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Critic Reviews for Mohawk
As with last year's The Void, Mohawk is wonderfully long on setting, mood, and practical effects, and woefully short on storytelling and drama.
I have no doubt that Geoghegan's intentions are sincere but the muddling of historical fiction with the Grand Guignol is an uneven mix that never fully gels.
Has the same political urgency as Wes Craven's now-classic, but rough-around-the-edges early films, like Last House on the Left and The Hills Have Eyes.
"Mohawk" is a gripping and despairing action picture, about how we can't seem to stop trying to destroy those we distrust - including ourselves.
Ted Geoghegan's swift, slicing thriller Mohawk makes a vigorous case for horror as perhaps the most fitting film genre to capture some truths of American history.
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