Quatermass 2 Reviews

  • Jun 06, 2019

    Wow this is good, with an excellent story, and really scary about an Alien invasion which is getting ready to take over mankind. Fantastic

    Wow this is good, with an excellent story, and really scary about an Alien invasion which is getting ready to take over mankind. Fantastic

  • Jun 01, 2019

    It only loses half a star, because of Donlevy. Americanising Quatermass was one thing but he sucked. Ok, less in this one, I like him more in this one, hence the half a star.

    It only loses half a star, because of Donlevy. Americanising Quatermass was one thing but he sucked. Ok, less in this one, I like him more in this one, hence the half a star.

  • Marcus W Super Reviewer
    Nov 28, 2015

    Brilliant early sci-fi horror that many TV shows and films today owe a debt to.

    Brilliant early sci-fi horror that many TV shows and films today owe a debt to.

  • May 06, 2015

    A bit of a disappointment of a sequel the ending is good but with bullets flying everywhere and nothing gets hit it loses its power, and the script isn't great.

    A bit of a disappointment of a sequel the ending is good but with bullets flying everywhere and nothing gets hit it loses its power, and the script isn't great.

  • Jan 02, 2015

    Val Guest does Invasion of the Body Snatchers in the UK with very mixed results.

    Val Guest does Invasion of the Body Snatchers in the UK with very mixed results.

  • Dec 17, 2014

    Nigel Kneale followed up his hugely influential Quatermass BBC series with a second science fiction tale that terrified the nation in the 1950s and like the first serial, Hammer quickly bought out a big screen version. This is a very effective tale of aliens attempting to establish a colony on Earth by arriving in meteorites, taking over human victims and massing inside gigantic vats in a chemical plant. Obviously, much of the original TV series was cut to fit with the new format but this doesn't adversely affect the action and the sense of paranoia. Granted, the production values and acting are a bit dated but the way in which the aliens manifest is effective and creepy. My only real irritation with this film is again the casting of Brian Donlevy as Quatermass. He really doesn't suit the role at all and plays the role of the slightly uptight, academic character more like a Chicago gumshoe. He is just miscast in this role which is a shame as the character should be quintessentially English. Despite this, thanks to Nigel Kneale's groundbreaking story this film still holds up and is definitely a cut above many science fiction movies of the 1950s.

    Nigel Kneale followed up his hugely influential Quatermass BBC series with a second science fiction tale that terrified the nation in the 1950s and like the first serial, Hammer quickly bought out a big screen version. This is a very effective tale of aliens attempting to establish a colony on Earth by arriving in meteorites, taking over human victims and massing inside gigantic vats in a chemical plant. Obviously, much of the original TV series was cut to fit with the new format but this doesn't adversely affect the action and the sense of paranoia. Granted, the production values and acting are a bit dated but the way in which the aliens manifest is effective and creepy. My only real irritation with this film is again the casting of Brian Donlevy as Quatermass. He really doesn't suit the role at all and plays the role of the slightly uptight, academic character more like a Chicago gumshoe. He is just miscast in this role which is a shame as the character should be quintessentially English. Despite this, thanks to Nigel Kneale's groundbreaking story this film still holds up and is definitely a cut above many science fiction movies of the 1950s.

