The Spanish Prisoner - Movie Reviews - Rotten Tomatoes

The Spanish Prisoner Reviews

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May 16, 2018
For a moment there I didn't trust even myself.
Beside that, as a neo-noir: better than many, worse than some. As a crime-heist: better than many, worse then some. My mistake was to expect more, and I should stop to do so.
November 21, 2017
On aurait tort de dire que The Spanish Prisoner est un film loupé. En effet, ce thriller très calme mais au script extrêmement malin et passionnant pourrait être une franche réussite, même, si la réalisation de David Mamet ne manquait cruellement pas autant de rythme (ce qui est tout de même primordial pour le suspense). Elle plombe totalement un film pourtant bien interprété, avec un Steve Martin machiavélique en contre-emploi qui marche parfaitement bien, Rebecca Pidgeon en femme fatale et Campbell Scott, aussi fade que le rôle le demande. Peut-être aurait-il fallu que David Mamet liasse son script à un autre réalisateur, mais en l'état, il est autant coupable qu'à remercier.
½ January 26, 2017
A brilliant movie about one of the oldest cons ever pulled, The Spanish Prisoner. Hustling until the end, this neo-noir movie is high on suspens and deception. Not a must see, but very good entertainment.
September 25, 2016
The movie is twisty and labyrinthine in all the right ways, but the deus ex machina kind of kills up any built up suspense or the conspiracy before it. I liked the acting and dialogue, but the ending sort of fizzles out instead of ending in a bang.
½ August 23, 2016
A classic conman Thriller, well narrated
November 5, 2015
Great fun to watch, but becomes a tad silly or over done at the end.
½ June 26, 2015
A very good story played out by rather underqualified actors. Steve Martin being the exception, but out of his comfort zone with no funny lines throughout.
½ May 11, 2015
Good slick well done con movies are few and far between but Mamet delivers the goods here.
½ December 27, 2014
The most accurate representation of a 'movie for grownups' ever. I've tried this movie several times and I can never get past the first 15 minutes without it putting me to sleep. It's like an Andy Sidaris movie with no tits and no action. P.S. I love David Mamet, this one just sucks though.
October 28, 2014
I like a good mind-bending crime drama that is full of twists and turns. That's what the Spanish Prisoner attempts to be. There are a lot of intriguing moments in the movie, and I'd be tempted to see what could have been done with the script if another writer had been allowed to clean it up. Unfortunately, since it was left entirely in David Mamet's hands this movie suffers from quite a few problems. The biggest one is that people don't talk like these characters do in the movie. It takes some truly awful directing to get Steve Martin to sound this wooden. It is so obvious that Mamet won't let the actors massage their lines to sound more natural, and instead forces them to stick word-for-word with the script. This results in painful dialogue like "Worry is like interest paid in advance on a debt that never comes due." What person in their right mind rattles off a fortune-cookie phrase like that in every day conversation? I can't even make an accurate judgement on whether the actors in this film are good or bad because it feels like they aren't allowed to act.

Then there's the structure of this entire con game. It is executed very well, and has a lot of interesting moving parts that you never expect. The problem is, unlike a really well-constructed con film, the entire plot starts to fall apart when you look at it in any detail. So many little coincidences had to go a certain way in order to get everything to line up just right, no one could have planned this entire thing. Not to mention how the ending doesn't really make any sense, I'm still not sure who's behind the whole thing and why they did it. Also when they setup things in this film they really hit you over the head to expect something is coming. Through repetition we are constantly bombarded that a certain thing is important, and therefore you naturally assume it's probably not what it seems. It's the strangest combination of over-writing (because details are over-explained and dialogue is way too wordy) and under-writing (because the plot makes no sense, and the conclusion is just glossed over in about 2 lines.) I did get some enjoyment out of the story in The Spanish Prisoner, but the writing is just so bad that I can't possibly watch it again.
September 18, 2014
Painfully slow, obvious set up, boring as hell.
September 16, 2014
Posted on 5/15/06 03:28 PM
[color=lemonchiffon]Saw dese late April on DVD ...[/color]

