The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
More of a paper cut, but one that's sufficiently nasty in a minor key, landing a few body blows where it matters the most, while successfully detailing the betrayal and schmoozing it takes to get to the top.
Overstuffed and occasionally meandering while boasting a terrific ensemble cast and a radiant, brave performance by Gillian Anderson. It's an unflinchingly honest, provocative potpourri of the harsh realities of the art world.
The cast of superficial backstabbers, casual philanderers, and gibberish-spouting phonies has no original characters, but at least a few of the actors attack their roles with a zest that offsets their two-dimensionality.
An all-star cast flails about to no discernible purpose in Duncan Ward's Altman-esque satire, a flaccid take on the London art scene that doesn't appear to have benefited from having Damien Hirst as consultant.