  • Dec 03, 2014

    WOW.......WOW.....WOW.....FANTASTIC......BRILLIANT....AMAZING.....GENIUS.......man I have just seen this movie 4 the 1st time n think that this is such a brilliant movie 2 watch.....its got a good cast of actors/actresses throughout this movie......I think that William Franklyn (.R.I.P.), Bryan Forbes (.R.I.P.), Sidney James (.R.I.P.), John Longden (.R.I.P.), Brian Donlevy, (.R.I.P.), play good roles/parts throughout this movie......I think that the director of this horror/art house/international movie had done a great job of directing this movie because you never know what 2 expect throughout this movie.......I think that this is such a really well written/acted/directed movie 2 watch...... Filming Val Guest, who had directed The Quatermass Xperiment, returned for Quatermass 2. Guest once again sought to create a film that felt as real as possible, using many cinema vérité techniques such as hand-held cameras. He was assisted in this respect by the moody, overcast cinematography of director of photography Gerald Gibbs; Gibbs also made extensive use of day for night photography for the film's climactic scenes. Guest planned each days' shooting carefully, creating meticulous storyboards detailing all the shots he wanted to make that day. Filming took place between 28 May and 13 July 1956. The film's budget, at £92,000, was much larger than that of The Quatermass Xperiment. The bigger budget was achieved by the advance sale of the distribution rights in the United States to United Artists. United Artists contributed some £64,000 towards the production of the film as well as Brian Donlevy's $25,000 fee and his airfare to London from the US. The larger budget allowed for greater use of location filming in the making of the film than had been possible for its predecessor. The key location used was the oil refinery at Shell Haven in Stanford-le-Hope, Essex, on the Thames Estuary, which represented the secret Winnerden Flats complex. This was exactly the same location as used in the BBC television production of the story. Despite its size, the plant was run by a relatively small number of personnel, which made Guest's job of making the plant appear eerily deserted easier. Guest was also surprised at how relaxed the plant's management were about allowing him to stage the climactic gun battle at such a potentially flammable location. Focus puller Harry Oakes recalled, however, that a Newman-Sinclair clockwork camera had to be used for some scenes because of the danger posed by sparks from electrical equipment. The scenes of Vincent Broadhead emerging from one of the domes covered in the noxious black slime were particularly difficult to realise, necessitating many retakes.Tom Chatto, playing Broadhead, whose wife was a leading casting director, joked after the scene was finally completed, "Remind me to talk to my wife about casting me in this". The Shell Haven location was further enhanced by the use of matte paintings created by special effects designer Les Bowie to add the giant domes within which the aliens were incubated. Other locations used included the real-life new town of Hemel Hempstead, Hertfordshire, which was under construction at the time and doubled for the fictional new town of Winnerden Flats.Other scenes were shot in London including Trafalgar Square, where the police agreed to hold up the traffic for just two minutes to allow Guest to take shots of trucks ferrying equipment through London to Winnerden Flats, and in the foyer of the House of Lords for the scene where Quatermass first meets Vincent Broadhead. The climactic scenes of the hurricane caused by the explosion of the Winnerden Flats complex were shot on the South Downs near Brighton. A minor mishap occurred during the filming of this scene when the wind machines blew Brian Donlevy's toupée off his head and the crew had to chase after it. As well as shooting on location, Guest and his crew made use of Stages 2 and 5 of the New Elstree Studios, the first Hammer production to shoot there. This was production designer Bernard Robinson's first film for Hammer; he went on to become their regular set designer, working on many Hammer films. Reception Quatermass 2 received its first public screening at a trade show on 22 March 1957; its official première was held two days later at the London Pavilion on 24 May 1957. It went on general release, with supporting feature And God Created Woman, on 17 June 1957. The film received an 'X' Certificate from the BBFC. It was released in the US under the title Enemy From Space. Quatermass 2 received mixed reviews. Campbell Dixon, in The Daily Telegraph found the film "all good grisly fun, if this is the sort of thing you enjoy". The reviewer in The Times