The Prince of Tides - Movie Reviews - Rotten Tomatoes

The Prince of Tides Reviews

Page 1 of 22
December 16, 2017
A wonderful film. A personal alltime favorite.
½ November 8, 2017
Despite several sub-plots, the running length takes care of it all without rushing the overall plot. This is an example of good film, for sure, and when was the last time a drama like this was made?
August 31, 2017
I tried to like this movie. Although after I have read Pat Conroy's genius book - it made the movie horrible. If there's anyone who's considering watching this movie, read the BOOK first! I promise, it's 100x's better. Nick Nolte made this movie though. He played Tom amazingly. He held the anger and paid really deep. Unfortunately, the rest of the cast got shoved aside so Barbara Streisand could have the spotlight. There are so many stories pertaining to the other cast members that were chopped up in order to fit their over dramatic, glamorized love scenes. Their brother Luke was completely left out in his adult stories! Pat Conroy painted a very raw, and dark depiction of a troubled family in his book. And, this movie focused on the glam. I had to remind myself that this was supposedly made off of the story that I originally read.
½ August 14, 2017
This adaptation of Pat Conroy's great, detail oriented novel is the most repulsive, horrific film that I have ever watched in my entire life. I am truly disgusted by this piece. Barbra Streisand fails on absolutely every level of this film. To start, there is so much from the book that is crucial to the story that is left out in this film that I am shocked it is allowed the same title. The tiger, Luke, the back stories, etc. If you actually read this novel you should be appalled. THE PRINCE OF TIDES IS LUKE WINGO. This is NOT a romance story. Streisand, did you even read this damn novel? Of course you didn't.This film is an unwatchable suck-fest. The acting is unbearable and Nick Nolte is not an exception to that statement. Streisand is a self absorbed, talentless loser, and I have a newfound hatred for not only her but everything that she is a part of. I sat in pure rage for the duration of this insufferable garbage and I will never get those two hours of my life back. Save yourself, go read the novel instead.
April 22, 2017
Fantastic Movie.....brilliant acting by Barbara Streisand and Nick Nolte
January 23, 2017
Absolutely one of my favorite movies!!!
Super Reviewer
December 20, 2016
A sappy and overpraised movie that is all over the place trying to bite off a lot more than it can chew, even discarding its heavy-handed family drama (which gets solved in the most pathetic way) to focus on a corny romance - and it didn't deserve any of the Oscar nominations it got.
February 25, 2016
Read the book to see how WRONG this adaptation was.
December 17, 2015
I cannot give more than two stars because of Nick Nolte. I realised he was less annoying in his youth but.... something just was not right. Maybe it was also the long nails of Barbra Streisand or the smug face of Jeroen Krabbe. Not sure. now I have seen it, no reason to see it again.
½ October 23, 2015
Maybe Nolte's best performance in this emotionally gripping film.
August 27, 2015
Wonderful examination of a disfunctional family-great performances by all of the cast members.
½ July 27, 2015
Done is a commercial-seeking way this whole plot seems unrealistic and static. The loose-cannon Nick Nolte gives us the restless southern who falling in love with the sad elitist-psychiatric while battling his mental health himself on several levels. Streisand takes water over her head with her role as a sexy psychiatric waking up from her million-dollar slumber. The movie unfold around Noltes suicidal sister, but the film lacks any evidence of her illness at all.
May 24, 2015
This film might have been very powerful had Streisand eliminated Conroy's relationship between Nolte's character and his sister's therapist. It might have even been potent if Streisand had cast someone other than herself in the role of the therapist. However, this film is still potent and features two unforgettable performances from Nolte and Nelligan. And while reaching a bit too far, the film does retain an oddly believable romance. This is essentially great old school filmmaking applied to an all too familiar family tragedy. Still, one can't help but wonder how much better it all could have been. Melinda Dillon is sadly wasted.
½ January 21, 2015
De esas adaptaciones cinematográficas que hacen fracasar a los intérpretes o los conducen a la gloria. Acá Nick Nolte se saca los zapatos basado en un guión plagado de frases memorables sobre el dolor y la pérdida.
½ September 10, 2014
A critically acclaimed romantic drama which essentially served as Barbra Streisand's Citizen Kane, The Prince of Tides sounded like a promising film.

