Jul 13, 2014
Look at the fucking poster for this movie. Seriously, fucking look at it. Is that not the most ridiculous thing you've ever seen? I'm sure there's something worse out there, but it just looks so goofy and silly. It's the kind of poster that makes you go 'I may not want to watch that movie'. At least it gives you an indication of what the movie is about. If you couldn't tell that this movie is about a killer, evil fucking dog, then you're probably Sarah Palin. With that said, this is better than your typical Stephen King adaptation. I don't think it's great though, the first half, or so, of the movie, before the whole ordeal with Cujo starts, isn't particularly mind-blowing. I think that first half really just did a number on me. Yes, it does set up what is about to happen, showing Cujo's brutality and all that. But I just wasn't that into it all things considered. Things get better once Donna and Tad are stuck inside the Pinto being terrorized by Cujo. These scenes are incredibly effective. Mostly because, for the most part, outside of the most violent scenes that obviously required stunt work, both Dee Wallace and Danny Pintauro are actually in the car while Cujo tries to break in to attack them. I don't know about you but Danny Pintauro seemed legitimately terrified of this dog. I don't know what they did, but his reactions to Cujo are absolutely natural. Almost as if they didn't clue him in as to what was gonna happen. I really doubt that, but the first moment Cujo appears and attacks the car, Tad is crying his heart out and he's speaking but you can't literally understand a word that's coming out of his mouth. The captions supposedly show you what he's saying, but it doesn't sound like it at all. Totally natural performance from Danny Pintauro here. The dog himself is absolutely terrifying really, the make up they put on him to make him look menacing, not that he really needed much being a Saint Bernard, and just how the dog behaves, he's pretty scary all things considered. Dee Wallace, however, didn't really impress me. At least not until the climax of the film where, her motherly instincts kick in, the fact that her son doesn't even believe that she's able to get him out of this situation, going as far as to cry out 'I want my daddy' clearly motivates her. Then Dee Wallace then proceeds to take care of business. I think it was these were the only scenes where she really showed life because there was something uninspired about her for most of the film. Something about her tone of voice just put me to sleep, not literally, but I just would zone out when she would speak. It's also good seeing a female in a horror movie that takes care of her own problem without resorting to the damsel in distress cliche where the man comes in to save the day. It's not quite Alien or Aliens, as far as the heroine goes, but it works well. This isn't really something that's a detriment, but this movie, unlike many 80s horror movies, lacks a campy, silly kind of charm that probably would've made it better. Or at least more enjoyable to me. I realize that this film is not at fault for not aging like that. Some movies age differently than others and that is the case here. This is a more straightforward horror story than it is one with deeper thoughts about human condition in mind. Still, I enjoyed this film. Story of two halves though, one isn't so good and the other half is great. When you look at the overall film, then this is the rating you get. It's definitely better than the poster looks, trust me.
Verified