Rosenstrasse2004
Rosenstrasse (2004)
Rosenstrasse Photos
Movie Info
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Cast
as Lena Fischer
as Hannah Weinstein
as Lena Fischer (age 90)

as Ruth Weinstein (age 60)
as Ruth (age 8)
as Arthur von Eschenbach
as Fabian Fischer
as Luis Marquez

as Rachel Rosenbauer

as Marian
as Ben

as Emily
as Klara Singer
as Mrs. Goldberg
as Nathan Goldberg
as Ruth's Mother

as Erika's Father

as Erika's Mother

as Erika

as Adele
as SS Soldier Schneider

as Schupo `Franz'

as Jewish Orderly

as Nazi Woman
as Eschenbach's Father
as Eschenbach's Mother
as Fabian's Mother
as Fabian's Father
as Lizzy
as Geobbels

as SS-Officer

as Mr. Muller
as Klara's Colleague
Critic Reviews for Rosenstrasse
All Critics (61) | Top Critics (28) | Fresh (34) | Rotten (27) | DVD (4)
The trite framework, static staging and unemotional acting render this a most forgettable Holocaust tale.
Succeeds as a testament to the power of love and, in particular, as a tribute to brave women.
A Holocaust drama that proves it's possible to make a minor movie about a major subject.
The film opens a window into the fact that not all good Germans were cowed during those dark times.

Some of the choices made here are more befitting a Lifetime movie of the week.
For all its flaws, Rosenstrasse is a welcome reminder that humans are capable of valor and generosity in the worst of times.

Audience Reviews for Rosenstrasse
I do have a thing for movies about Nazi Germany, I admit it. This one is really, really good. It also, I believe, was based on a true story...like most of them.
Super Reviewer
Very hard to get into because you switch in time so many times, but it is well worth it. Beautifully acted and well put together. Loved it.
Super Reviewer
Part of my post-war German film course. This is a very good WW-II era film, which focuses on an event I wasn't aware of and I don't think has been covered before, so right out of the gate, the concept is at least totally unique. Its a very definably German film about the protest of German women whose Jewish husbands have been imprisoned around 1943 (I think this was the year, might have been '42). It has a decidedly feminist agenda, but I don't see how this can be avoided considering the nature of the story. In the end, its a pretty powerful, emotional tale that contains a great performance by Katja Riemann and the work of clearly talented director. It comes off as somewhat by the numbers, but I think it would be very, very hard not to like this film. It just has a universal resonance, and it is quite well done, and respectful to the subject matter.
Super Reviewer
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