Romantic drama films are ones which are difficult for me to be pleased by, and since The Prince of Tides is a very slow moving film it is difficult when it comes to grasping me. It had more potential however because it tied the romantic tale into one which also served as an exploration of its main character. However, I found that The Prince of Tides walked an unsteady line between being an exploration of the Protagonist Tom Wingo and the relationship that develops between him and psychiatrist Susan Lowenstein. Both story elements seemed rather melodramatic in their own ways, and melodrama is certainly not a more favoured form of drama for me. To add to that, other subplots came into the story as it progressed with its main two narrative focuses such as the developing relationship between Tom Wingo and Susan Lowenstein's son Bernard Woodruff as well as touching upon who she is. There are a few too many things that The Prince of Tides attempts to focus on, and while many of its elements are interesting thanks to a firm script and strong characters, the melodrama in the material simply did not appeal to me. I liked The Prince of Tides as a study of Tom Wingo, but as a romantic drama it came up short for me.
I never read the source novel The Prince of Tides, so I can't say for sure how much of a good adaptation the film is. However, one of the most central complaints from fans of the novel is that it sacrifices a lot of the flashbacks that the novel mentioned. Some of the most effective moments in the film adaptation are the flashbacks because they seem genuinely dramatic. When the characters talk about them instead of flashing back to them, things get melodramatic because the situations are talked out instead of being depicted on screen. If there were too many flashbacks then the structure of the film would be tedious, but in the film adaptation there proves to be too little. These scenes prove the dramatic potential of The Prince of Tides, and if more scenes took this kind of approach instead of blankly having its actors converse with no foreseeable end in sight or dramatization then perhaps it could have been a better film. Sadly, this is not the case.
Like I said, I'm picky about the kind of romance that I can tolerate in films. In The Prince of Tides, it was problematic. For one thing, it is a challenge to care for the romance between the characters partially because it takes forever to build and I would not even predict that it would be part of the film if the movie poster didn't reveals Nick Nolte and Barbra Streisand together in a romantic position. But more obviously it was difficult for me to sympathise for the building romance due to the fact that both parties are married. The context of the marriage the characters face is complicated, but the relationship between a deeply troubled married man and his married psychiatrist is a lot to take in and seems a bit much for a sensible relationship. The fact that both characters faced so much and had a relationship which took so long to build without expressing much in the way of romance until about the end of the film just further pointed out how melodramatic and slow the film was without much touching sentimentality. All in all, there is an audience for The Prince of Tides, but people expecting something special in terms of romance or depth have other places to look.
The acting in The Prince of Tides is pretty good though.
Nick Nolte's leading performance in The Prince of Tides is immensely powerful. He conjures up his emotions very organically without suffering from the melodramatic nature of the film. He projects a southern charm into the part which he fits into the context of easily and he constantly maintains a level of energy which gives him the easy ability to command the screen. Nick Nolte is able to play both an insightful and likable lead in The Prince of Tides as well as a passionate man of romance which means that he is able to seamlessly transition into all of the themes in the story, and he does it with pure organic dramatic strength which really gives him a lot of credibility.
Barbra Streisand's performance gave me mixed feelings. While I praise the fact that she was able to direct, produce and pull together a performance for The Prince of Tides all at once, I found that her acting was hit and miss. As a whole she brings a certain easy charm to the role which makes her likable and her chemistry with Nick Nolte is very good, but the problem is that I didn't really believe her as a psychiatrist. In the role of Susan Lowenstein, Barbra Streisand never really delivers her lines with any sort of confidence which means that as a psychiatrist she doesn't really seem to grasp the strength necessary for her character. I liked her in the film, but I found issues with her performance because she uses a stoic approach to the material in her scenes as a psychiatrist which is necessary but fails to project many outside of them during personal interactions unless they are to drop romantic hints in scenes with Nick Nolte. All in all, Barbra Streisand isn't dead on with hitting all of her emotions in The Prince of Tides, but her general presence is charming and her chemistry with Nick Nolte justifies her casting in the lead role.
Kate Nelligan is great as well. In the small matter of screen time she receives as a member of the flashback scenes, she makes an impact by being so organically intense the entire time and stays fierce. Kate Nelligan delivers all of her lines with serious dramatic strength which makes her a sympathetic and memorable figure for the story.

