Ralph Breaks the Internet
Mission: Impossible - Fallout
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All Critics (11)
| Top Critics (2)
| Fresh (10)
| Rotten (1)
| DVD (1)
Under Resnais's direction, the clunky reconstruction of the devastated French town is as central to the action as the characters are, creating a blank and bleak setting for their oblivious chitchat.
A subtle, precise, and wrenching film, shot largely without recourse to the stylistic flourishes that made Resnais' reputation.
It's startling and it's not always easy to follow, but it's also amazing. It's unlike anything else and it's brilliant. I desperately need to see it again.
Set in a town marked by extensive postwar reconstruction and in an apartment filled with restored antiques, Resnais' film traces the continuum between past and present, and the persistence of history in a world of change.
Alain Resnais deals with the impact of the war in Algeria on a French veteran. Although the surrealist touches seem dated, the issues of war and torture are not--especially in light of the current war in Iraq.
The web of opened, ultimately unfollowed trails in 'Muriel' leads, not to the coherence of art, but to mere mirrors within mirrors.
A truly frustrating tug-of-war between conventional narrative and fragmented presentation.
An innovative, original film that is always fascinating and challenging.
Resnais' true filmmaking style had finally begun to emerge, employing characters who are real people (not named after cities or designated by letters) with memories that cut deeply into their personalities and relationships.
What's initially off-putting is not the usual art-movie austerity but Resnais' intellectual playfulness and mystifying surrealist bent.
If you want to spend 2 hours watching a movie that makes no sense and has no ending, go ahead...
[font=Century Gothic]In "Muriel," Helene(Delphine Seyrig) lives in Boulogne with her grown son Bernard(Jean-Baptiste Thierree) where she sells antique furniture out of her apartment. An old flame, Alphonse(Jean-Pierre Kerien), has come to visit, along with his niece Francoise(Nita Klein). Sensing things are about to become crowded, Bernard decides to sleep in his studio.[/font]
[font=Century Gothic]After the first night, "Muriel" jumps from scene to scene with abandon(the opening scene has an example of what is to come), barely giving the characters a chance to catch their breath as they are hurtled into the future.(This is about the only time when I have seen jump cutting used wisely. Figures it would be Alain Resnais to get it right.) But that does not mean they are not obsessed with the past which not only consumes Helene and Alphonse but also Bernard who is haunted by his actions in Algeria as a soldier where Alphonse also lived for the past fifteen years. In the end, both World War II and Algeria blur together in one remembrance of horror.[/font]
Oh God how I HATE HATE HATED this film in college. One of the most miserable film viewing experiences of my life. I suppose I should revisit it.
Resnais' films are not easy to understand and to watch but this film has a different feel. As always, many ellipsis between shots, but at least the spectators can get a sense of emotional from the story and characters.
Considering that Resnais always reflects on the memory of the past which confronts the present, this film is no different on that aspect. It also explains the edgy feeling that the characters seem to have.
I dont recommend this film to all but still a great film to experience.
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