The People Under the Stairs

The People Under the Stairs Videos

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The People Under the Stairs: Official Clip - I Busted This House's Cherry

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The People Under the Stairs: Official Clip - You're Not My Mother

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The People Under the Stairs: Official Clip - Total Spring Cleaning

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The People Under the Stairs: Official Clip - The House That Keeps You In

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The People Under the Stairs: Official Clip - Dead Meat

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The People Under the Stairs: Official Clip - Run, Fool!

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The People Under the Stairs: Official Clip - Don't Go in the Basement

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The People Under the Stairs: Official Clip - A Dog and a Roach

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The People Under the Stairs: Official Clip - Get Away From the Walls

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The People Under the Stairs: Official Clip - Kiss Your Ass Goodbye

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The People Under the Stairs Photos

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Cast & Crew

Brandon Quintin Adams
Fool

Everett McGill
Man

Wendy Robie
Woman

A.J. Langer
Alice

Ving Rhames
Leroy

Sean Whalen
Roach

Bill Cobbs
Grandpa Booker

Kelly Jo Minter
Ruby Williams

Wes Craven
Director

Stuart M. Besser
Producer

Marianne Maddalena
Producer

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Audience Reviews for The People Under the Stairs

• Oct 07, 2015

  Like a neophyte, blunderbuss George Romero, Wes Craven often merged social commentary into his macabre tales. The difference is Romero never forgot to also be suspenseful and not veer to far from the intent of terror. In the frustratingly dawdling horror-comedy People Under The Stairs, he deconstructs the Reagan-Era fantasy of the nuclear family with Everett McGill and Wendy Robie as facsimiles of Ronald and Nancy (especially disciplinarian McGill's oil-slick black hair). It's a bit of a muddled stretch (with night-vision air raid footage from the Persian Gulf) but Craven is more incisive with the racial gentrification and ghettoized motif. It's Stygian circumstances that coerce the main character to align himself with Leroy (Ving Rhames). It might seem incendiary to postulate that because the characters are black, they are disregarded by the landlord and verging on eviction, but there is a ring of truth to Craven's urban portrait in the vein of Spike Lee. It's a skin-crawling anti-yuppie nightmare with the minorities literally being enslaved by the WASP-y blue-bloods. One of my pet peeves is overly resourceful, feisty children and Brandon Adams' jive-talking Poindexter "Fool" Williams is a nuisance with the attitude of a miniaturized Richard Roundtree. For his role, Craven manipulates us with the ill-advised child-in-peril ploy but "Daddy" and "Mommy" are bumbling ignoramuses for the most part so they barely pose a threat since they don't eliminate him when they have a chance. Meanwhile, Everett and Robie are the possibly incestuous showstoppers. In his introduction, Everett is gnashing on a mound of meat while spitting out the buckshot shells which is suggestive of trespasser cannibalism. The gimp mask rampage is another gonzo set piece but the repetition with the Rottweiler chases rapidly wear thin our patience. The Treasure of the Sierra Madre quest is fatuous and once Rhames is ejected from the movie, it devolves into a geek show with another one of my debilitating issues: inbred, freakish cellar-dwellers who are secretly sidekicks to the protagonist (ex. The tongue-less Roach who prowls through the walls). The music sounds like low-grade Bernard Hermann reinterpreted for a Lifetime movie. Ving enlivens the film's booby-trapped first half ("Maybe the president will make me Secretary of Pussy") but his early departure bodes a glossy do-over of The Hills Have Eyes.
  

  Cory T Super Reviewer
• Aug 15, 2011

  The People Under The Stairs is a drastic change of direction for director Wes Craven. Craven known for some of the most famous films in the genre, crafts a film that is eccentric, bizarre and off the wall. With The People Under The Stairs, he creates a totally different horror film. The film, I would say is good, but it doesn't deliver the stunning shocks that Craven has delivered in previous works. Despite the somewhat zany story, Wes Craven manages to pull out a few good jolts out of this unusual horror yarn. The film isn't one Craven's best, but it definitely isn't his worst. The film is marred with mildly effective humor, but at times it falls flat. The People Under The Stairs is still a decent enough horror film, and is fairly creepy for the most part. The talent involved in this film is really what makes this film a must see for Craven fans. Even if The People Under The Stairs isn't Craven's strongest offering, the cast make the film worthwhile viewing. Everett McGill and Wendy Robie, and terrific as the films villains, and they really make this film a must see. Even if it's not perfect, The People Under The Stairs is still a good horror film that Craven fans will most likely enjoy. I really enjoyed the change of direction of this Craven offering, and for the most part, it succeeds at being entertaining, even if it's flawed. But in the end, you have to admire Wes Craven's knack for trying something different. A good horror film with plenty of strange, eccentric moments.
  Alex r Super Reviewer
• May 30, 2011

  Leroy: Nice to see the rich folks' got rats too. "In every neighborhood there's one house adults whisper about and children cross the street to avoid." The People Under the Stairs is a classic 90's horror film from Wes Craven. Craven has made some of the best horror films and some of the lousiest, and The People Under the Stairs belongs to neither of these categories. It's not great, with weak acting and a real lack of anything scary, but it's definitely not bad. The story is a good one and Craven's direction and pace is strong. Also there's a lot of social commentary thrown into the plot as well, which always is good as long as the content works. A young kid named Fool and is family are in trouble. His mother is really sick and they're about to be evicted from their apartment. When an older gentleman named Leroy asks Fool to be the third person on his team, which is planning to break into the landlords house where a big stash of gold coins are supposed to be and steal them, Fool is apprehensive, but ultimately his families problems force him to do so. When they get into the house, it's not what they expected. Not only are the landlords crazy, but they have a bunch of prisoners locked up in the cellar. This is a fun little movie. It's one of those horror movies that you know is a product of the nineties, with the campiness of the villains and the ghetto setting. The movie has an interesting premise that the rest of the movie is able to live up to and that's saying something for the genre. Most of the time with horror films of this type, the premise is interesting, but the movie falls apart after twenty minutes. That isn't the case here. If you're a fan of horror films and Wes Craven, this one is worth a look. It's no Nightmare on Elm Street or Scream, but it's a nice, solid addition to Craven's filmography. Don't go into it expecting anything special and you should enjoy yourself. I know that I did and I honestly wasn't expecting to.
  Melvin W Super Reviewer
• Jul 13, 2009

  AJ Langer, Brandon Adams, Brandon Quintin Adams A bookish and poverty-stricken young boy becomes involved in a scheme in order to pay for his mother's operation but is met with unsuspecting horrors. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ This was my favorite scary movie when I was younger. Loved it so much I bought on DVD. I have seen it so many times I can't count. Love the story line, the creepiness of the characters. The two creepers are a couple who are brother and sister who want children but can not have children and so they kidnap them. But the catch is, when the children misbehave and become imperfect, the couple locks them underneath the stairs and goes on the hunt for other children. The children start piling up underneath the stairs. It's directed by one of the greats (in my opinion) Wes Craven. So you have to see it just for that fact alone. LOL. There is a mixture of scary moments, some gore, comedy, and a little bit of cannibalism, oh, and sprinkled with a little bit of incest. LOL..
  ♥˩ƳИИ & Super Reviewer

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