Eastern Promises Reviews
I'm Russian, so I get pretty critical and nitpicky when I see Russian characters in Hollywood movies. Usually I get mad or disappointed, usually the portrayals are disgraceful, the language is barely Russian at all, the people talking this mangled language barely try. Not to mention the typical Russian villains.
But here, WOW. I feel like this is the best Russian portrayal I've seen out of Hollywood. Any better than this and it'd be some kind of joint Russian production. You could tell the production did its research, most of the actors took their Russian lessons seriously, the Russian dialog made sense and was surprisingly natural. Hell, they even finally hired real Russians to play some of the extras.
And Viggo just... He just knocked it out the park and into another galaxy. I always heard he had a talent for languages, but to hear it here was a shock. He nailed the language. Bravo to him. I might even go as far as to say that this was Viggo's most impressive role yet.
I also have to say that I was really surprised by the quality of the cast here. They all did a serviceable job.
Now the story took me by surprise. The third act of the movie is refreshingly unexpected. I thought I had a good grip on it all, and then I was pleasantly proven wrong. It elevated the movie from a good movie, to a great one.
I can recommend this movie to anyone with a completely clear conscience.
'Eastern Promises' is a movie that would appear to have everything: good performances, excellent direction/cinematography, and a proved writer in Steven Knight. Yet, for whatever reason, it never quite lands as well as it should. There's nothing blatantly wrong with the movie, but there's nothing particularly noteworthy either. It's a well-made crime drama made by very talented people, all of which have done better, but could do a helluva lot worse too.
When where we end up we are stuck in, forced to live a dreadful life, when we searched long for this better life. We console in a diary to maintain our sanity and thoughts to get through it. The place we search for we realize we are searching in the wrong place before it's too late. There is no better life here, when gangsters and corruption rule the streets and you live in it and need it. When this better life isn't achievable when such corruption is too in depth and large and hidden that no one is able to solve or grasp. When these careless souls are even careless when those whom they rely on fail. When getting into deep in such departure corruption takes time and lives are at loss, but the sacrifice for those help resolve end corruption eventually until a new one happens again. A constant battle, struggle and fight that not only victims go through but those whom have to end it.
It takes some good hearted, soulful angels to help give a life for those whom cant.
The quick bursts of brutal violence punctuate long bits of character development, with Mortensen looming large over the film, exuding menace just by standing there with a half-smile playing about his lips.
Plot: Deeply affected by the death of a Russian teenager in childbirth, nurse Anna (Naomi Watts) takes it upon herself to find her family and save the baby from foster care. With access to the girl's diary, Anna is led to Semyon (Armin Mueller-Stahl), the owner of a Trans-Siberian restaurant. Semyon isn't the endearing character that he makes out, however, and the closer Anna gets to the girls story, the closer she gets to the enigmatic 'driver' Nikolai (Viggo Mortensen) and the bloody underworld of the Russian Mafia.
When you think of a mob movie, your memory will most likely be jogged to the glamorously brutal Italian American variety. The obvious ones being the exemplary work of Scorsese's Goodfellas or Coppola's The Godfather. You may even consider the violent Cuban's of DePalma's Scarface and the Puerto Rican's of Carlito's Way or perhaps the Irish goons from The Coen brothers Miller's Crossing. With Eastern Promises, though, Cronenberg decides to focus on the Russian mafia operating from a restaurant in the drab, Hackney borough of London. Although it mines the same well as some of the aforementioned films, it feels like a fresh take on the mob movie, primarily because it's an ethnic group of mobsters that don't often get attention.
Steven Knight's screenplay focuses on the murky world of people trafficking while exploring the tradition and initiation of Russian criminal codes. The gangsters of this story have to earn their positions and their stripes which are represented in tattoo form and by doing so, brings forth an genuine air of mystery and intrigue to the characters. This is the master stoke of the film. And Cronenberg knows it. He's not overly concerned with the plot itself. Sure, it plays out with a good degree of tension and more than holds your interest but the real draw here is what we don't see. It's the machinations of this criminal underworld and their untold code of ethics that intrigues the most. This is exemplified with some great performances; Naomi Watts delivers the perfect bewilderment of a women out of her depth and while I'm a huge fan of Vincent Cassel - and his loose-cannon, Kirill, gets a substantial amount to do here - even he isn't the standout. It's the unnerving work of Armin Mueller-Stahl who brings real gravitas as Semyon, the patriarchal head of the family and the quietly affecting, yet very intimidating, Viggo Mortensen who own this film. When we speak of mystery and intrigue, Mortensen's loyal driver Nikolai is the epitome of it. It's an absolutely captivating performance which rightly gained him his first (and long overdue) Oscar nomination with his involvement in a steam-room brawl worth the nomination alone.
Where the film is slightly let down is in its rushed denouement. For the most part, it revels in a particular pace, but when it's drawing to a close it feels muddled and determined to finish within a particular running time. Up until then, however, it's a brutal and punishing crime yarn that hits many a strong note and breathes new life into the mob film.
A viceral, stylish and compelling story that benefits greatly from masterful acting. It's arguably both Cronenberg and Mortensen's finest work. This Eastern themed film keeps good on its Promises.