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All Critics (16)
| Top Critics (1)
| Fresh (6)
| Rotten (10)
| DVD (1)
I don't know whether you could accurately call Phantasm II "good" or not, but as a gore-filled piece of '80s horror with a premise unlike any other in the genre, it's completely enjoyable.
The movie you get when you take Phantasm and throw money at it... the more grown-up film, in more ways than one, and it's not entirely to its credit.
Phantasm II has a nice sense of fun to it which makes it the perfect viewing material for this time of year.
Second in the horrorific series, not for everyone's cup of plasma.
i really didn't get the point
There's little to enjoy about this second outing save for Scrimm's deliciously menacing specter of death.
A silly piece of gross-out joy from the imaginitive Don Coscarelli.
Another fun entry in the Phantasm series.
I might be in the minority when I say that Don Coscarelli's 1979 outing Phantasm was an obscenely overrated relic that has only calcified with age. I shouldn't have been preternaturally excited for the sequel but fortified with Universal Studio's financial upgrade and James LeGros in the lead role now, my expectations were cantilevered into the positive column. After a recap of the previous finale, Phantasm II delivers on the promise of a more fluid, kinetic successor. Reggie's (Reggie Bannister) escape from The Tall Man's (Angus Scrimm) monastic midgets is a dynamite set piece. By now, Phantasm is renowned for two things- Scrimm and the silver balls. And the drilling mutilation via the forehead is more satisfyingly graphic than before and the dental-instrument sound F/X really amplify the cringe factor. A Cuisinart comparison is quite appropriate. The dream logic might be gone but, I for one, haven't missed the masturbatory abstraction of them. Streamlined is better for Coscarelli's splanchnic vision. Reggie and Michael are flamethrower-and-shotgun-touting vigilantes and their makeshift weapons from a hardware store reinforce the notion that Phantasm II is a disparate beast from the former with more action-movie firepower and velocity. Once again the musical theme by Fred Myrow is contagiously creepy. Coscarelli nails the gothic atmosphere of a Hammer film inside velvet-draped corridors and echoing mausoleums. Scrimm is still a towering presence that will induce heart palpitations in spades. The road trip from cemetery to cemetery in pursuit of Liz Reynolds (Paula Irvine), a clairvoyant with an ill-defined connection to Michael (LeGros), is patently incomprehensible. This is very much classified in the style-over-substance subcategory but that is hardly a misstep. The balding Lothario Bannister isn't a polished thespian but his horny shtick is amusing nonetheless ("It gets hard on the road") and his chemistry with LeGros is airtight. Regardless of my antipathy towards the first film, part 2 is a rip-roaring, albeit daffy rollercoaster through Perigord Mortuary. A retread of the original's sequel-bait ending is an anticlimax though.
With director Don Coscarelli having created one of the best works in horror cinema in 1979 with the original Phantasm, he would take his time and nine years later would craft a solid follow-up with this sequel. Although not as masterful as the original, Coscarrelli manages to deliver effective chills that will certainly appeal to diehard fans of the original. Angus Scrimm returns as The Tall Man, one of the most iconic horror villains in the genre. Phantasm II is a respectable and very entertaining entry and I really enjoyed the tone and atmosphere of the picture. Coscarelli manages to expand the plot a bit, but never adds anything refreshing to the plot. There's everything you'd expect from a Phantasm flick, and Coscarelli pulls out enough tricks to keep the fans happy. The aspect of this sequel that stands out as usual is The Tall Man, he makes up for the shortcomings that the plot sometimes has. The script suffers from all the usual weaknesses of a sequel; however director Coscarelli relies more on visuals and atmosphere to tell his story. The result is a very good horror flick that delivers an entertaining hour and a half of effective terror. The performances are very good as well, and this is among the best horror sequels made in the genre. If you can forget its flaws, you're sure to enjoy this one. With familiar territory, The Tall Man is pursued by Reggie and Mike, and is a bit predictable at times. The ideas here are good, but could have been done a bit better. As I stated, there's nothing new going on here, but that shouldn't keep the fans away from seeing this one. l simply put, a well done film with the steel ball and The Tall Man, what else could you ask for?
Fantastic follow-up to a great horror classic. Even though it doesn't include the kid who was in the original to play his role, it's still entertaining as hell.
This sequel continues a few years after the first, and it's much like the first one, but we get to know a little more about the Tall man. It's got a more 80s feel than the first, and the end is kinda disappointing, but I kinda liked it too.
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