry Hayden
as Makeup man
Carole Landis
as Girl in beret (Santa Anita bar)
Edwin Maxwell
as Voice Coach
Ferdinand Munier
as Headwaiter
Robert E. O'Connor
as Bartender at Santa Anita
Lana Turner
as Marion (Santa Anita bar)
Dennis O'Keefe
as Party Guest
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Critic Reviews for A Star Is Born

All Critics (18) | Top Critics (5)

  • Does the industry a marked service. Without missing its comedies or its fascinations of whitewashing its follies and its heartbreaks it contrives to give an essentially authentic and a wholesome portrait.

    Oct 10, 2018 | Full Review…
  • this 1937 William Wellman-David O. Selznick production (itself a partial remake of Cukor's 1932 What Price Hollywood?) is extremely watchable, not least because of the Technicolor portrait it paints of art deco Hollywood.

    Oct 3, 2018 | Full Review…
  • The highly commendable results are achieved with a minimum of satiric hokum and a maximum of honest story telling.

    Aug 28, 2008 | Full Review…

    Variety Staff

    Top Critic
  • Wellman's non-musical version, though starting more sentimentally with Gaynor as a wide-eyed innocent dreaming every girl's dream of stardom... develops a much more caustic edge, maintaining a bitterly critical distance from the dream factory.

    Feb 9, 2006 | Full Review…

    Tom Milne

    Time Out
    Top Critic
  • Good entertainment by any standards, including the artistic, and convincing proof that Hollywood need not travel to Ruritania for its plots; there is drama aplenty in its own backyard.

    May 20, 2003 | Full Review…
  • A Star Is Born is a swooning lyrical triumph, one of those rare instances in which Hollywood reflexivity pays off.

    Feb 17, 2019 | Full Review…

Audience Reviews for A Star Is Born

  • Oct 06, 2018
    For a film about acting, it is frustrating that we never see how Esther's evolves or Norman's gets worse; besides, this feels completely dated now, shifting focus halfway through from its weak female protagonist to a selfish male and coming off as awfully sexist with its traditional values.
    Carlos M Super Reviewer
  • Apr 07, 2014
    This oft repeated film started off here with all the guts and determination of a woman who must make it in Hollywood. This remakes the best version.
    John B Super Reviewer
  • Mar 30, 2014
    The satire is pretty light, but you really wouldn't expect a hard hitting take-down of Hollywood from a Selznick production. Compared with the two remakes that followed, this one is actually the funniest (no doubt due to Dorothy Parker's involvement with the screenplay) and its that coupled with the performances of Gaynor and March that makes the whole thing worthwhile.
    Alec B Super Reviewer
  • Jan 09, 2014
    The original. 1937. Typical of Hollywood, it's slick and flush with warnings of the dangers and lies of Hollywood while at the same time glamorizing them. Anyway, a wide-eyed gal from the sticks goes to L.A. to make it in the big time only to fall for a star who conversely fading, etc., etc., etc. Why does she make it? Why does he fail? That's not shown, only implied. Janet Gaynor was an unknown quantity to me, though a big star in her time, and she nearly won me over by the film's end, especially the scene where, as a waitress, she auditions for Tinseltown bigwigs, impersonating other well known 1930's stars. But the film belongs to Fredric March who is introduced as unlikable, seldom veers far from that, and yet must maintain our interest so we can not like him some more. Adolf Menjou, yet again, plays the supporting character/deus ex machina throughout unobtrusively. Not bad.
    Kevin M. W Super Reviewer

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