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      Relic: Trailer 1 TRAILER 2:20
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      Relic

      2020, Horror/Drama, 1h 29m

      239 Reviews 500+ Ratings

      What to know

      Critics Consensus

      Relic ratchets up its slowly building tension in an expertly crafted atmosphere of dread, adding up to an outstanding feature debut for director/co-writer Natalie Erika James. Read critic reviews

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      Relic  Photos

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      Movie Info

      A woman links her mother's increasingly volatile behavior to an evil presence at their family's decaying country home.

      • Rating: R (Some Horror Violence|Language|Disturbing Images)

      • Genre: Horror, Drama

      • Original Language: English

      • Director: Natalie Erika James

      • Producer: Jake Gyllenhaal

      • Writer: Natalie Erika James, Christian White

      • Release Date (Theaters):  limited

      • Release Date (Streaming):

      • Box Office (Gross USA): $1.0M

      • Runtime:

      • Distributor: IFC Midnight

      • Production Co: Nine Stories Productions, AGBO, Film Victoria, Carver Films, Screen Australia

      • Aspect Ratio: Scope (2.35:1)

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      Critic Reviews for Relic

      Audience Reviews for Relic

      • Mar 02, 2021
        In a lonely old house way out in the country, the middle of nowhere, three women (representing the three stages of women?) get together to sort things out...only the unseen fourth member of the group rattles around menacingly behind the walls and out of sight. Should we fear whoever it is...or what? An interesting presentation of a primordial reality.
        kevin w Super Reviewer
      • Jan 29, 2021
        The metaphor is a little too heavy handed but there's real power to a lot of the imagery especially in the finale where the house becomes an endless maze of moldy hallways and walls within walls.
        Super Reviewer
      • Aug 31, 2020
        Just as Jennifer Kent made her mark with the Australian horror film The Babadook in 2014, so too does Natalie Erika James with another antipodean frightener in Relic. Not only do they share the same geographical origins but they share a similar depth in their storytelling and intentions. As the The Babadook worked its fears around an allegory for mental health and loss, Relic delves into the ravages of dementia and the effect it has on family. Its not hard to see what James is going for but she also doesn't forget that it's still a horror movie at the end of the day and she crafts something that, albeit a slow-burn, is still chillingly effective and another fine addition to the continued rise of the contemporary horror genre.
        Super Reviewer
      • Jul 17, 2020
        When first hearing about this movie, the premise intrigued me and upon viewing the trailer, I was absolutely ready to dive into this movie. While it's not a bad movie by any means, Relic is the definition of a film that you shouldn't judge by its cover. It's mentioned as both a drama and a horror on many of the entertainment websites and although there are some eerie scenes and a few chills to be had, this is first and foremost, a psychological drama from beginning to end. This was actually jarring to me as it really does seem like a pretty scary film on its surface. If you're looking for a film to simply scare the hell out of you, this isn't that, but some viewers may find the dramatic aspect to be quite fulfilling.  Relic begins with a mother and daughter living in the grandmother's house, as they search for her whereabouts. After she mysteriously and randomly shows up back home, she doesn't seem right. Dementia has clearly overtaken her in a severe way and it's not only affecting her daughter and granddaughter but the house they are in may just be expressing the side effects of that dementia to them all, creating visions and dreams that may or may not actually be there. I could see what they were going for here and the movie ends on a note that felt very strange, yet earned at the same time, but I walked away wishing that more had been done with the premise overall. Writer/director Natalie Erika James has crafted a very well-rounded story with a lot of character development. The thing that impressed me the most was that I was able to retrieve a lot of that character development, simply due to the images being shown on-screen. Her writing abilities here worked wonders for the story itself, but I truly don't think the tone of the movie matched the premise all that well. I think how everything was lit just felt like a darker and scarier movie than what was given to audiences. That was a creative decision by the filmmakers, clearly, but it felt off to me.  Bella Heathcote as Sam and Robyn Nevin as Edna are both terrific in their respective roles, but Emily Mortimer, who's usually always great, may have given the best performance I've seen from her yet. Her calm, concerned mood throughout the entire film never once waivered. I was completely enthralled by her performance, even though she probably could've been given more to do. This film feels like a much larger story wants to break through the cracks of this well-done drama. I just kept wondering what the point of it all was, and even though there is a point by the end, I'm not sure I cared enough by the time the film finally arrived there. Overall, Relic is a movie that's hard to rip apart, because all the right pieces are there and movie, narratively, is quite effective. Sadly, the horror aspect was a huge failure for me and the tone of the movie in comparison with what was actually going on was a little too dark to latch onto. The cast is very solid, as well as the direction and screenwriting, but nothing about this movie felt special enough to praise more than that. This is a very watchable movie that feels its length at even 90-minutes, but if you're up for some psychological sequences and a solid little story, this one may be for you. Personally, I walked away thinking Relic was okay as a whole.
        KJ P Super Reviewer

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