The Last Detail (1973)
Critic Consensus: Very profane, very funny, very '70s: Director Hal Ashby lets Jack Nicholson and the cast run loose, creating a unique dramedy that's far out to sea.
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as Chief Master-At-Arms
as Duty Officer
as Young Whore
as Taxi Driver
as Religious zealot
as Nichiren Soshu Member
as Nichiren Shoshu Member
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Critic Reviews for The Last Detail
Nicholson's cigar-chomping, profanity-spouting grunt is one of the greatest incarnations of stunted machismo onscreen, and he's brilliantly complemented by Quaid's picture-perfect awkwardness and Young's bracing cynicism.
A tough-talking, sparely directed effort by Hal Ashby, with an immaculate performance by Jack Nicholson.
One can't help feeling that the criticism of modern America hits out at all too easy targets in a vague and muffled manner.
The Last Detail is one superbly funny, uproariously intelligent performance, plus two others that are very, very good, which are so effectively surrounded by profound bleakness that it seems to be a new kind of anti-comedy.
Meadows' 1st beer(s), 1st joint, 1st sexual experience, 1st attempt at assertiveness... represent not just a concentrated and expedited coming-of-age narrative, but also an elegy for a nation's broader loss of innocence in its military excursions.
Audience Reviews for The Last Detail
Two Navy men escort a hapless kleptomaniac to an unreasonable prison term. Before he was a personality, Jack Nicholson was an actor. In many of his more recent films, Jack has played Jack, the smarmy, over-confident lady-killer with a devilish smile. But before "Jack," Nicholson did films like Carnal Knowledge and One Flew over the Cuckoo's Nest. The Last Detail has a lot of "Jack" moments in which Nicholson gives us his characteristic smarm and bucks authority with abandon, but the scene in which Nicholson's character, Buddussky, talks about a Meadows's milquetoast response to injustice, we see a pit of rage released, and throughout the rest of the film, Buddusky's anger at the world comes to the forefront in all his antics. Yes, he wants to show Meadows a good time before Meadows goes to prison, but mostly, Buddusky wants revenge against the world. In this way, Nicholson creates a real character, not a persona, and what could have been a lame buddy road comedy turns into a decently substantive film. Randy Quaid is quite good in an "aw, shucks" Charlie Brown kind of way, and he even handles the dramatic scenes well. Overall, it's the young Jack Nicholson who makes this film, and viewers of my generation who never got to know him as an actor should check out this classic.
The 1970's is arguably the best decade for classic American films. It produced such quality as "The Godfather parts I & II", "Dog Day Afternoon", "Serpico", "Mean Streets", "Jaws" and "One Flew Over The Cuckoo's Nest", to name a few. It heralded the reputation of the likes of Robert DeNiro, Al Pacino and this film's star Jack Nicholson. This is another, that could be included amongst the greats of that decade. Two career Navy men, "Bad-Ass" Buddusky (Jack Nicholson) and "Mule" Mulhall (Otis Young) are commissioned to escort young kleptomaniac Meadows (Randy Quaid) to the brig for petty theft. En-route, the two lifers realise that young Meadows is actually quite a naive and innocent young man, who hasn't experienced much of life. Before they deliver him to an eight year sentence in prison, they decide to show him a good time and teach him a little of life's pleasures. "...I knew a whore once in Wilmington. She had a glass eye... used to take it out and wink people off for a dollar." Where else can you get a quote like that, delivered in such dead-pan style from the great Jack Nicholson? In fact, for that matter, most of Nicholson's performances deliver at least one choice quote. His career is full of them and few can deliver a line like he can. If you appreciate such moments, then this film delivers plenty of them. It's mainly dialogue driven and character based, providing another classic Nicholson performance. As well as, fine support in Otis Young and a young Randy Quaid. All three of them are an absolute joy to spend time with. The dialogue is razor-sharp from screenwriter Robert Towne (a year before another 70's classic "Chinatown) and director Hal Ashby skilfully combines the comedy and the drama to near perfection. Ashby was a director that consistently delivered superb human drama's throughout his career ("Harold And Maude" and "Coming Home" are a couple of notable ones) but he didn't quite get the plaudits or reputation that his peers received. However, with films of this calibre, his abilities still stand the test of time. Humour and pathos can be a marvellous combination when done right and Ashby certainly does that... he gets it spot on. It may be their 'Last Detail' but I for one, wish it was their first.
Hal Ashby's wonderfoul, almost documentary, direction, together with Robert Towne's screenplay and the great friendship of characters Badass (Nicholson), Mule (Young) and Meadows (Quaid), made The Last Detail, a classic of 70's. A film whose showing that comradery is making with the most impossible situation. An critic of a would full with unjust, commands and obligations, thing that the trio dribble. Original, brilliant...Fresh.
The Last Detail Quotes
|Buddusky:||Boy, they really stuck it to ya, didn't they, kid! Stick it in and break it off. Up your giggy with a wah-wah brush, stick it in an' break it off.|
|Buddusky SM I:||about beer: "Best goddam drink in the world".|
|Buddusky SM I:||[about beer] Best goddam drink in the world.|
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