On Her Majesty's Secret Service (1969) - Rotten Tomatoes

On Her Majesty's Secret Service (1969)

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AUDIENCE SCORE

Critic Consensus: George Lazenby's only appearance as 007 is a fine entry in the series, featuring one of the most intriguing Bond girls in Tracy di Vincenzo (Diana Rigg), breathtaking visuals, and some great ski chases.

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Movie Info

Connery's decision to quit as Bond left Broccoli and Saltzman with a headache. The press went into overdrive speculating on Connery's successor; while the producers chose good-looking Australian actor George Lazenby after successful screen tests. Avengers superstar Diana Rigg was brought in as an added lure and the resulting action-packed film ensured that the franchise would continue.

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Cast

George Lazenby
as James Bond
Diana Rigg
as Tracy Di Vicenzo
Ilse Steppat
as Irma Bunt
Gabriele Ferzetti
as Marc Ange Draco
Yuri Borienko
as Gruenther
George Baker
as Sir Hilary Bray
Lois Maxwell
as Miss Moneypenny
John Gay
as Hammond
Dani Sheridan
as American Girl
Julie Ege
as Scandinavian Girl
Joanna Lumley
as English Girl
Anouska Hempel
as Australian Girl
Mona Chong
as Chinese Girl
Anoushka Hempel
as Australian Girl
Ingrit Back
as German Girl
Jenny Hanley
as Italian Girl
Zara
as Indian Girl
Sylvana Henriques
as Jamaican Girl
Helena Ronee
as Israeli Girl
Irvin Allen
as Che Che
James Bree
as Master Gumpold
Dudley Jones
as Hall Porter
John Crewdson
as Draco's Copter Pilot
Josef Vasa
as Piz Gloria Attendant
Reg Harding
as Blofeld's Driver
Richard Graydon
as Draco's Driver
Bessie Love
as American Casino Guest
Steve Plytas
as Greek Tycoon
Robert Rietty
as Chef de Jeu
Martin Leyder
as Chef de Jeu Huissier
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News & Interviews for On Her Majesty's Secret Service

Critic Reviews for On Her Majesty's Secret Service

All Critics (45) | Top Critics (6)

Film of break-neck physical excitement and stunning visual attractions in which George Lazenby replaced Sean Connery as James Bond.

Full Review… | October 13, 2008
Variety
Top Critic

Director Peter Hunt manages to inject some life into this 1969 exercise with a wonderful ski chase, but otherwise the film is a bore.

Full Review… | October 13, 2008
Chicago Reader
Top Critic

The Bond films were bad enough even with the partially ironic performances of Connery.

Full Review… | June 24, 2006
Time Out
Top Critic

What are Bond's problems now? They're too numerous, as usual, to hold the constant attention of anyone other than a charter member of Her Majesty's Secret Service.

Full Review… | May 9, 2005
New York Times
Top Critic

It offers supremely satisfying versions of all the conventions we expect from the series ... and then it does the one thing you don't expect a James Bond movie to do: It breaks your heart.

Full Review… | January 1, 2000
Salon.com
Top Critic

Even featuring an inferior 007, On Her Majesty's Secret Service is a landmark change-of-pace, and an exhilarating and affecting piece of entertainment.

Full Review… | January 1, 2000
ReelViews
Top Critic

Audience Reviews for On Her Majesty's Secret Service

Sean Connery retires from the 007 role and incomes Australian model-turned-actor George Lazenby to fill in his massive shoes. Does he succeed? OHMSS was the first in the franchise to attempt the depiction of a more-vulnerable James Bond and this movie also breaks one of the franchises biggest cliches at this point...James Bond gets married to the Bond girl! This movie has a lot of good things going for it. The cast is very well-rounded. Diana Rigg plays Tracy, daughter of a mobster and the woman that Bond falls in love with, and she is fantastic. Equally fantastic is Telly Savalas, who replaces Donald Plleasence as Bond's arch nemesis Blofeld. I think Savalas is my personal favorite actor to play Blofeld because he feels more like a person that can exist in real life. The ski-chase action set pieces are also a joy to watch and first-time director Peter R. Hunt does a pretty decent job, at times giving the proceedings a very 60's trippy vibe. Not only that, but John Barry offers some of his best music compositions for this entry. It's just a shame about Lazenby though. Lazenby's lack of acting experience really sticks out like a sore thumb and in a way, perfectly demonstrates the fact that playing 007 is not as easy of a feat as one might expect. Despite having a decent chemistry with Rigg, Lazenby's performance just left me cold due to his lack of one-screen presence and it doesn't help that most of his dialogue was awkwardly dubbed in post-production due to his heavy Australian accent. The only time Lazenby displays any sincere acting chops is in the film's heart-breaking ending. Despite Hunt showcasing decent prowess for a first-time director, his weakness lies in filming hand-to-hand fight sequences because the editing gets so choppy and the bizarre camera angles really brings unintentional comedy to some fights scenes. Also this movie was just way too long for me and could have used a better editor at the helm because I found myself bored a few too many times, especially during the drawn-out second act in which James Bond is undercover in Blofeld's lair. In the end, a part of me deeply admires how much this film attempted to shake things up with the franchise but in the end it's unique elements never end up combining into a satisfying whole.

