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Critic Reviews for Mafioso
Director Lattuada was reportedly acclaimed for his oddball tonal shifts, which Mafioso offers in spades.
Director Alberto Lattuada balances the satirical and shocking aspects of the story on a stiletto's edge.
The transitional gears never grind. They just keep clicking until you know you're along for the entire ride.
The film ripens in an unanticipated way, nimbly shifting from near farce to something quite a bit darker.
Mafioso may be 45 years old, but it's as bracingly relevant as anything else in theaters today. Even in the heat of a dry Sicilian summer, the film looks fresh as a lemon tree. And when you bite down hard, it's just as bitter.
If you crossed Meet the Parents with The Godfather and filmed it 45 years ago in Italian, you might come close to Mafioso, a black-and-white gem from 1962 whose appearance in local theaters is inexplicable but most welcome.
Audience Reviews for Mafioso
Antonio Badalamenti; factory supervisor, loving husband, devoted father, reluctant hit-man.
It is surprising and strange to us how the mafia works in Italy, which is shown in this movie, but this movie is exciting and very funny. I enjoyed it.
[font=Century Gothic]In "Mafioso," Antonio Badalamenti(Alberto Sordi) is an efficiency expert about to take his blonde wife Marta(Norma Bengell) and two children to visit his family in Sicily for the first time. But before he can make his escape, his boss Dr. Zanchi(Armando Tine) asks him to deliver a small package to Don Vincenzo(Ugo Attanasio) when he sees him.(While Zanchi is originally from America, his parents are also from Siciliy.) Antonio happily agrees as he rushes home to catch a train that will get them to Sicily by the following morning.[/font] [font=Century Gothic][/font] [font=Century Gothic]While not quite the comedy I was expecting, there is still much to recommend in "Mafioso." Don't get me wrong. There are certainly comedic elements but they are subtly downplayed as the movie barely avoids several stereotypes at once while utilizing a parallel storyline to its best advantage. What is accentuated are the cultural differences between the traditional, laid back Sicily versus the more modern, fast-paced Milan.(I don't have the ear for it but I am sure the dialects are quite different also.) It does not take Antonio long to get used to the slower rhythms of his old hometown but he is shocked by the darkness that infuses the last half hour of the movie. Throughout, he is reminded that most of his old friends are dead, in jail or perpetually unemployed, his university education allowing him to escape this fate. But there are worse things than hanging out at the beach all day.[/font]
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