American Violet 2009

American Violet

Critics Consensus

Though its politics are as obvious as its outcome, American Violet is an earnest docudrama about the justice system with a powerful performance from Nicole Behairie.

75%

TOMATOMETER

Total Count: 59

79%

Audience Score

User Ratings: 16,361

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Movie Info

After an overzealous district attorney's drug bust lands her in jail, single mother Dee Roberts (Nicole Beharie) must face an agonizing choice: Plead guilty and go home a convicted felon, or fight the charges and risk a lengthy prison sentence. Despite her mother's (Alfre Woodard) advice and risking everything, innocent Dee chooses to fight the Texas criminal justice system, joined by an ACLU attorney (Tim Blake Nelson) and a former narcotics cop (Will Patton).

Cast & Crew

Will Patton
Sam Conroy
Alfre Woodard
Alma Roberts
Michael O'Keefe
Calvin Beckett
Xzibit
Darrell Hughes
Tim Ware
Mark Shelby
Paul David Story
David Higgins
Bill Haney
Screenwriter
Steve Yedlin
Cinematographer
Caroline Eselin
Costume Designer
Peter Newman
Executive Producer
Monroe Kelly
Production Design
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News & Interviews for American Violet

Critic Reviews for American Violet

All Critics (59) | Top Critics (28) | Fresh (44) | Rotten (15)

Audience Reviews for American Violet

  • Dec 29, 2011
    It's a story that's been done many times, and it's a bit predictable, but American Violet is a gripping docudrama about the Texas justice system that features powerful and award-worthy performances from the whole cast but I expect nothing but greatness and stardom for Nicole Behairie. (Alfre Woodard is also amazing).
    Raymond W Super Reviewer
  • Sep 14, 2010
    Really, really good movie. Unreal that this stuff really happened, and still happens. I love a good true story, especially if it has Alfre Woodard in it. I cannot believe that this District Attorney was never fired, AND was re-elected to boot. What a world we live in. sheesh
    Cynthia S Super Reviewer
  • Sep 13, 2010
    Nichole Beharie as Dee Roberts gives a truly inspiring performance as a mother, living in the projects, who is wrongly accused of drug dealing, and then is caught up in a corrupted criminal justice system that railroads those who have little way of defending themselves against a system created to protect them. The message here, while being a bit heavy handed, needs to be said, and the film does a very good job of delving into the consequences of a political system that simply bulldozes people for government funding, not caring what happens to those they trample. There are some very touching scenes where Dee is jailed for 21 days for a crime she didn't commit; including a scene where she is allowed ten minutes to see her children - through a small grimy piece of glass that is stuck high up in a doorway. The will of this woman to perservere is astonishing, and the film does a nice job of showing you what would have happened if she had taken the offered plea bargain - a felony record that would prohibit her from receiving any kind of government assistance; from food stamps to housing - and, having a criminal record would severly hamper her attempts at finding a job, which of course could possibly lead to child protective services taking her children. Dee has enough problems just getting on with life - trying to raise her children, with her children's deadbeat dad and his abusive girlfriend in the same building, and yet even after her conviction is overturned, her subsequent case (spearheaded by the A.C.L.U.) puts her in the D.A.'s crosshairs - who uses his substantial infuence to not only prevent her from returning to her job of 7 years, but even makes sure that she is terminated from the minimum wage job she finally manages to procure. All for a good arrest record, which not only serves to line the county coffers via federal funds, but keeps the D.A.'s "tough on crime" credo in the spotlight - and, ugliest of all, satisfies his predudice against people of color. Still, Dee persists, and the D.A. is forced to make restitution to those wrongfully accused; but the bigger victory is that the law in which a person could be tried based on information provided by a single source,without corroborating evidence, was overturned. This is a very forthright docu-drama, earnestly filmed, that includes an inspiring lead performance and some equally fine supporting performances by the likes of Alfre Woodard, Will Patten, Tim Blake Nelson, and Charles Dutton.
    paul s Super Reviewer
  • Aug 06, 2010
    In "American Violet," Dee Roberts(Nicole Beharie), a single mother of four and a waitress in Melody, Tx, finds herself getting caught up in a police dragnet orchestrated by District Attorney Calvin Beckett(Michael O'Keefe) who has a fondness for helicopters. She is shocked to discover this has nothing to do with the $782 she owes in parking tickets. She and many of her neighbors in a public housing project are accused of selling drugs on the word of a single informant and her bail is set at $70,000 which of course she cannot afford. Her young court appointed lawyer David Higgins(Paul David Story) advises her to take the plea bargain, a 10 year suspended sentence, which many of her fellow defendants accept. But if she does, she will lose any benefits and the public housing where she lives. This is not the first time this has happened as the ACLU gets involved in the person of David Cohen(Tim Blake Nelson) who petitions local lawyer Sam Conway(Will Patton) to help in the case. Based on a true story, "American Violet" should frighten anyone who genuinely fears the power the government can wield against its own citizens. Clearly told, the movie also asks questions about the criminal justice system and how the poor and minorities become trapped in it that somebody will have to answer one day, with a special focus on the war on drugs.(Remember, everyone is innocent until proven guilty.) My favorite scene is where David identifies himself as ACLU, while approaching Sam at a gun range. The movie is not without its share of faults, however, as it could have been better directed. It is also a little too neatly resolved(Damn you, Law and Order!), even if the story is still ongoing. Luckily, the movie is not that heavyhanded, as its sole Potemkin moment comes in an early sequence. And through Will Patton's bravura performance, Sam becomes as much a center of the story as Dee who has the most to lose and proves there is always something worth fighting for.
    Walter M Super Reviewer

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