remarked, "the writer of the original story, Mr Nigel Kneale, and the director, Mr Val Guest, between them keep things moving at the right speed, without digressions. The film has an air of respect for the issues touched on, and this impression is confirmed by the acting generally". On the other hand, Jympson Harman of the Evening News wrote, "Science-fiction hokum can be convincing, exciting or just plain laughable. Quatermass II [sic] fails on all these scores, I am afraid". Similarly, the reviewer in the Daily Herald felt, "The whole thing is daft and full of stilted dialogue. [...] At the end a detective says: "How am I going to make a report on all this?" I felt the same way". Although commercially successful, Quatermass 2's release was largely overshadowed by the box-office record breaking performance of Hammer's The Curse of Frankenstein, which was also released in May 1957. For this reason, although Nigel Kneale had written a new Quatermass serial for the BBC, Quatermass and the Pit (broadcast December 1958 to January 1959), Hammer did not acquire the rights until 1961 and the film version did not appear until 1967. Quatermass 2 is notable, however, for being the first film Hammer pre-sold to a major US distributor, in this case United Artists. This new finance and distribution deal would become the norm for subsequent Hammer films and led to them eventually winding down their own distribution arm, Exclusive Films, in the mid-1960s. Critical opinion of Quatermass 2 in the years since its release remains divided. Writing in Science Fiction in the Cinema, John Baxter found the film "a faithful but ponderous adaptation of Kneale's TV sequel. There are effective sequences, director Guest and cameraman Gerald Gibbs shooting with light lancing up through the shadows in a manner reminiscent of Jacques Tourneur's Night (or Curse) of the Demon. Otherwise the film is indifferent". Similarly, John Brosnan, in his book The Primal Screen wrote, "Quatermass 2 isn't as good as the first one, despite a bigger budget. Again the theme is possession (all four Quatermass stories are variations on the same theme) with Kneale again cleverly mixing sf with the supernatural. The alien invasion may be sf but it is presented with the trappings of traditional horror, such as the V-shaped "mark of the devil" that all possessed people display". On the other hand, Bill Warren, in Keep Watching The Skies! found Quatermass 2 to be "one of the best science fiction films of the 1950s. It is not notably better than [The Quatermass Xperiment], but the story idea is more involving, the production is livelier and there are more events in the unfolding of the story". Kim Newman in 1986 praised the film as "extraordinary" and, comparing it to Invasion of the Body Snatchers (1956), Newman notes that while Don Siegel's film is "a general allegory" about dehumanisation and conformity, Quatermass 2 is "a specific attack on the Conservative Government of the time, down to the inclusion of several characters obviously based on real political figures". The League of Gentlemen's Mark Gatiss mentions on the DVD commentary for the First Series that a scene where two workmen who have been abducted by Tubs and Edward escape, covered in tar, was inspired by the scene in which Vincent Broadhead is covered in "Synthetic Food" from one of the storage tanks. Video releases Quatermass 2 was released in 2003 by DD Video on Region 2 DVD. It contained a number of extra features including commentary by director Val Guest and writer Nigel Kneale, as well as an interview with Val Guest and a trailer for Enemy From Space, as the film was known in the US. The film was first released on Region 1 DVD by Anchor Bay Entertainment and is mastered from an archival print that shows every image with razor-sharp clarity and richness; it contains the same extra features as on the Region 2 release. A Region 1 made-on-demand DVD-R, sourced from a high-definition master, was released in 2011 by MGM. The film had been previously released on both VHS cassette and LaserDisc. In other media The film was adapted into a 15-page comic strip for the August 1978 issue of the magazine Hammer's Halls of Horror (volume 2, # 23, published by Top Sellers Limited). It was drawn by David Lloyd from a script by Steve Parkhouse. The strip was titled Enemy from Space (Quatermass II). man this is such a thrilling enjoyable classics movie 2 watch......I think that this is such a really well written/acted/directed movie 2 watch......its got a good soundtrack throughout this movie......I think that this is such a fantastic movie 2 watch, it is such a brilliant classics movie 2 watch, it is such a great classics movie 2 watch with a great cast throughout this movie.......

