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No consensus yet.
All Critics (42) | Top Critics (18)
Wiseman captures these staccato polyrhythms both visually and sonically. There's not a lot of hitting here; he clearly delights in the sport's balletic beauty. Aug 21, 2017 | Full Review…
Wiseman captures these staccato polyrhythms both visually and sonically. There's not a lot of hitting here; he clearly delights in the sport's balletic beauty.
Richard Brody
Graceful and quietly inspiring. Feb 4, 2011 | Rating: 3/4 | Full Review…
Graceful and quietly inspiring.
Joe Williams
Even with no traditional narrative, there are wonderful discoveries to be made in Wiseman's film, which is a nice complement to the experienced director's ballet-themed last feature, "La Danse: The Paris Opera Ballet." Dec 22, 2010 | Rating: 3/4 | Full Review…
Even with no traditional narrative, there are wonderful discoveries to be made in Wiseman's film, which is a nice complement to the experienced director's ballet-themed last feature, "La Danse: The Paris Opera Ballet."
Peter Hartlaub
Don't go to Boxing Gym expecting pugilistic melodrama about long-shot underdogs. There's not an ounce of fat or cliché in Frederick Wiseman's new documentary. Nov 18, 2010 | Rating: 4.5/5
Don't go to Boxing Gym expecting pugilistic melodrama about long-shot underdogs. There's not an ounce of fat or cliché in Frederick Wiseman's new documentary.
Chris Vognar
For legendary documentarian Frederick Wiseman to follow La Danse: The Paris Opera Ballet with a film set in a down-market Texas boxing gym seems unlikely -- until you see Boxing Gym, and how it and its subjects dance. Nov 11, 2010 | Rating: 3.5/4
For legendary documentarian Frederick Wiseman to follow La Danse: The Paris Opera Ballet with a film set in a down-market Texas boxing gym seems unlikely -- until you see Boxing Gym, and how it and its subjects dance.
Moira MacDonald
Frederick Wiseman must drive certain nonfiction filmmakers crazy. He makes it look too easy. Nov 11, 2010 | Rating: 3.5/4 | Full Review…
Frederick Wiseman must drive certain nonfiction filmmakers crazy. He makes it look too easy.
Wesley Morris
In a year filled with angry, sociopolitical documentaries, it's my favorite. Dec 24, 2010 | Rating: 4/4 | Full Review…
In a year filled with angry, sociopolitical documentaries, it's my favorite.
Jeffrey M. Anderson
Proves once and for all that documentary heavyweight Frederick Wiseman's mesmerizing fly-on-the-wall filmmaking style -- in addition to being endlessly compelling -- is also infinitely adaptable. Dec 18, 2010 | Rating: 3.5/4 | Full Review…
Proves once and for all that documentary heavyweight Frederick Wiseman's mesmerizing fly-on-the-wall filmmaking style -- in addition to being endlessly compelling -- is also infinitely adaptable.
Mike Scott
Of a piece with Wiseman's filmmaking philosophy, and fits snugly into the whole of his work, even if...it's a relatively minor example of it, at least in terms of length. Nov 18, 2010 | Rating: B | Full Review…
Of a piece with Wiseman's filmmaking philosophy, and fits snugly into the whole of his work, even if...it's a relatively minor example of it, at least in terms of length.
Frank Swietek
The soundscape, too, is endlessly fascinating, a layer cake of squeaks, grunts, gasps, and rattling chains that, combined, catches a rhythm that sounds an awful lot like song. Nov 12, 2010 | Rating: 3/5 | Full Review…
The soundscape, too, is endlessly fascinating, a layer cake of squeaks, grunts, gasps, and rattling chains that, combined, catches a rhythm that sounds an awful lot like song.
Kimberley Jones
The film, which as usual eschews voice-overs and soundtrack music, is a chorus of labored breathing, an unblinking, at times beautiful recording of real-life, Nov 12, 2010 | Rating: A- | Full Review…
The film, which as usual eschews voice-overs and soundtrack music, is a chorus of labored breathing, an unblinking, at times beautiful recording of real-life,
James Verniere
Wiseman records the rituals of repetition (speed bag and footwork) in poetic long shots that often have two pugilists side by side, each unaware of the other. The cadence is both primal and hypnotic. Nov 11, 2010 | Rating: 3.5/4 | Full Review…
Wiseman records the rituals of repetition (speed bag and footwork) in poetic long shots that often have two pugilists side by side, each unaware of the other. The cadence is both primal and hypnotic.
Tom Meek
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