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No consensus yet.
All Critics (6) | Top Critics (2) | Fresh (2) | Rotten (4)
Don't Look Back leans hard on a conventionally atonal musical score and cheap shock cuts, as well as some dubious special effects. May 16, 2009 | Full Review…
Don't Look Back leans hard on a conventionally atonal musical score and cheap shock cuts, as well as some dubious special effects.
Mike D'Angelo
"Don't Look Back" begins promisingly. Seemingly obsessed with surfaces, the camera restlessly searches for hints and clues among the fragments we see, even before we know there's a mystery. May 15, 2009
"Don't Look Back" begins promisingly. Seemingly obsessed with surfaces, the camera restlessly searches for hints and clues among the fragments we see, even before we know there's a mystery.
Peter Brunette
...feels as though it were pulled out of David Lynch's pile of (justifiably) rejected screenplays. Nov 19, 2010 | Rating: 1.5/4 | Full Review…
...feels as though it were pulled out of David Lynch's pile of (justifiably) rejected screenplays.
David Nusair
Anyone expecting more than the pleasure of seeing two of Europe's most ravishing actresses, Sophie Marceau and Monica Bellucci, sharing the same scene ... should brace for disappointment Jul 1, 2010 | Rating: 1.5/5
Anyone expecting more than the pleasure of seeing two of Europe's most ravishing actresses, Sophie Marceau and Monica Bellucci, sharing the same scene ... should brace for disappointment
Chris Cabin
There are two wonderful performances to savor here, but the film itself doesn't hold much of a lasting impact despite a convincing parade of hysteria. Jun 25, 2010 | Rating: B- | Full Review…
There are two wonderful performances to savor here, but the film itself doesn't hold much of a lasting impact despite a convincing parade of hysteria.
Brian Orndorf
Don't Look Back, an initially intriguing, ultimately incoherent mind-bender. May 17, 2009 | Full Review…
Don't Look Back, an initially intriguing, ultimately incoherent mind-bender.
Jonathan Romney
In "Don't Look Back," Jeanne(Sophie Marceau) is a successful writer of nonfiction in all of its varieties but cannot get her editor to accept her novel which she is using to try to unearth lost childhood memories. In any case, her and her husband Teo(Andrea Di Stefano) have enough money to afford a videocamera with which they shoot footage of their two children in an attempt to have something to embarrass them later as adults. Strangely, Jeanne notices not only them signaling on the tape but also changes in the apartment which she at first puts down to Teo moving around the furniture behind her back. If only it was all that simple... "Don't Look Back" has an intriguing windup and some memorable images. However, outside of one scene that hits the mark with unsettling accuracy, the payoff is kind of disappointing, as it leaves as many questions unanswered as it resolves. And it is not just that the movie does not go far enough.(For example, if Jeanne had been turning into Bob Dylan, that might have been too disturbing.) It is also that this wastes a valuable opportunity to explore via analogy the changes that women go through as they age.
Super Reviewer
"I don't recognize anything. Not even my own face." Don't Look Back isn't an easy movie to wrap my thoughts around and review, and unfortunately, it also wasn't very appealing. Despite the irresistible presence of Sophie Marceau and Monica Bellucci, I found it hard to finish this movie. That's quite an accomplishment, now that I think about it. What we have here is an effort to communicate the perspective of a woman whose home, family, and very appearance seem to be (literally and drastically) changing before her eyes. It confuses her, and I can virtually guarantee that it will confuse you, too. Don't Look Back is not a challenging movie (I'm guessing that's the intent with which it was created), it's a nonsensical one. There's a definite attempt here to make a psychological thriller in the mold of Polanski's Repulsion mixed with a hefty serving of Lynch-style weirdness and mystery, but it's not grounded in anything substantial, captivatingly surreal, atmospheric, or ultimately human. At best, it's this movie is based on a potentially good idea run horribly amok. At worst, it's an overly long train-wreck with no point that unfortunately squanders two stunning and talented actresses. Aside from one of two interesting sequences, Don't Look Back isn't worth the trouble or the frustration.
A French writer loses her ability to recognize her surroundings; her apartment becomes unfamiliar, her husband looks like a stranger, and eventually even the face she sees in the mirror is another woman's, until she follows a clue in a photograph and discovers a secret about her own identity. This psychological mystery is a bit slow moving and the movie lays on the horror music cues a bit too thick, but Sophie Marceau and Monica Bellucci give wonderful performances as the same woman in two different bodies.
Marina de Van's Ne Te Retourne Pas comes in the form of a mystery drama with some intrigue.
At an hour and 45 minutes, Ne Te Retourne Pas is a tale of two halves. The first half moves along rather slowly, although the sense of secrecy and ambiguity with the plot is really high. This seizes the audience in, while providing little setup and leaving answers few and far in between. The camerawork and musical score also do wonders in this portion.
The second half is all about finding answers, as at this point, the visually amusing character transformation is complete. The mysterious feel of the picture diminishes, but the interest level picks up.
Both European beauties, Sophie Marceau and Monica Bellucci, successfully carry their portion of the film, while playing the same character. As one disappears, another shows up. Marceau fulfills the first act and Bellucci the second.
Patience is a key to unraveling the story of Ne Te Retourne Pas. Is it worth it? Take a chance and Don't Look Back.
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