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Cast

Max von Sydow
as Antonius Block

Gunnar Bjornstrand
as Jons

Bibi Andersson
as Mia

Bengt Ekerot
as Death

Åke Fridell
as Blacksmith Plog

Inga Gill
as Lisa

Maude Hansson
as Tyan

Bertil Anderberg
as Raval

Nils Poppe
as Jof

Maud Hansson
as The Witch, Tyan

Gunnel Lindblom
as Girl

Inga Landgre
as Block's Wife

Anders Ek
as Monk

Gunnar Olsson
as Church Painter

Erik Strandmark
as Skat

Ulf Johansson
as Leader of the Soldiers

Tor Borong
as Farmer at inn

Benkt-Ake Benktsson
as Merchant

Lars Lind
as Young Monk

Gudrun Brost
as Woman at inn

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Critic Reviews for The Seventh Seal (Det Sjunde inseglet)

Audience Reviews for The Seventh Seal (Det Sjunde inseglet)

• Apr 21, 2019

  The Seventh Seal is a riveting, expertly-filmed, beautifully-written, and wildly intelligent exploration of Catholic and apocalyptic anxiety. Its existential dread and its haunting questions of purpose and the presence of God still feel real and as relevant today. The misogyny demonstrated throughout the film, however does not age well, and is an unfortunate product of both the time of the film's release and the age it seeks to portray. One could argue that the misogyny is intended to show the savagery of men, their sinful nature, and that Bergman was calling out this cruel reality.
  

  Matthew Samuel M Super Reviewer
• Sep 06, 2016

  Classic film. Worth checking out.
  Stephen S Super Reviewer
• May 20, 2016

  Few images in film surpass that of the knight Antonius Block playing chess with Death by the sea at the beginning of Ingmar Bergman's 'The Seventh Seal'. Also fantastic are the scenes of him asking for knowledge of God in a confessional, and the danse macabre on the hillside at the end. This film established Bergman on the international film scene, and while it may not be perfect, it will always be one of my favorites. A knight (Max von Sydow) and his squire (Gunnar Björnstrand) have returned from the Crusades to find Sweden ravaged by the plague. Under the torpor and ignorance of religion, the people flagellate themselves and blame and burn a witch. Death is all around, even in the form of a mask used by a troupe of circus performers, which include an innocent young married couple (Nils Poppe and Bibi Andersson) and their small child. It's the Dark Ages but the things we find are timeless: cruelty, hypocrisy, lust, and yet also the simplicity of love and the quest for God, however ridiculous His absence may seem. We see the knight faithful to the end, trying to give his life meaning by saving others, and his squire cynical of it all. "I could have purged your worries about eternity," the squire says, "but now it's too late. But feel, to the very end, the triumph of being alive!" Death is a certainty and he makes his presence felt, but where is God? Death himself has no answers to this, and wisely, neither does Bergman. Life simply goes on without us, and we must hold fast to sweet memories while they last. Magnificent. A couple of passages... This is the exchange at the confessional: Block: I want to confess as best I can...but my heart is void. The void is a mirror. I see my face...and feel loathing and horror. My indifference to men has shut me out. I live now in a world of ghosts...a prisoner in my dreams. Death: Yet you do not want to die. Block: Yes, I do. Death: What are you waiting for? Block: Knowledge. Death: You want a guarantee. Block: Call it what you will. Is it so hard to conceive God with one's senses? Why must He hide in a midst of vague promises...and invisible miracles? How are we to believe the believers when we don't believe ourselves? What will become of us who want to believe, but cannot? And what of those who neither will nor can believe? Why can I not kill God within me? Why does He go on living in a painful, humiliating way? I want to tear Him out of my heart...but He remains a mocking reality...which I cannot get rid of. Do you hear me? Death: I hear you. Block: I want knowledge. Not belief. Not surmise. But knowledge. I want God to put out His hand...show His face, speak to me. But He is silent. I cry to Him in the dark, but there seems to be no one there. Perhaps there is no one there. There life is a senseless terror. No man can live with Death and know that everything is nothing. Death: Most people think neither of Death nor nothingness. Block: Until they stand on the edge of life and see the Darkness. Death: Ah, that day. Block: I see. We must make an idol of our fear...and call it God. And this while eating strawberries with milk, the sweetest scene in the movie, with Block remembering his youth and pledging to remember this moment with his new friends: "We were newly-married. We played and laughed. I wrote songs to her eyes. We hunted, we danced, the house was full of life. ... To believe is to suffer. It is like loving someone in the dark...who never answers. How unreal that is in your company. It means nothing to me now. ... I shall remember this hour of peace...the strawberries, the bowl of milk...your faces in the dusk. Michael asleep, Joseph with his lute. I shall remember our words...and shall bear this memory between my hands...as carefully as a bowl of fresh milk."
  Antonius B Super Reviewer
• Oct 08, 2015

  The Seventh Seal is a fine film, full of humor and verve. I do think the film is just a bit overhyped, especially compared with other Bergman films, but that does not take away from the fact that the Seventh Seal is still a highly enjoyable film. One can feel a love for movie-making throughout the film; it is really more about life than about death.
  Robert B Super Reviewer

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