La Vie de Bohème (Bohemian Life)

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Movie Info

This is a well-regarded contemporary dramatic retelling of the story most familiar to audiences from Puccini's great opera La Bohème and was made by the noted Finnish film director Aki Kaurismaki. Like the opera, it is based on the novel Scènes de la vie de bohème by Henri Murger. Despite their ever-present poverty, which poses a constant threat to their continued existence, the artists and their friends in this movie speak in only the most polite, elegant, and genteel manner, which only serves to underscore their desperate situation. In the story, the poet Marcel has been unable to come up with the rent for his barely tolerable room and has been evicted from it. While wandering in his neighborhood, he catches the eye of Rodolfo, an Albanian immigrant eating in a small cafe, who waves him over and invites him to share his dinner. Though they have never met, they are soon deeply involved in a discussion about art. They leave the restaurant together and, for want of a better idea, wander back to Marcel's former room. There the poet and his new friend, the painter Rodolfo, discover an equally congenial companion in the man who just rented his room, Schaumard, an Irish composer. Just one step away from starvation most of the time, these loyal friends share resources to help one another out. On one occasion, Marcel needs a suit for a job interview and is able to borrow one from one of Rodolfo's portrait sitters long enough to be interviewed and get a paid job. With his earnings from his new editing job, Marcel buys Schaumard a car he needs. On the job, Marcel meets poor provincial girl Musette, whom he falls for, and at the same time Rodolfo finds another poor provincial girl, Mimi, on his doorstep. He quickly comes to love Mimi, but circumstances constantly thwart their being together, until he at last succeeds in making a place for them and she dies in his arms. ~ Clarke Fountain, Rovi

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Critic Reviews for La Vie de Bohème (Bohemian Life)

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Audience Reviews for La Vie de Bohème (Bohemian Life)

  • Mar 28, 2013
    Existentialism is just the topping of this pessimistic, black-and-white cake. Kaurismäki knows that the genre of the source material he adapted is <u>drama</u>, but when did some splashes of humor hurt anyone, especially if you have a very rich character development justifying your directorial plot management? Even if that was not enough, we are offered two sides of a tragedy: the one that comes from the ingratitude towards art when such profession is your profession, and the one that comes with the package called <i>life</i>. Whereas I agree that art in general is a greatly underappreciated profession, <i>La Vie de Bohème</i> suggests between lines that the true art in this life is the art of living and facing such aforementioned tragedies. 97/100
    Edgar C Super Reviewer

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