Michael Clayton - Movie Reviews - Rotten Tomatoes

Michael Clayton Reviews

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April 14, 2017
An intriguing and well paced legal thriller which hits the nail on the head. Acting is on point all round especially from George Clooney and Tulsa Swindon respectively. Michael Clayton is an attorney who is solving a case which involves his friend Arthur and along the way stumbles across several obstacles. For film fans, this is unmissable as audiences are treated to an exquisite screenplay by Tony Gilroy who also takes the directors seat. Overall, it's thought provoking and comes highly recommended!
February 8, 2017
a fairly by the number corporate cover up movie good acting but not enough character development for Michael Clayton ironically the name of the movie is a character that is never fully explored
February 1, 2017
It's good movie to watch
January 14, 2017
Writer/director Tony Gilroy's merciless political thriller "Michael Clayton" (2007) is a thriller of the ears. It draws out suspense on the most basic of levels, sure - it's essentially a race against time movie wherein the villains are so cool and so intelligent that they're well able to elicit more fear than your typical malevolent forces - but more chilling is its dialogue and the way its characters, all of whom are dwellers of a power hungry world that doesn't much care if you live or you die, use it to maim the propensities of others.
"Michael Clayton's" eponymous anti-hero, played by the brilliantly calculated George Clooney, is such a wordsmith. His tongue's forever playing with fire, and he's come to learn that serving niceties isn't the most effectively way of getting what you want in a land that thrives on intimidation. Makes sense: he's a "fixer" for an upper-crust New York law firm. He's the man you call when a scandal's about to potentially erupt; he's the man you call if you need to find someone to create some kind of distraction to divert attention away from the real problem at hand. His knowledge of loopholes and his affiliations with powerful figures has made him a hot commodity. "I'm not a miracle worker," he sighs to a frantic client (Dennis O'Hare) pleading for a way out of his current entanglement. "I'm a janitor."
But in the film is he just steps away from leaving it all behind. Never has every aspect of his life been so morbid, so deeply unhappy. On one side is his personal life shrouded in total gloom. He's divorced, mostly seeing his kid during all too brief rides to school. He's $75,000 in debt as a result of a misguided restaurant co-investment with his drug addled brother.
But his professional existence is even more riddled with despair. His firm's leading attorney (and Clayton's quasi father figure) Arthur Edens (Tom Wilkinson) has suffered a disturbing manic episode that took place during a life-or-death deposition regarding a class-action lawsuit, and, in the aftermath, is threatening to reveal damning evidence that paints agricultural product manufacturer U-North as highly (and knowingly) unethical. And the conglomerate's general counsel, Karen Crowder (Tilda Swinton), is more than willing to take lethal action to prevent that information from leaking to the press. Clayton, of course, is the man responsible for cleaning up the messes left behind by nearly everyone around him.
The movie, though, never proves to be the message picture it seems poised to be. It's sure of its claims that the legal world is oftentimes a vile, cruel place - those claims being told, certainly, with the melodrama that comes with any sensational account - but "Michael Clayton" is more about a man's existential crisis and the repercussions that come with his sudden disillusionment with his dog-eat-dog groomed lifestyle. For so long has Clooney's Clayton been the definition of a world-weary, seen-it-all cynic. But in the film does he come to realize that he's far gone down the hole of ethics breaking for the sake of protecting others who mostly don't deserve his willingness to put his morality on the line. Within the movie's two hours does he attempt to make some sort of right, even if the making of that right includes more, ahem, ethics breaking.
And that making even is made more investing by the tense chemistry conjured up between Clooney, Sydney Pollack (as Clayton's boss), Swinton, and Wilkinson, who all fascinatingly bring out disparate aspects of Clayton's crisis with himself. Pollack, superbly stern, is perhaps the only person Clayton's able to respect in his profession, if only because he embodies what the former might look like in the grips of looming retirement. Wilkinson, exquisitely unhinged, represents all the reasons why Clayton's put up with his job for so long. He's had to cut corners regularly, but his long-standing relationships and his dedication to the few people he looks up to are what keep him motivated. His losing grip of that security is heartbreaking, though Clayton'd never let us easily see that vulnerability.
