Paris Blues (1961)
Paris Blues Photos
as Ram Bowen
as Lillian Corning
as Eddie Cook
as Wild Man Moore
as Connie Lampson
as Michel Duvigne
as Marie Seoul
as Rene Bernard
as Bass Player
as Gypsy Guitarist
as the Pusher
News & Interviews for Paris Blues
Critic Reviews for Paris Blues
Four writers have adapted Harold Flender's novel, whose sole asset was the idea they have minimized ...
All it lacks is something to pull these parts into a sensible whole.
Within its snappy, flashy veneer is an undernourished romantic drama of a rather traditional screen school.
Paris Blues has something of his old intelligence and liking for authenticity.
Ageing like a fine wine - even with its vintage "Ya dig, baby?" lingo - this offbeat affair from one of Newman's drama teachers and favourite directors, Martin Ritt, is also one of the most delightful jazz movies ever made.
Audience Reviews for Paris Blues
Great music, middling drama. Joanne Woodward comes off best.
Paul Newman, Sidney Poitier and Louis Armstrong. Score by Duke Ellington, directed by Martin Ritt. Jazz musicians in Paris. This movie sounds amazing and should be astonishing, right? The problem is that its not. The fifth of the movie that actually has to do with jazz gets farted on by how dislikable Newman's character is or how little you care about Joanne Woodward's character. The whole Poitier contrived social consciousness thing where he walked around with Diahann Carrol for half the movie was dull. Not to mention the nonsensical yet predictable ending. But for as much as I bitch about this movie the scenery and photography were great as was any scene with Armstrong.
Filmed on location in Paris, starring Sidney Poitier as expatriate jazz musician Eddie Cook, and Paul Newman as trombone-playing Ram Bowen. The two men romance two vacationing American tourists, Connie Lampson (Diahann Carroll) and Lillian Corning (Joanne Woodward) respectively. The film also features trumpeter Louis Armstrong as Wild Man Moore and jazz pianist Aaron Bridgers; both play musicians within the film. It was produced by Sam Shaw, directed by Martin Ritt from a screenplay by Walter Bernstein, and with the fantastic black & white cinematography by Christian Matras. A little silly in the screenplay, but climatic and cool as Jazz.
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