I Vitelloni (1953)
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as Fausto Moretti
as Sandra Rubini
as Moraldo Rubini
as Woman in the Cinema
as Father of Fausto
as Sister of Alberto
as Sandra's Father
as Sandra's Mother
as Head of a Theatre Troup
as Leopoldo's "Chinese" Date
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Critic Reviews for I Vitelloni
Offers us the rare chance to witness a filmmaker becoming a master filmmaker, as well as the birth of an important relationship with composer Nino Rota.
What stays fresh (and enhanced by the beautifully restored black- and-white print) is how so many of Fellini's gifts and obsessions are already apparent in this early work.
It was this ineffably poignant semiautobiographical reverie that unleashed fully Fellini's shimmering, flowing poetic style.
One of the screen's great portrayals of the hell-raising and malaise of young men in their 20s.
If you have warm memories of American Graffiti, Diner, Mean Streets or even TV's Seinfeld, you owe it to yourself to see the masterpiece that inspired them all.
Audience Reviews for I Vitelloni
Having refined his directing skills, Fellini delivered this lyrical autobiographical story with a great cinematography and a breathtaking circus-like carnival scene, but its quasi-episodic structure makes it feel a bit unfocused, with unequal screen time devoted to each of the "vitelloni."
Scorsese is obviously a fan of this Italian Neo-Realism classic. It's not my favorite, but it's definitely worth checking out if you're a fan of the genre.
my new favorite fellini. i'm not a huge fan of his later works but mean streets is all over this. hell, the very first scene was lifted for goodfellas. tho mainly a masterpiece of neorealism, fellini's later style is evident in the carnival scene among other whimsical touches and his signature dreamlike atmosphere is pervasive, albeit in the form of memory. that he can make us care so much about this group of pathetic slackers is amazing to me. i had to watch it again right away. so even if ur not a fan, u might want to give it a chance. hilarious and heartbreaking
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