Feb 15, 2021
The film is made largely without urgency, without concreteness, without any apparent awareness of the particular lives people are leading in America today.
Dec 17, 2020
Cruise's performance is a fine one, nicely seasoned with just the right touch of piquantness.
Dec 8, 2020
While Cruise was obviously the box office draw for Collateral, it was Foxx who was on a career-high in 2004.
Feb 2, 2018
If the final destination's a bit of a disappointment, getting there is a lot of fun.
Jan 8, 2018
Cruise lacked the deepdown malevolence required to bring Vincent to life. I wished him dead in the first few minutes he was on the screen -- and for the wrong reasons.
May 17, 2015
A visually striking film from the unhinged, endlessly creative mind of Michael Mann.
Apr 18, 2013
The year's best action thriller with excellent performances from its two leads and Mann's brilliant direction making something as pedestrian as a taxi ride a pulse-pounding thrill ride.
Jul 6, 2010
In the homestretch the thrills get too generic and farfetched for their own good. But the first two thirds are a knockout.
Apr 5, 2010
Mann takes a predictably clichéd, far-fetched crime yarn and transforms it into a fascinating thriller.
Jun 30, 2009
If anyone is ever to mount an argument for the superiority of video over film, this movie would of necessity be very near to the center of that argument.
Apr 29, 2009
A very superior thriller with excellent direction and utterly top-notch performances...
Dec 21, 2008
Awesome vision and a compellingly villainous Tom Cruise save this cool contemporary noir from its lukewarm patches.
Oct 18, 2008
Every bit as satisfying as a thriller should be, keeping us hanging at every turn. As the credits roll, we are out of breath.
Aug 7, 2008
Strong performances and Mann's muscular direction provide plenty of tension, atmosphere and action-packed teeth.
Jan 15, 2008
It's a solid servicable thriller, one that works throughout watching it but not one that stands particularly out from the bunch...
Jul 30, 2007
A welcome change-of-pace dramatic thriller, in which the formerly too-emphatic director hints at depth rather than insisting on it.