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View All Citadel News
All Critics (42)
| Top Critics (12)
| Fresh (23)
| Rotten (19)
| DVD (2)
Despite its defiantly un-PC 'fear-a-hoodie' message, the film nails its urban setting, filling every frame with a richly sustained sense of despair, decay and dread.
This is a basic story, simply and directly told by Irish writer-director Ciaran Foy.
It's all rather nausea-inducing and a bit frightening - not the film (I can only wish) but its subtextual message.
"Citadel" attempts to transform mundane anxieties into the stuff of a horror film. But the initial tension of the premise dissipates like a slow leak.
While Foy's efforts to create his own distinct modern urban mythos are ambitious, the result isn't entirely satisfying.
A bare-bones man-against-his-worst-fears white knuckler, shot through deep, menacing shadows.
This film is both inventive and creepy at a visceral level that will stay with audiences after the lights come up.
Citadel narrative is extremely weak and dreadfully derivative.
Another quietly effective horror story from the Emerald Isle.
Citadel slowly-but-surely squanders a promising opening to become a rather interminable thriller that feels endless even at 84 minutes.
A familiar story of sinister creature frights and psychological horror gets a little boost from a gloomy mood of urban decay and isolation.
The film's pretty repugnant if taken as social commentary, but plays with contemporary fears and anxieties incredibly effectively.
I almost let some bad reviews stop my from watching Citadel, but I'm glad I didn't, 'cause personally? I fuckin' loved it. Very reminiscent of Heartless, but a more horror-conforming plot.
Add a rev After seeing his wife murdered by a gang of faceless kids in hoodies, a young father becomes an agoraphobic shut-in, but must face his fears when the same gang abducts his baby daughter and take her to the condemned tower block where the murder occurred. A noble attempt, but the enthusiastic first-time Irish writer/director focuses too much on creating psychological/sociological depth, leaving being scary and suspenseful as an afterthought.
A few weeks ago I was listening to a podcast and one of the hosts mentioned how good this movie was and how he thought it was the best horror movie of 2012. I had never heard of it, but decided to search it out and give it a shot. The premise is pretty good and creepy. It's about an Irish guy who's pregnant wife is murdered in front of him by this group of demonic kids. The baby survives, and he is left alone to raise the baby. He lives in fear of leaving his apartment for his and the baby's safety, because the kids still lurk in the community and are coming for them. There's a couple twists and turns best left for if you watch, but overall this isn't a very good movie. There's a couple really good scenes, but the rest drags and just doesn't seem to go anywhere. It's an Irish movie, so maybe an Americanized version will get made and it will be better, because I think there is a good movie to be made out of this material. This just isn't it. The acting is just "meh", and the movie is sometimes too dark where you can't get a good enough grasp of what is going on. I'm a big horror fan, and this just didn't meet my expectations. Having said that, I can see why people would think this is good, because it has a good creepiness to it. Watch at your own risk.
The U.K media have a history of creating social panics and the demonizing of teenage "hoodies" is one of the current fads. This is the latest in a spate of U.K horror films to cash in on the bad press. Writer/director Foy goes one step further with his demonizing; his hooded villains are actually demons.
Barnard witnesses the brutal murder of his pregnant wife and lives as a shut in with his new-born daughter. The demons are after the child and Cosmo teams up with crazy priest Cosmo to defeat them. The location, an abandoned Glasgow tower block, lends the film a sinister vibe which it probably doesn't deserve. What starts off as an interesting take on social horror quickly develops into a second rate scare-fest.
Foy wrote this after suffering a violent attack by teens in Dublin so has a legitimate gripe but I feel this sort of ostracizing of young males does nobody any good.
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