Shirley
Da 5 Bloods
On the Record
I May Destroy You
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All Critics (11) | Top Critics (6) | Fresh (5) | Rotten (6)
Whether director Gianni Amelio is aiming for emotional effect or social commentary, his fuzzy detours into melodrama land well off the mark. May 21, 2015 | Full Review…
Whether director Gianni Amelio is aiming for emotional effect or social commentary, his fuzzy detours into melodrama land well off the mark.
Sheri Linden
After a more-or-less ten-year absence from Italy and its concerns, Amelio has returned to reflect on the damage caused by the repeated concussions of the Berlusconi era. May 8, 2015 | Full Review…
After a more-or-less ten-year absence from Italy and its concerns, Amelio has returned to reflect on the damage caused by the repeated concussions of the Berlusconi era.
Michael J. Agovino
Digressions involving suicide, child abuse, immigration and unions muddy the film's meaning rather than illuminate it. May 7, 2015 | Full Review…
Digressions involving suicide, child abuse, immigration and unions muddy the film's meaning rather than illuminate it.
Ben Kenigsberg
If fuzzy thematic thrust doesn't bug you ... the essence of Albanese as a shrugging everyman for post-debt-crisis Europe may be its own reward. May 5, 2015 | Full Review…
If fuzzy thematic thrust doesn't bug you ... the essence of Albanese as a shrugging everyman for post-debt-crisis Europe may be its own reward.
Michael Atkinson
The idea of an outwardly content Everyman acting as a temporary worker in hundreds of different jobs is an appealing one, yet Amelio can't sustain the concept, and characters meant to deepen themes wind up unsatisfactorily cluttering things up. May 4, 2015 | Full Review…
The idea of an outwardly content Everyman acting as a temporary worker in hundreds of different jobs is an appealing one, yet Amelio can't sustain the concept, and characters meant to deepen themes wind up unsatisfactorily cluttering things up.
Jay Weissberg
One waits uneasily for the story to turn dark, but instead the film just runs out of energy in its second half. May 4, 2015 | Full Review…
One waits uneasily for the story to turn dark, but instead the film just runs out of energy in its second half.
Deborah Young
One is the loneliest number. August 19, 2019 | Full Review…
One is the loneliest number.
Michael J. Casey
L'intrepido reveals the same strengths and weaknesses as his work two decades ago-an appealing sincerity and social awareness, dogged by a mile-wide sentimental streak. May 7, 2015 | Rating: 2.5/5 | Full Review…
L'intrepido reveals the same strengths and weaknesses as his work two decades ago-an appealing sincerity and social awareness, dogged by a mile-wide sentimental streak.
Scott Tobias
More concerned with re-enforcing its arguments than using them to move ahead, the film, just like its hero, seems quite pleased to stay in one place all through. May 4, 2015 | Full Review…
More concerned with re-enforcing its arguments than using them to move ahead, the film, just like its hero, seems quite pleased to stay in one place all through.
Dan Fainaru
Gianni Amelio bogs down into a family drama that's neither supplementary to the film's initial quest or a fulfilling substitute. May 3, 2015 | Rating: 2/4 | Full Review…
Gianni Amelio bogs down into a family drama that's neither supplementary to the film's initial quest or a fulfilling substitute.
Clayton Dillard
A stinging and sobering portrait of the struggle for subsistence and dignity in the face of economic despair, while laced with muted comedic charm. And a cautionary triumph steeped in magical realism, melding political reality and personal human pain. June 5, 2014 | Full Review…
A stinging and sobering portrait of the struggle for subsistence and dignity in the face of economic despair, while laced with muted comedic charm. And a cautionary triumph steeped in magical realism, melding political reality and personal human pain.
Prairie Miller
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