The Shop Around the Corner

The Shop Around the Corner Photos

View All Photos (14)

Cast & Crew

Margaret Sullavan
Klara Novak

James Stewart
Alfred Kralik

Frank Morgan
Hugo Matuschek

Joseph Schildkraut
Ferencz Vadas

Sara Haden
Flora Katcuck

Felix Bressart
Pirovitch

William Tracy
Pepi Katona

Inez Courtney
Ilona Novodny

Charles Halton
Detective

Charles Smith
Rudy

Sarah Edwards
Woman Customer

Gertrude Simpson
Woman Customer (uncredited)

Grace Hayle
Plump Woman (uncredited)

Charles Arnt
Policeman (uncredited)

William Edmunds
Policeman (uncredited)

Mary Carr
Grandmother (uncredited)

Mabel Colcord
Aunt Anna (uncredited)

Ernst Lubitsch
Director

Miklós László
Writer

Samson Raphaelson
Writer

Ernst Lubitsch
Producer

Werner R. Heymann
Original Music

William H. Daniels
Cinematography

Gene Ruggiero
Film Editing

Cedric Gibbons
Art Director

Edwin B. Willis
Set Decoration

Sydney Guilaroff
Hair Stylist

Douglas Shearer
Recording Director

Wade B. Rubottom
Associate Art Direction

Show all Cast & Crew

Audience Reviews for The Shop Around the Corner

• Mar 13, 2021

  Predictable at every point, but nonetheless a charming tale of love, community and trust.
  

  Aldo G Super Reviewer
• Jan 01, 2019

  A great love story about the power of empathy, something we could all use a little more of these days.
  

  Alec B Super Reviewer
• Dec 28, 2018

  A film with many layers and a joy to watch, itâ(TM)s a real triumph for director Ernst Lubitsch. He gives us a romantic comedy in which the romance is just a part of a larger canvas, one that touches us in so many ways: the loneliness of the holiday season, the humiliation of betrayal, needing to endure other people and the boss at oneâ(TM)s workplace to support a family, and of course, an unlikely love that only comes from scratching beneath the surface. Lubitsch is so complete in the way he tells this story, and yet seems to tread lightly as he does so. He fleshes out his characters in the simplest of ways, with little gestures and comments. He exercises the deftness of restraint in all things, from the slyness of his comedy to letting silence and his actorsâ(TM) faces say it all when appropriate. He gives us a rich symphony of human emotions, showing us human dignity and the angels of our better natures, but also our pettiness, jealousy, vanity, and disdain. In love, he shows us the importance of inner character but also acknowledges physical appeal. In community, he gives us a sense of comradeship, but also the inevitable pecking order and little rivalries. There is real wisdom in his observations of how people behave, but also a philosophical acceptance and elegant refinement in how he presents it. He always seems to thread the needle, and maybe thatâ(TM)s the essence of what the â~Lubitsch touchâ(TM) is all about. One theme in the film is how people communicate, and the need to be honest and yet graceful. We see this in how one salesman (Jimmy Stewart) talks to the boss (Frank Morgan) contrasted to the way another does (Joseph Schildkraut), a guy who sucks up and is an example of grace without truth. We also see it in how Stewart and the new saleswoman (Margaret Sullavan) antagonize each another, never giving one another the benefit of the doubt, and often being forthright but lacking grace. They are of course much more eloquent and kind to one another as anonymous pen-pals, and it shows us how much our openness and attitude towards someone else shapes our view of them. The cast is fantastic, led by excellent performances from Morgan and Stewart. Felix Bressart as the family man and William Tracy as the errand boy stand out in supporting roles. I wasnâ(TM)t as wild about Margaret Sullavan, but she fits the part quite well. The scene she has with Stewart in the cafà (C) is wonderfully acerbic, and is preceded by Bressart pointing out just who has the copy of Anna Karenina with the red carnation in a clever way. Another great scene is Stewartâ(TM)s dismissal, which is one he and Lubitsch both execute as true masters. I also loved that moment Frank Morgan has with the new errand boy after seeking someone to go to dinner with. There is such a genuine feeling to this film, where Lubitsch really takes us into the world of this little shop. As in life, there is despair, humiliation, and bickering, just as there is warmth, friendship, and higher love. This is an old film to seek out.
  Antonius B Super Reviewer
• Oct 09, 2013

  A Hungarian clerk falls in love with a pen pal who turns out to be his co-worker, with whom he has an antagonistic relationship. A remarkably dark romantic comedy, The Shop Around the Corner falls well short of charming (any claim it has to that adjective comes in the person of the naturally delightful Jimmy Stewart). Instead subplots of infidelity and a failing business cloud whatever romantic juice can be squeezed out of the primary plotline. The film is not boring nor are the characters bland, but the heavy air of the Hungarian milieu and the heavier subplots bring the story to a slow climb toward nothing interesting. Overall, I suspect the modern You've Got Mail might have a better tone but less substance, and as a whole, this story feels too uneven.
  Jim H Super Reviewer

Movie & TV guides