I highly recommend that you watch 'Contact', it's worth watching entirely just for Jodie Foster's performance as the lead character.
While Kubrick's version is far more compelling, not to mention creepier, Zemeckis' Contact is pure comfort food, thoroughly entertaining and benign. Jodie Foster, as always, delivers a believable performance. As Ellie Arroway, Foster plays a scientist who spearheads an independently funded program to find signs of extraterrestrial life. Just before funding is cut, she receives a strange signal that seems to originate from the Vega Galaxy. When the signal is decrypted with instructions to build a transportation device, supposedly to make face-to-face contact, the find causes a major stir. World governments weigh in, the public and the media are up in arms, trying to make sense of this extraterrestrial message.
While the government screens for likely candidates to be the first ambassador to ride the teleportation machine, Ellie's bid to be that person is thwarted by some key people. Her on and off paramour, Palmer Joss, a minister played by a miscast but not entirely egregious, Matthew McConaughey, questions Ellie's religious faith before a jury panel. As the panel regards Ellie's lack of faith a liability, she loses the candidacy to David Drumlin, her academic rival played by Tom Skerritt.
Without delving too much into plot detail, Ellie eventually gets to finally go on her journey. However, I won't say more except that the theme of religious faith comes to an elegant full circle. The implication that religion and science don't have to be mutually exclusive is a hard won conclusion that Foster's Ellie proves with heart and conviction.
From the start, Contact lets you in on its thematic scope. The opening sequence is a visually sweeping dazzler that firmly straps the viewer right to his seat. Director Robert Zemeckis grounds the story in the present (the film was released in 1997) by splicing in real life events and personages - much like he did in Forrest Gump - to achieve an authentic and visually immediate reality. For anyone who ever gave thought to what might exist beyond our own blue skies, Contact offers an entertaining, ambiguous, but thought provoking ride. It's a movie that suggests we may not be alone in the universe, but we don't have to fear this or feel alone about it. A sci-fi film that can achieve such, is worth occupying a space in my DVD library.
At the end, where Ellie's thoughts are downloaded so that the aliens can communicate with her, they use her father to do so, and we are allowed the emotional response as she seemingly interacts with her father who has been dead for years. This movie opens up a world, or a universe rather, of possibilities, and challenges us to dream big, to dream about what is really out there. Because if it is nothing, as the movie reminds us - that seems like an awful waste of space. This movie challenges controversial arguments, and reaches to the farthest extents of both extremes to open our imagination into how they can both work together in harmony.
it was fun to see my kids, unprompted, openly mocking Matthew McConaughey
I dont know why it doesnt score higher among people its a great story..not even put off that its a little dated!
the movie its ok. its a movie to see from time to time.
It's stunning that the reviews could be so low on this film. The acting, script, cinematography are all excellent. Even Matt McConhaughey played his part very well.
The story is original and has been a basis for plots of modern space travel/scifi films of late. The science in Contact is well above average for Hollywood films, it lets the imagination and wonder of the story be the point of interest rather than fantastic explosions and apocalyptic threats.
Contact is the model for astronomy based films.