The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Colossally ambitious, this logistically boggling and technically brilliant film from writer-director James Cameron is a visual tour de force, featuring overall, the greatest underwater sequences ever seen on film.
The Abyss gains in some ways from its own Achilles heels, in a way most movies don't... its formal technique, its reckless obsessiveness, and its gutsy emotionalism are what I can't stop turning over in my mind.
The movie was a bear to make and it shows onscreen, parading around a series of mesmerizing set-pieces that look deliciously hard-earned in ways our current CG-drenched filmmaking climate never allows.
As a follow-up to Cameron's great sci-fi Aliens, The Abyss is too verbose for an actioner and the special effects, striking as they are, are not well integrated into the narrative, but it's still worth seeing.
The attempt to extract the essences of several genres (cold-war submarine thriller, love story, Disney fantasy, pseudomystical SF in the Spielberg mode) and mix them together ultimately leads to giddy incoherence.