Mary Poppins Returns
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All Critics (4)
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In a prime sample of the Japanese New Wave that emerged in the late fifties in Japan, Oshima focuses, artfully, on adolescent delinquency, the sexual revolution, and the failures of the post-war generation, themes that were untouched up to that point.
A cynical tale of wayward youth presented with a suitable degree of directorial maturity.
An anti-Ozu film that offers an embittered take on the moral disillusionment of youth in a changing postwar Japan.
I liked seeing a raw, edgy, uninhibited side of Japan, and director Nagisa Oshima's style which mirrored the French New Wave directors from this period whom he admired. I liked the nice cuts and shots he captured, the rock and jazz music in the soundtrack, and his unflinching look at the cynicism present in Japan following WWII. There are some who relate it to "Rebel Without a Cause", but I don't like the comparison, because "Cruel Story of Youth" is over-the-top in its darkness and nihilism, none of the characters are likeable, and one doesn't get any sense of the 'tragic, misunderstood, disaffected youth' or feel empathy towards them. There's also not enough content which relates their delinquent behavior to their upbringing or the times which would allow us to see it as an indictment of society.
You could say all this darkness is because life in Japan after the war was far darker than America, and while there is some truth to that, the film's biggest problem is the cruelty towards women which pervades it. You'll see attempted rape, rape (twice), attempted forced prostitution, an extortion scheme that involves using a woman as bait in dangerous situations, using women young and old as sex objects without any feeling, and utter indifference to abortion from a surprise pregnancy. Cruel story, indeed. The lead female character is shockingly stupid. There are some characters in films who are just stupid, regardless of their sex, but this is part of a larger theme. The film is all about in-your-face rebellion in its content, frankness, and even style (which I ordinarily love) - and yet how sad is that Oshima perpetuates the (very traditional) theme of misogyny. It's the combination of this and the general unlikeability of the whole thing that tempers my review score to an average rating, for what is such a landmark film from a talented director.
[font=Century Gothic]"Cruel Story of Youth" starts innocently enough with Mako(Miyuki Kuwano) trying to secure a ride home. However, things go badly when the driver, a middle-aged man, takes her instead to a hotel and attempts to molest her. Luckily, Kiyoshi(Yusuke Kawazu) comes to her rescue and even takes some of the attacker's money for his trouble. The next day with some of that ill-earned money, they rent a motorboat, followed by sex(which I'm assuming is consensual). They fall in love but have no money to support themselves. So they hatch a plan to extort money from other middle-aged men...[/font]
[font=Century Gothic]Written and directed by Nagisa Oshima, "Cruel Story of Youth" is a deeply cynical movie that denigrates the youth of Japan at the time the movie was made. By showing footage from a demonstration in South Korea and comparing it to a less impressive one in Tokyo, Oshima is meant to be showing how apathetic this generation is about the country they live in.(Mind my ignorance but what exactly were the issues of the time?) It is their parents' generation who beat themselves up for not changing anything for their offspring who are just happy to hang out and have sex.[/font]
This is kind of unique perspective, an early cinematic look at the lives of Japanese young people in 1960. Clearly this is a new era, less than a decade earlier we had Seven Samurai, now this "Rebel Without A Cause" cousin is made and really doesn't shy away from anything. I liked all the bright colors of the streets and the costumes, but I didn't really empathize with any of the characters, even in the end. The girl Makoto is just dumb. Kiyoshi is more dynamic, I liked him. But the entire movie Makoto gets assaulted and yet doesn't seem to mind. I guess I was more interested in the scenery and time period. The scene where Kiyoshi eats the apple in the abortion clinic is a weirdly biblical allusion--they give in to lust just to try to rebel against society. Some cool jazz music, though. Oddly (or not) American.
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