Son of Frankenstein
1939, Horror, 1h 39m37 Reviews 2,500+ Ratings
What to know
Boris Karloff's final appearance as the Monster is a fitting farewell before the series descended into self-parody. Read critic reviews
You might also like
Where to watch
Rate And Review
Son of Frankenstein Photos
Cast & Crew
Baron Wolf von Frankenstein
Elsa von Frankenstein
Peter von Frankenstein
Critic Reviews for Son of Frankenstein
Amusingly entertaining with some "chilly" moments.
If the story has any value, it contains a rather unnecessary warning to medical men not to carry scientific curiosity too far. None of this detracts, however, from the quality of the acting.
Altogether a workmanlike essay in synthetic horror, and Mr. Rathbone enters with relish into the spirit of it.
[Bela Lugosi] pretty much steals the movie in his last really juicy role.October 20, 2016 | Full Review…
Well mounted, nicely directed, and includes cast of capable artists.September 23, 2007 | Full Review…
A strangely literary and leisurely monster movie, laced with amusing gothic doodles.September 23, 2007 | Full Review…
Audience Reviews for Son of Frankenstein
Sep 22, 2014Going off book for a straight up creature feature, this overlong and often lead-footed sequel boasts enough style and scares to give Karloff a proper and monstrous send-off. Out with pathos, in with the self-parody. Perhaps, of all of the Frankenstein films, Son gets taken least seriously in the shadow of Mel Brooks's hilarious, spot-on, send-up Young Frankenstein. Granted, the master parodist borrows most from this second sequel. Still, between the lead-footed plotting and arch performances, the film's ripe for the nit pickings. Regardless, unlike the increasingly laughable chapters that followed, the narrative feels like a worthy continuation of the first two cinematic masterpieces. In this unrated continuation of the classic horror series, an outcast hunchback (Bela Lugosi) persuades the reviled son (Basil Rathbone) of Dr. Henry Frankenstein to revive the hideous monster (Boris Karloff)--one to prove the father right and the other to exact revenge on the city fathers who'd tried to execute him. Basil Rathbone turns the scenery into an absolute buffet, screenwriter Willis Cooper over-complicates the monstrous resurrection with a revenge sub-plot, and Bela Lugosis gleefully insane Igor somehow steals the show from Karloff in his last turn as the monster. Still, directors Michael Gordon and Rowland V. Lee employ a great deal of noirish Art Deco-inspired style that sets a tone both ominous and eye-catching. Bottom line: The Son Also SurprisesJeff B Super Reviewer
Oct 09, 2012Two of Universal's biggest stars, Boris Karloff and Bela Lugosi, team up for Son of Frankenstein. In this third installment of the series Dr. Wolf von Frankenstein inherits his family's estate and decides to continue his father's work when his father's former assistant, Ygor, reveals that the Monster is still alive. Lugosi does an excellent job as Ygor; turning him into one of the most significant and popular characters in the Frankenstein canon. Additionally, the story is rather good and takes the series in an interesting direction. Son of Frankenstein is able to deliver a fresh and frightening new chapter into the series, while still being a smart and well-crafted film.Dann M Super Reviewer
Oct 01, 2012Repeating the sins of the father is an overriding theme in â~Son of Frankensteinâ(TM) and the film doesnâ(TM)t tread lightly around it. Trying to tame and domesticate the inherently feral and wild is a futile enterprise as Wolf Frankenstein (Basil Rathbone) unearths in this rousing, unexpectedly character-driven sequel that doesnâ(TM)t bastardize the films that came before it. Karloff is still an inimitable silent actor since he must gesture and flail to convey the monsterâ(TM)s self-hatred. For example, when the monster is awoken, he stares into the mirror and acts predatory until the tragic revelation that he is looking at his own reflection. However, the film is plundered outright by Bela Lugosiâ(TM)s scenery-chewing as Ygor, Frankensteinâ(TM)s deformed assistant. Lugosi is insidiously creepy and manipulative by using Wolfâ(TM)s scientific curiosity to his revenge agenda. The townspeopleâ(TM)s sudden change-of-heart in the third act is a lazy deus ex machine but otherwise this is a judicious, absorbing rebound for the Universal monster.Cory T Super Reviewer
Oct 06, 2010Right off of the bat the Son of Frankenstein sounds like a terrible idea. This is the third installment of the immensely popular Frankenstein series by Universal Horror and you can tell that they are just beating the money horse here by filling the entire movie with heavyweight horror actors like Bela Lugosi, Basil Rathbone, Lionel Atwill, Dwight Frye and Boris Karloff returning as the monster. his movie is so heavy on the acting side that it begins to collapse in on itself and actually takes away from other aspects of the film. Son could have possibly been the greatest Frankenstein movie of all time; however, the plot does away with everything that the Monster learned in the previous film and pisses away all of the character and story development that came with the original Bride of Frankenstein. The iconic look of the Monster is also severely tampered with; instead of wearing his usual dark suit as in the previous Frankenstein films he dons a fur vest and tall black boots. All of these things mixed together just sort of make this movie lackluster and it plays right into the stereotype that the third movie in a franchise is unable to hold its own. The movie is about Dr. Frankenstein's son, Wolf Von Frankenstein, coming to receive his inheritance. That being his fathers estate and laboratory in the terrorized village of movies prior. It looks like Wolf Von Frankenstein is going to turn over a new leaf and clear his family's name in the village, however something clicks in his brain about 20 minuets into the movie and he decides to try and re-animate his fathers ravenous creation. Referred to earlier in the film as Wolf's half brother. The movie has some incredible sets and the art direction is spectacular, you can really see the German Expressionist influences, and while the rest of the film is very well shot it lacks in certain areas. As I said before the character development hit a reset button with this movie and in doing so sort of lost the pace and momentum that the last two movies had built. And what makes a movie entertaining without an interesting monster and well developed characters? The roles in the film are really kind of strange: Lionel Atwill gives a great performance as Inspector Krogh, Boris Karloff contributes a pretty mediocre one in his last portrayal of the Monster, Basil Rathbone is horrible, just horrible, and then there is Bela Lugosi who steals the show as Ygor. Ygor, the Monster's only "friend, was was hung but he somehow survived and goes through the entire movie with a wooden neck? This movie is hardly scary and I think serves as a weak follow-up to what many consider to be one of the greatest movies of all time. I think it is safe to say that Son of Frankenstein holds a solid 5 of 10. It does its own thing. It could have been done a lot better or it could have just been left alone. If you want to judge for yourself go ahead and watch the Original, then Bride of Frankenstein, and then this movie. That should put everything in perspective. Who is going to throw paint on the Monsters vest? S!DBrandon S Super Reviewer