Damsel (2018)
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AUDIENCE SCORE
Critic Consensus: The beautifully filmed Damsel injects the western genre with a welcome dose of humor and some unexpected twists, although its stately pace may frustrate impatient viewers.
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Cast
as Samuel
as Penelope
as Old Preacher
as Parson Henry
as Rufus Cornell
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Critic Reviews for Damsel
All Critics (98) | Top Critics (27) | Fresh (69) | Rotten (29)
Damsel spends its second half literally wandering in the woods, with no clear destination or objective in mind.
As an indie film with a clever gimmick, it's worth seeing, though it never quite sustains the sweeping feel of its first two scenes.
"Damsel" takes most of the elements you've ever seen in a Western and tweaks some, twists others and comes up with something unusual and mostly satisfying.
Sometimes you encounter the kind of movie that makes you feel the day can't get any better than this.
"Damsel" owes just as much to the absurdist tone of the Coen brothers, possessing the same visual and verbal japery and, occasionally, absurdism for its own wearyingly ridiculous sake.
Damsel is designed to be a deliberately out-of-joint comedy about a woman forced to endure an exasperating ordeal. After two hours, I could relate.
Audience Reviews for Damsel
In a work with a serious Coen Brothers "nutty" vibe, Mia Wasikowska convincingly portrays a pretty woman out West during the settling days after the Civil War (where women were hard to find ... particularly pretty ones) with a frustratingly endless problem; I.e.; all the men she meets want to "save" her, despite that she herself doesn't want saving. Robert Pattinson does an excellent job as one of her impossible suitors, unwillingly to "not" save her. The work doesn't always score, but charms even when it fails due to it's stars' chemistry.
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