Mary Poppins Returns
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All Critics (25)
| Top Critics (11)
| Fresh (23)
| Rotten (2)
| DVD (1)
Earnest and slow, the film takes time to reveal its intentions and the result is worthy but not engaging.
Chekhov's principle of drama is in full effect, but what's remarkable about this film is how it slowly steers its way from portent to poetry.
Free of any mannerism or displays of bravura, the filmmaking is strongly informed with a sense of poetry, cinematic sophistication and a desire to allow scenes to play out fully, but no longer than they must.
Munyurangabo may be a simple film with a straightforward message, but the details and conflicts Chung captures give it a reality that cannot be denied.
The finished film, which was completed in about 11 days, has the tidiness and optimism of a fable. But it showcases certain hard facts of life in a war-torn country whose scars have yet to heal.
It is in every frame a beautiful and powerful film -- a masterpiece.
Chung went and made a movie in Rwanda because it was possible and because he cared, and that's as good a reason as you can find for making a movie.
It's an authentically beautiful film.
The result is an achingly authentic film, as stirring as it is relevant.
Munyurangabo is a small, quiet film with big implications. It's one of those movies where knowing the story behind the scenes will give you more appreciation of the humble, hand-held one on-screen.
Chung's film feels 'organic.' ... Rather than giving Western viewers a guilt trip by exploiting Rwanda's pain, he makes a movie by Rwanda for Rwanda.
Compared to "Munyurangabo," admirable films like Terry George's "Hotel Rwanda" or Michael Caton-Jones' "Shooting Dogs" seem like so much heavy-handed melodrama.
In "Munyurangabo," Ngabo(Jeff Rutagengwa) is mad at his friend Sangwa(Eric Ndorunkundiye) for spending their bus money, forcing them to hitchhike instead from Kigali. It turns out the money was for a dress shirt to impress his parents who he has not seen in three years. His mother(Narcicia Nyirabucyeye) is very happy to see her son but his father(Jean Marie Vianney Nkurikiyinka) is more than angry, saying that he wish his son had never been born. Things cool down as times are tough and the labor of the two men is needed in the fields. Regardless, Ngabo wants to move on because they have a man to kill, attested to by the machete he is carrying in his backpack.
"Munyurangabo" is a compelling and deliberately paced look at Rwanda fifteen years after the genocide. It is interesting to see a new generation coming of age and how they are haunted by the mistakes and crimes of their parents' generation. While some seek revenge, others are left wondering what role their parents may have played in the atrocities. At the same time, the healing process that is necessary for the country to move forward is starting to unfold.
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