But despite a talented cast and stylish direction from Barbra Streisand, The Prince of Tides walks a tediously melodramatic line between romance and character study without ever sensibly resting on one or tying them together which makes the film unlikely to convert viewers who are not already fond of generic romantic films.
August 22, 2014
One of the best and accurate portrayals of rape survivors and PTSD.
½ July 25, 2014
Mikäs sen mukavampaa hiostavan duunipäivän jälkeen kun nostaa väsyneet jalat kohti kattoa ja keskittyä kaikessa rauhassa hyvään elokuvaan. :) (Suom. Vuorovetten prinssi)
Cameron W. Johnson
Super Reviewer
July 19, 2014
"Now I realize who killed the Prince of Tides! How can you tell how it used to be, when there's nothing left to see?" Yeah, I don't think someone as perky as Jimmy Buffett necessarily fits here, because you know that you're in for a chilling ride when you look at the premise of being stuck in the tides with Nick Nolte. This film is actually about some dude trying to, as Wikipedia puts it, "overcome the psychological damage inflicted by his dysfunctional childhood", which makes me question all of the acclaim being directed as Nolte, because acting psychologically damaged can't be much of a stretch for him. Well, this character must be at least a little bit crazier than Nolte, because Nolte was enough of a decent-looking guy back in the day to maybe earn him a lady who is a little better-looking than Barbra Streisand. Honestly, I suppose Nolte is going to hook up with whoever Streisand wants him to hook up with, because she's also directing here, and I'd trust her advice, seeing as how she seems to know what to do when it comes to calling the shots. So yeah, this film is quite good, although Streisand stands to craft this thing with a little more uniqueness.

This film is very '90s in feel, and that piece of conventional direction makes the other storytelling tropes all the more glaring, and it's hard enough to disregard the predictability of this romantic drama on paper, especially when the film gives you plenty of time to soak in the conventions. Clocking in at about 132 minutes in length, this intimate drama is simply too long, holding your attention throughout its course, - largely because it takes advantage of the length to flesh things out pretty thoroughly - but still dragging its feet with filler, if not material that isn't grand enough in scope to justify its excessiveness. When the film isn't jarring between its layers, it's sticking too deeply with its storytelling formula throughout its lengthy run, resulting in a sense of repetition whose aimlessness still cannot obscure the predictability. If the familiarity doesn't make this narrative predictable, then it's the contrivances, which include dialogue of great snap, but limited believability, and characterization which, in addition to being stereotypical, feels manufactured in a way that forcibly drives certain conflicts. This type of manufactured characterization, while not as serious as I might lead you to believe, stands as a supplement to this film's melodramatics, which are generally compensated for solidly by many a genuine storytelling touch, yet still stand, occasionally as soapy, when backed by some overt sentimentality to Barbra Streisand's storytelling which betrays what subtlety there is to this affair. The final product is never less than thoroughly compelling, but Streisand seems to want this film to be more than what it can be with all of its shortcomings, and such an ambition ironically stresses the issues of the drama, until it finally falls short of what it would have been if there was more comfort to Streisand's efforts. Nonetheless, Streisand's and the other storyteller's inspiration stands firm enough to make the final product a consistently compelling and ultimately rewarding melodrama that even endears on an aesthetic level.

