Shirley
Da 5 Bloods
On the Record
I May Destroy You
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All Critics (13) | Top Critics (4) | Fresh (11) | Rotten (2)
A masterpiece of ecstatic cinema from 1986, directed by Leos Carax at the age of twenty-five. June 19, 2017 | Full Review…
A masterpiece of ecstatic cinema from 1986, directed by Leos Carax at the age of twenty-five.
Richard Brody
Carax does not want to tell you a story. He wants to express, in the purest way he can, his infatuation with storytelling through images and genre conventions, performance and voyeurism, cinema and cinephilia. November 26, 2013 | Rating: 4/5 | Full Review…
Carax does not want to tell you a story. He wants to express, in the purest way he can, his infatuation with storytelling through images and genre conventions, performance and voyeurism, cinema and cinephilia.
David Fear
A salute, at once moody and ebullient, to the cinema of the past and the ferocious intensity of youth. November 26, 2013 | Full Review…
A salute, at once moody and ebullient, to the cinema of the past and the ferocious intensity of youth.
Melissa Anderson
In this, his second feature, [director Leos] Carax lives up to his billing as ''the natural heir of Jean-Luc Godard,'' showing a taste for underground types and milieus, an inventive eye and a tolerance for tedium. July 16, 2003 | Full Review…
In this, his second feature, [director Leos] Carax lives up to his billing as ''the natural heir of Jean-Luc Godard,'' showing a taste for underground types and milieus, an inventive eye and a tolerance for tedium.
Walter Goodman
A work of a conscientious erudite who still has absolutely nothing to say. [Full Review in Spanish] April 20, 2020 | Full Review…
A work of a conscientious erudite who still has absolutely nothing to say. [Full Review in Spanish]
Ángel Fernández-Santos
In a sense, Mauvais Sang is a poetic, tragic love story (actually three love stories) disguised as a B movie. January 7, 2015 | Rating: 5/5 | Full Review…
In a sense, Mauvais Sang is a poetic, tragic love story (actually three love stories) disguised as a B movie.
Ken Hanke
Alex and Anna's interactions are the enchanted heart - volleying between sequences of the two at play and ones that emphasize their loneliness and disconnection. November 17, 2014 | Rating: 4/5 | Full Review…
Alex and Anna's interactions are the enchanted heart - volleying between sequences of the two at play and ones that emphasize their loneliness and disconnection.
Scott Tobias
The easiest way to find entry into the film is to accede to its reveries, even if they only temporarily make sense, and to welcome and possibly celebrate its shifting tones and techniques. November 27, 2013 | Rating: 3.5/4 | Full Review…
The easiest way to find entry into the film is to accede to its reveries, even if they only temporarily make sense, and to welcome and possibly celebrate its shifting tones and techniques.
Kalvin Henely
Once again we have the dancing tracking shot (to Bowie's 'Modern Love'), ventriloquism, fire breathing and a masterful, allegorical parachute jumping sequence. February 7, 2013 | Rating: A- | Full Review…
Once again we have the dancing tracking shot (to Bowie's 'Modern Love'), ventriloquism, fire breathing and a masterful, allegorical parachute jumping sequence.
Laura Clifford
Its romantic moody style had a lyrical way about it that was affecting. September 9, 2012 | Rating: B- | Full Review…
Its romantic moody style had a lyrical way about it that was affecting.
Dennis Schwartz
Quote not available. August 2, 2005 | Rating: 4/5
Quote not available.
Emanuel Levy
Quote not available. December 30, 2003 | Rating: 2/5 | Full Review…
Greg Muskewitz
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