Christopher Heim
Christopher Heim

Super Reviewer

Overlong, choppily edited, helming sloppy action, and a plot that is very preposterous and far too self-aware, "On Her Majesty's Secret Service" is is a very weak entry in the bond canon, although it arguably has some of the best sequecnes. After a string of five very original stories, the fans get this, which completely goes against the personality of it's lead character. George Lazenby is not a terrible actor, but he is a terrible choice for James Bond. The previous films focussed on one Bond girl, when in this film, I swear I counted at least 10. The pacing is ridiculous and the plot sometimes makes no sense. Sure, the filmmakers work with what they had, which was a horrible crew. This film is the epitome of a series low. "On Her majesty's Secret Service" is a serviceable flick for fans, especially for the action, but it is quite the letdown in other regards. I will give it some slight props for their effort though.

KJ Proulx
KJ Proulx

Super Reviewer

½

Faced with the necessity of breaking in a new 007 following the departure of Sean Connery, the producers wisely opted for a back-to-basics Bond movie, eschewing most of the ludicrous excesses evident in You Only Live Twice. Gone, at least for the time being, were production designer Ken Adam's cavernous sets, along with the increasingly silly gadgetry.

That the film failed to find much of an audience at the time of release - the reasons for which I'll come to in a moment - can only be classed as a great shame, not least for the genuine Bond fan, as Broccoli and Saltzman backslid furiously and Connery picked up where he'd left off, before passing the baton to Roger Moore, who cheapened the character by chiefly playing him for laughs. Consequently, in the 37 years separating OHMSS and Daniel Craig's revitalisation of the character in Casino Royale there were only a couple of high points in the series, and - surely not coincidentally - each corresponded with a similar back-to-basics agenda. The first of these was the curiously unloved For Your Eyes Only, which notwithstanding its risible prologue and epilogue is the purest Bond film Moore ever made; the second, Timothy Dalton's superb début in The Living Daylights.

OHMSS's failure, perhaps unsurprisingly, was due in no small part to George Lazenby, though not for the reason one might expect, namely his performance. The problem with Lazenby was a perceived cockiness and lack of humility that got up the noses of his seasoned cast and crew mates and had the film critics sharpening their knives before nary a foot of film was in the can. Giving him the benefit of the doubt, I dare say much of this was a combination of youthful high spirits and naivety, however the damage was done and the finished film was roundly savaged in the press. As one would imagine, Lazenby was compared unfavourably with Connery, as ever other actor who plays the part continues to be to this day, though I, for one, couldn't disagree more with this assessment. Frankly, Connery was visibly bored with Bond, charmlessly sleepwalking his way through both Thunderball and You Only Live Twice. Furthermore, there is an aura of invincibility about Connery's Bond that precludes one's becoming overly fearful for the character's safety, even with a laser beam trained on his testicles, whereas for all his powerful physique and obvious athleticism, there's an appealing vulnerability to Lazenby's Bond that produces a couple of startling moments in which he resembles a lost little boy in need of a cuddle. Simply put: yes, he's not nearly as good an actor as Connery, but Connery could not have played this Bond this well in this film.

Not only was Diana Rigg's poor-little-rich-girl the first Bond girl of any real substance since Daniela Bianchi's Tatiana in From Russia with Love - and perhaps the last until Eva Green's Vesper Lynd in Casino Royale - she's still arguably the best of an admittedly shallow bunch, her combination of strength and vulnerability complimenting her co-star's perfectly. Without being either as creepy as Donald Pleasance's or as suavely menacing as Chales Gray's, Telly Savalas' Blofeld still manages to be definitive, not just because he plays him straight and with restraint, but because he brings to the role a brute physical presence the others lack; one senses, for once at least, here's an adversary who might give our hero a run for his money in a fistfight. Elsewhere in the casting, From Russia with Love appears to have been a definite reference point, with Ilse Steppat's Irma Bunt echoing Lotte Lenya's Rosa Klebb and Gabriele Ferzetti channelling Pedro Armendáriz's Kerim Bey as Draco.

All things taken into consideration, this is probably the second best movie of the entire series after From Russia with Love. Don't listen to the haters!

Stephen M
Stephen M

Super Reviewer

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