There's an almost surprisingly considerable deal of attention being placed into the style of this drama, with Stephen Goldblatt delivers on often flat, and just as often hauntingly subtle cinematography, while James Newton Howard really impresses with a formulaic, but grand and captivating score that supplements resonance, when it doesn't exacerbate sentimentality. The aesthetic grace of this drama sort of intensifies a sense of manufacturing here, but much more than that, it livens things up, doing a lot to drive the entertainment value which in turn does a lot to draw your attention towards the genuine value of this drama. Although formulaic and rather melodramatic, this story is rich with potential as an intimate study on a man coming to terms with his own demons as he works to define his suicidal sister's, and finds new love along the way, at least brought to life by a solid script. Becky Johnston's and source material author Pat Conroy's script has plenty of repetitious fat around the edges, and gets to be manufactured with its histrionic dialogue and characterization, but it is nonetheless pretty strong, with generally razor-sharp dialogue and an amusing sense of humor to liven things up amidst realized and thorough exposition which tosses in some surprises to break up the monotony and predictability of this formulaic melodrama. Barbra Streisand's direction further reinforces the engagement value of this film, with tight pacing that keeps entertainment value consistent, until punctuated by a certain sentimentality that, when realized, transcends contrivances in order to resonate with its drawing you into the struggles and triumphs of well-drawn and, of course, well-portrayed characters. Where this character study truly thrives is in its performances, as just about everyone convinces and has a time to shine, and yet, hardly anyone flirts with the effectiveness of leading man Nick Nolte, who is asked to do only so much, but does it all impeccably, whether he be delivering on the sparkling charm of a good-hearted man struggling to escape his past through humor, or delivering on the enthralling emotional range which sells this man's gradual achievement of revelation and a new grip on life. Nolte, especially with his electric chemistry with Streisand, carries this intimate drama as one of the key sources of inspiration which allow the final product to transcend its shortcomings as a thoroughly rewarding affair.

When the tide falls, under the pressure of conventions, repetitious dragging, and melodramatics which are made all the more glaring by sentimentality threaten to leave the final product to fall short of its potential, and on the backs of handsome cinematography by Stephen Goldblatt, beautiful score work by James Newton Howard, witty and well-rounded scripting by Becky Johnston and Pat Conroy, heartfelt direction by Barbra Streisand, and solid performances throughout a cast which Nick Nolte stands out from, "The Prince of Tides" rises as a rewardingly intimate portrait on finding personal revelations in yourself through family and new love.

3/5 - Good
June 2, 2014
It is no surprise that Nolte won 3 best actor awards for his portrayal as "The Prince of Tides", by far he is one of the best actors ever. Streisand received some criticism for her depiction of the psychiatrist, but she pulled it off just fine, and the chemistry between these two is undeniable. I love this heartwarming tearjerker showing opposites do attract when sharing the same serving of sad and lonely. Streisand did a fabulous job of combining romantic anecdote with the realness of tragedy.
Super Reviewer
May 2, 2014
When a man's sister attempts suicide, he moves to New York and consults with her therapist with whom he begins an affair.
Nick Nolte is a remarkable actor who has given some impassioned and compelling performances throughout his career, but The Prince of Tides is an exception. The restraints that a more seasoned director would've given Nolte would've helped him because this is a performance in which Nolte plays willy-nilly without a clear plan for his character or a clear character arc. It's acting without story-telling. Babs is there to a spectator and can't match or restrain her costar.
What is more, the story is weak. The reveals about the Wingos' childhood traumas surprise no one, and while I can suspend my disbelief about a lot of things, it's difficult to imagine any self-respecting therapist relying so heavily on a family member to treat her patient.
Overall, Streisand can do a lot of things, but I don't think directing actors is one of them.
Page 1 of 22