But the most compelling relationship in "Michael Clayton" rests between the latter and with Swinton's Crowder - it's a poisonous affinity in which takedown is the name of the game. Possibly such engrossment rings loudly because Crowder is the utmost intriguing character in the film: she's a creation, a master of the art of the facade. (When we first meet her, she's in the midst of rehearsing every word, every gesture, to be delivered in a meeting to take place later that day.) Always protecting the masquerade that epitomizes who she thinks she is (or, who she wants to be), her willingness to off others to save her own skin is more interesting than horrifying. How a person can completely lose their compassion is perplexing, and Swinton, who won the Oscar for Best Supporting Actress for her characterization, captures that loss of humanity perfectly. She and Clooney, incendiary when in any scene together, have a wonderfully noxious rapport. Their final exchange makes for one of the decade's best scenes.
Everything about "Michael Clayton" is seamless, its performances thrilling, its dialogue stinging, its direction wonderfully chilly. And yet it lacks the sort of urgency necessary for a movie of its sort. Centrally are its characters working against the clock, and yet the most breathless subplot to comprise the film (being Crowder's frantic ventures to maintain her power) is oftentimes pushed aside as the least important. But the film's nonetheless a whip smart beaut. Find a screenplay as sizzling as Gilroy's and you might as well consider yourself to be in the presence of a masterstroke.
December 9, 2016
"You don't want the money?"
November 28, 2016
movie started great, and ended up a borefest. the acting and cinematography were good, but the story sucked.
November 12, 2016
Kinda long and slow at times. Good acting worth a watch on a slow night.
½ November 10, 2016
November 9th -10th 2016
November 5, 2016
Wasted a couple hours of my life on this movie. Basically a half a$$ version of the Rain maker. Don't waste your time.
October 10, 2016
Super confusing, awful movie loaded with legal jargon, multiple random characters, and jumping in time. I don't know why but I hardly ever like movies with George clooney in them. This was hardly interesting until the very end and the script was god awful. I would recommend Erin brocavich as a much better film about corporate cover ups.
½ October 9, 2016
Surprized to see something this honestly subversive on Comcast PPV OnDemand. Why isn't this guy a guest on my favorite commentator TV show, Cobert? I believe every word he says and it scares the bejesus out of me to imagine what coups to recouping total power the true Rulers of the Universe behind the Wall Street hedge masters and big oil commodities manipulators (now that they too, secretly, see the bottom of the barrel in their current formulae for global economic monoply & political-military-security hegemony) have planned to spring on us next. It will be at least as bad as he here predicts and if they control the aftermath of the peek oil chain reaction, much worse.
September 16, 2016
here's one i absolutely agree with the critics and reject their lower rating. yes, only one car explosion, no gunfire, and no car chases. just brilliant movie making that requires some intelligence to follow the plot. i'd give it a 95%.
September 6, 2016
No frills crime/law fun with a couple good twists and some frantic emotions.
August 20, 2016
Tony Gilroy excels in both the exquisite direction and the sharp writing. "Michael Clayton" is atmospheric, taut, magnificently scored and features an excellent performance from Tom Wilkinson. The plot tends to be a little all over the place at times but everything comes together for a suitably understated yet emotionally powerful finale.
July 1, 2016
Tom Wilkinson is excellent in this movie. Every twist and turn kept me on the edge of my seat. Very good movie.
May 12, 2016
Un excellent George Clooney, mais une histoire assez fade vue et revue dans les séries télévisées et qui finalement n'apporte pas grand chose. C'est dommage parcequ'il est bien mené sur la longueur et sans véritable fausse note.
½ May 1, 2016
One of the most over-rated movies on this site. 90%- I DON'T THINK SO! do yourself a favour and don't waste your life.
½ April 26, 2016
I have watched this movie 10+ times, and it still gets me. Captivating, Thrilling and with stellar performances from Clooney, Wilkonson and especially Tilda Swinton
March 1, 2016
Outstanding..corporate thriller
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