    WOW.......WOW.....WOW.....FANTASTIC......BRILLIANT....AMAZING.....GENIUS.......man I have just seen this movie 4 the 1st time n think that this is such a brilliant movie 2 watch.....its got a good cast of actors/actresses throughout this movie......I think that William Franklyn (.R.I.P.), Bryan Forbes (.R.I.P.), Sidney James (.R.I.P.), John Longden (.R.I.P.), Brian Donlevy, (.R.I.P.), play good roles/parts throughout this movie......I think that the director of this horror/art house/international movie had done a great job of directing this movie because you never know what 2 expect throughout this movie.......I think that this is such a really well written/acted/directed movie 2 watch...... Filming Val Guest, who had directed The Quatermass Xperiment, returned for Quatermass 2. Guest once again sought to create a film that felt as real as possible, using many cinema vérité techniques such as hand-held cameras. He was assisted in this respect by the moody, overcast cinematography of director of photography Gerald Gibbs; Gibbs also made extensive use of day for night photography for the film's climactic scenes. Guest planned each days' shooting carefully, creating meticulous storyboards detailing all the shots he wanted to make that day. Filming took place between 28 May and 13 July 1956. The film's budget, at £92,000, was much larger than that of The Quatermass Xperiment. The bigger budget was achieved by the advance sale of the distribution rights in the United States to United Artists. United Artists contributed some £64,000 towards the production of the film as well as Brian Donlevy's $25,000 fee and his airfare to London from the US. The larger budget allowed for greater use of location filming in the making of the film than had been possible for its predecessor. The key location used was the oil refinery at Shell Haven in Stanford-le-Hope, Essex, on the Thames Estuary, which represented the secret Winnerden Flats complex. This was exactly the same location as used in the BBC television production of the story. Despite its size, the plant was run by a relatively small number of personnel, which made Guest's job of making the plant appear eerily deserted easier. Guest was also surprised at how relaxed the plant's management were about allowing him to stage the climactic gun battle at such a potentially flammable location. Focus puller Harry Oakes recalled, however, that a Newman-Sinclair clockwork camera had to be used for some scenes because of the danger posed by sparks from electrical equipment. The scenes of Vincent Broadhead emerging from one of the domes covered in the noxious black slime were particularly difficult to realise, necessitating many retakes.Tom Chatto, playing Broadhead, whose wife was a leading casting director, joked after the scene was finally completed, "Remind me to talk to my wife about casting me in this". The Shell Haven location was further enhanced by the use of matte paintings created by special effects designer Les Bowie to add the giant domes within which the aliens were incubated. Other locations used included the real-life new town of Hemel Hempstead, Hertfordshire, which was under construction at the time and doubled for the fictional new town of Winnerden Flats.Other scenes were shot in London including Trafalgar Square, where the police agreed to hold up the traffic for just two minutes to allow Guest to take shots of trucks ferrying equipment through London to Winnerden Flats, and in the foyer of the House of Lords for the scene where Quatermass first meets Vincent Broadhead. The climactic scenes of the hurricane caused by the explosion of the Winnerden Flats complex were shot on the South Downs near Brighton. A minor mishap occurred during the filming of this scene when the wind machines blew Brian Donlevy's toupée off his head and the crew had to chase after it. As well as shooting on location, Guest and his crew made use of Stages 2 and 5 of the New Elstree Studios, the first Hammer production to shoot there. This was production designer Bernard Robinson's first film for Hammer; he went on to become their regular set designer, working on many Hammer films. Reception Quatermass 2 received its first public screening at a trade show on 22 March 1957; its official première was held two days later at the London Pavilion on 24 May 1957. It went on general release, with supporting feature And God Created Woman, on 17 June 1957. The film received an 'X' Certificate from the BBFC. It was released in the US under the title Enemy From Space. Quatermass 2 received mixed reviews. Campbell Dixon, in The Daily Telegraph found the film "all good grisly fun, if this is the sort of thing you enjoy". The reviewer in The Times remarked, "the writer of the original story, Mr Nigel Kneale, and the director, Mr Val Guest, between them keep things moving at the right speed, without digressions. The film has an air of respect for the issues touched on, and this impression is confirmed by the acting generally". On the other hand, Jympson Harman of the Evening News wrote, "Science-fiction hokum can be convincing, exciting or just plain laughable. Quatermass II [sic] fails on all these scores, I am afraid". Similarly, the reviewer in the Daily Herald felt, "The whole thing is daft and full of stilted dialogue. [...] At the end a