Johnny Mad Dog (2011)
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Critic Reviews for Johnny Mad Dog
The movie is harrowing and hard to forget. But just when you think there's no hope, Sauvaire throws in a tearful moment of redemption.
Sauvaire, hesitating between a protest picture and a glam-squalid imagist orgy, only succeeds in scattering human rubble across the screen.
Basically, talented French director Jean-Stéphane Sauvaire has too much style on his hands. His film isn't as amorally grandiose as City of God. Nor does it achieve the hulking tragedy of Gomorrah.
The film sees war as a deadener of moral and physical inhibition, a paradoxical state where there are no winners or losers, just the living and the dead. Stunning.
A fearsome plunge into the world of child soldiers in present-day West Africa.
Audience Reviews for Johnny Mad Dog
A gritty, realistic drama that is true to the everyday hell many children live through in war torn countries.
It’s a crazy world for 15-year-old Johnny Mad Dog and his teenaged pals. In Johnny’s world, he doesn’t worry about asking girls out -- he simply kidnaps or rapes them. When Johnny and the boys meet someone they don’t like, there are no fisticuffs; they have an Uzi to take care of the problem. And if an older couple tries to reason with them, well, the boys can just force them to strip and then demand: “You’ll fuck your wife, right now, in the living room … fuck for me now!” It’s a boy’s life, indeed. "Johnny Mad Dog," with its band of vicious young males, will put some viewers in mind of "A Clockwork Orange," but director Jean-Stephane Sauvaire’s documentary-style film is more horrific because it’s not set in the future; it is fact-based and happening right now. (Depending on which source you consult, events are based either on Liberia or the Congo Republic.) This hypnotic horror-show demonstrates what happens when children are recruited to fight adult wars. We follow Johnny (Christopher Minie) and his militia as they make their way toward the capital of their country, terrorizing anyone who crosses their path. It’s a mesmerizing march, and these kids resemble a road show from hell: One guy wears a white wedding dress; another sports gauzy, white angel wings. These boys don’t worry about anyone dissing their fashion choices. But between bouts of carnage, Sauvaire reminds us that these thugs are, despite everything, still boys. A kid nicknamed No Good Advice, whose behavior has been monstrous, is reduced to tears when his “pet” pig is slaughtered for a meal. Johnny, whose idea of socializing with the opposite sex is rape, is devastated when a girl he likes is murdered. Turns out Johnny and the boys aren’t just monsters, but victims themselves. It’s ironic that this week’s Hollywood box-office champ is "The Expendables," Sly Stallone’s latest comic-book version of violence on film. At one point in "Mad Dog," Johnny picks up an Uzi and explains its function to his comrades: “Chuck Norris used it in 'Delta Force,'” he says. “So be careful! The Israelis or Chuck Norris might be around.” Norris and Stallone movies are filled with senseless violence. So is "Johnny Mad Dog," but that’s where any similarities end.
Powerful insight into the psyche of child soldiers with a mesmerising central performance and a real driving energy but shrouded in the darkness of the subject material.
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