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Misery Loves Comedy starts with an idea worth exploring, but proves frustratingly unable to enlighten or amuse. Read critic reviews

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Movie Info

Comics Martin Short, Nick Swardson, Jimmy Fallon and others talk to actor Kevin Pollak about the dark side of being funny.

Cast & Crew

Critic Reviews for Misery Loves Comedy

All Critics (25) | Top Critics (15) | Fresh (9) | Rotten (16)

  • It's a decent enough film for comedy buffs though there aren't a whole lot of surprises.

    November 11, 2015 | Full Review…
  • Do you have to be sad to be funny? You'll have to sit through a slew of micro-anecdotes and shop talk before you get any answers from this choppy documentary - longer than any decent comic would defer a punchline.

    September 17, 2015 | Rating: 2/5 | Full Review…
  • If only he had probed a bit deeper, and widened his scope beyond the predominantly white, male subjects (including our own Rob Brydon, Steve Coogan and Stephen Merchant), this could have been a fascinating film as well as a funny one.

    September 10, 2015 | Rating: 3/5 | Full Review…
  • We hear plenty of engaging anecdotes, though, taken together, they don't do much to illuminate a subject that has been thoroughly explored elsewhere ...

    April 30, 2015 | Full Review…
  • Are they miserable? No; everyone seems to be having a great time. Are they funny? Um, not so much.

    April 30, 2015 | Rating: 2/4 | Full Review…
  • For the most part ... this is a pretty safe discussion about a very unsafe art form. We can only imagine what's in the outtakes.

    April 30, 2015 | Rating: 2/4 | Full Review…

Audience Reviews for Misery Loves Comedy

  • May 10, 2015
    SQUAWKING HEADS - My Review of MISERY LOVES COMEDY (2 Stars) A number of years ago, I found myself in the fortunate position of spending an entire day with a very successful comedic actress. We were helping a friend block scenes for a big network series and there was plenty of downtime. While very kind and engaging, there was a noticeable undercurrent of sadness I felt from her. In our many conversations, I asked her if she felt that the greatest comedy came from pain. Not only did she agree, but she told me a story that happened at her High School Reunion. While horribly bullied as a teenager, her subsequent success had people crawling out of the woodwork vying for her attention, including her tormentors. One in particular hit her up for a job, now that she was rich and famous, and her response was, "Just because years have passed, I have and never will forget how terrible you were to me. So no, I won't help you." I asked her, "Don't you think success is the best revenge?" "No," she said, "Revenge is the best revenge." I'm relaying this because after seeing MISERY LOVES COMEDY, a documentary by actor Kevin Pollak, I realized I got more insight into the mind of a funny person in that short exchange than I did watching dozens of comics and actors prattle on in this brief yet interminable film. Literally a series of talking heads with an occasional archival photo thrown in to give the audience a break, this is a messy, sometimes unintelligible, sometimes funny, but always poorly made documentary. The topic is rich. In the wake of Robin Williams' suicide, asking comics if their humor comes from trauma seems like a vital and fascinating subject. Police, however, seems to have assembled a bunch of his friends, mostly white males, many of whom have very tenuous connections to comedy. While talented, we gain very little by hearing Jon Favreau, Bobby Cannavale, and Jason Reitman talking about funny people. Sure, there are those who deliver funny lines, such as Jimmy Fallon and Amy Schumer, but we don't see them going about their lives. In the spirit of "Show don't tell", I would have loved to have seen more footage of comedians bombing, of them struggling in their daily lives, facing their insecurities. Instead, most tell funny stories, but not about their creative process. Often, one of the comics will tell a story that either makes no sense or is so inside, that I'm not sure if there's another person on earth who will comprehend it. The camera work is pretty bad, often shaky or utilizing unflattering angles, and there's very little substance. This isn't a documentary, it's just a long, self-serving conversation. It's a shame, because there are attempts to go deeper. Freddie Prinze Jr. speaks of the pressures he felt to honor his father's legacy, a comic who sadly took his own life at the age of 22. While no comedian himself, Jr. has managed to carve out his own successful career, but his journey to overcome the pain would make an interesting documentary itself. A shame there isn't more of this. Also, bringing a dose of brutal honesty to what is mostly a puff piece, is Bobby Slayton, who candidly describes his financial woes at the age of 59. Again, a peek into his life would have elevated the material. I'd like to say Kevin Pollak killed, as a comedian with a great set will say, but Kevin Pollak killed....in the other sense.
    Glenn G Super Reviewer

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