detective says: "How am I going to make a report on all this?" I felt the same way". Although commercially successful, Quatermass 2's release was largely overshadowed by the box-office record breaking performance of Hammer's The Curse of Frankenstein, which was also released in May 1957. For this reason, although Nigel Kneale had written a new Quatermass serial for the BBC, Quatermass and the Pit (broadcast December 1958 to January 1959), Hammer did not acquire the rights until 1961 and the film version did not appear until 1967. Quatermass 2 is notable, however, for being the first film Hammer pre-sold to a major US distributor, in this case United Artists. This new finance and distribution deal would become the norm for subsequent Hammer films and led to them eventually winding down their own distribution arm, Exclusive Films, in the mid-1960s. Critical opinion of Quatermass 2 in the years since its release remains divided. Writing in Science Fiction in the Cinema, John Baxter found the film "a faithful but ponderous adaptation of Kneale's TV sequel. There are effective sequences, director Guest and cameraman Gerald Gibbs shooting with light lancing up through the shadows in a manner reminiscent of Jacques Tourneur's Night (or Curse) of the Demon. Otherwise the film is indifferent". Similarly, John Brosnan, in his book The Primal Screen wrote, "Quatermass 2 isn't as good as the first one, despite a bigger budget. Again the theme is possession (all four Quatermass stories are variations on the same theme) with Kneale again cleverly mixing sf with the supernatural. The alien invasion may be sf but it is presented with the trappings of traditional horror, such as the V-shaped "mark of the devil" that all possessed people display". On the other hand, Bill Warren, in Keep Watching The Skies! found Quatermass 2 to be "one of the best science fiction films of the 1950s. It is not notably better than [The Quatermass Xperiment], but the story idea is more involving, the production is livelier and there are more events in the unfolding of the story". Kim Newman in 1986 praised the film as "extraordinary" and, comparing it to Invasion of the Body Snatchers (1956), Newman notes that while Don Siegel's film is "a general allegory" about dehumanisation and conformity, Quatermass 2 is "a specific attack on the Conservative Government of the time, down to the inclusion of several characters obviously based on real political figures". The League of Gentlemen's Mark Gatiss mentions on the DVD commentary for the First Series that a scene where two workmen who have been abducted by Tubs and Edward escape, covered in tar, was inspired by the scene in which Vincent Broadhead is covered in "Synthetic Food" from one of the storage tanks. Video releases Quatermass 2 was released in 2003 by DD Video on Region 2 DVD. It contained a number of extra features including commentary by director Val Guest and writer Nigel Kneale, as well as an interview with Val Guest and a trailer for Enemy From Space, as the film was known in the US. The film was first released on Region 1 DVD by Anchor Bay Entertainment and is mastered from an archival print that shows every image with razor-sharp clarity and richness; it contains the same extra features as on the Region 2 release. A Region 1 made-on-demand DVD-R, sourced from a high-definition master, was released in 2011 by MGM. The film had been previously released on both VHS cassette and LaserDisc. In other media The film was adapted into a 15-page comic strip for the August 1978 issue of the magazine Hammer's Halls of Horror (volume 2, # 23, published by Top Sellers Limited). It was drawn by David Lloyd from a script by Steve Parkhouse. The strip was titled Enemy from Space (Quatermass II). man this is such a thrilling enjoyable classics movie 2 watch......I think that this is such a really well written/acted/directed movie 2 watch......its got a good soundtrack throughout this movie......I think that this is such a fantastic movie 2 watch, it is such a brilliant classics movie 2 watch, it is such a great classics movie 2 watch with a great cast throughout this movie.......

  • Oct 12, 2014

    One of the best 50s sci fi/horror movies. Dark, menacing, mysterious and brilliantly written.

    One of the best 50s sci fi/horror movies. Dark, menacing, mysterious and brilliantly written.

  • Mar 01, 2014

    (58%) A jewel amongst 50's sci-fi with an intriguing plot, good cast, a surprising amount of action, and a great gross alien monster. For fans of these movies this is a must watch, whilst everyone else will probably wonder what all the fuss is about. The guards that look like Nazi Ghostbusters, and Sid James are a highlight.

    (58%) A jewel amongst 50's sci-fi with an intriguing plot, good cast, a surprising amount of action, and a great gross alien monster. For fans of these movies this is a must watch, whilst everyone else will probably wonder what all the fuss is about. The guards that look like Nazi Ghostbusters, and Sid James are a highlight.

  • Jan 08, 2014

    A solid Quatermass story about alien invasion. The monsters were a bit of a disappointment tho, looked like melted Christmas trees lol.

    A solid Quatermass story about alien invasion. The monsters were a bit of a disappointment tho, looked like melted Christmas trees lol.