[color=orange][b]The Spanish Prisoner, 1997, Writer/Director David Mamet[/b][/color]
[color=orange][b](with Steve Martin, Rebecca Pidgeon, Campbell Scott)[/b][/color]
Wasn't sure that I had seen any of David Mamet's films previously so did some IMDB research and found that he also did [color=magenta]State and Main (2000)[/color] and [color=magenta]The Winslow Boy (1999[/color]). He's also done [color=magenta]Glengarry Glen Ross, Ronin and Wag the Dog[/color] (haven't seen these and don't think I wanna) plus many other widely seen films. I've tried watching State and Main and Glengarry Glen Ross and I know at their release there was much ado and ra ra about them but for some reason I can't engage myself enough to watch em right through. Now this for me is most odd - I can honestly say that I have never ever walked out of a film at the theatre and usually if I sit down to watch a film 9of my choosing) I'm completely absorbed from start to finish. Can't quite put my finger on what it is about these two films ... However, I did quite like The Winslow Boy & Nigel Hawthorne is quite watchable to me, maybe that's why I liked it? I can't really recall - it must have been a good nuff film.

I quite liked the pace of The Spanish Prisoner and the mind games / whodunnit quality, good finale too. I wanted to wack Campbell Scott upside the head a couple of times cos of his gullibility - no you dumbass don't take the red book with you! Prime target! The Winslow Boy featured the intriguing Rebecca Pidgeon who is also in The Spanish Prisoner - not the typical female character at all ... she'd make a good poker player methinks! There's also a minor part in the film played by Felicity Huffman. Steve Martin was suitably menacing in a subtle way.
½ June 14, 2014
Inspired by Hitchcock's movies, this film turns out to be good. Not bad.
½ May 29, 2014
the execution of this story was pretty odd to me. mamet made a bit of a ham of oh shit.
March 31, 2014
Despite Mamet's pedestrian direction, his writing talent allows for a constantly shifting playing field. A tale of continuous deception and falsehoods creates loads of suspense and unease as we, along with the lead, question who to trust.
March 5, 2014
This movie really surprised me. A smart thriller.
½ December 8, 2013
The dialog was stilted, the acting was bad and the plot was ridiculous. Worst of all was the directing. Mamet had every actor use the same fake affectations of speech like "init" for "isn't it." We wouldn't have finished watching it if it weren't the last disc of the month.
December 3, 2013
"The Spanish Prisoner" isn't about Spain, a prisoner, or a Spanish Prisoner. The titular Spanish Prisoner is a nickname for a classic con game played in "The Spanish Prisoner". The film moves along with the ease and cleverness of the grifters that plague the film; Mamet, known for crafting films as tricky as this one, seems to have put his years of filmmaking experience into a generally low-key, downright fun venture.
The con game that is being played here is between Joe Ross (Campbell Scott) and Jimmy Dell (Steve Martin). Ross is an inventor that has just created an enigmatic "process" (the "process" itself is never truly revealed) that will make his company millions of dollars; Dell is a charming millionaire that strikes up a friendship with Ross - he warns Ross that his company is untruthful and they will reap the benefits of his invention.
Ross gets to the point in which he becomes deeply worried that Dell is right, confronts his company, and turns to Dell in hopes to protect his profit. But as it turns out, Jimmy Dell isn't Jimmy Dell, and he, in fact, is a con man and Ross is the victim. At every turn, there seems to be no one not in on the con, and seemingly nowhere he can go. Ross is forced to take matters into his own hands before the situation grows out of control.
Once the mind games start in "The Spanish Prisoner", there is no turning back. Mamet sets up the situation perfectly - at first glance, there isn't much at stake, and in the next moment, everything is. Ross, towards the beginning of the film, isn't too sympathetic: he is clearly well-educated, and there's a feeling of pretentiousness that fills the air. However, when he is conned, his fear bleeds through like an everyday guy, and suddenly, a man who, every second of his life fancies himself to be successful and intelligent, loses what he has worked for, for so long.
This element is one of the reasons the film as such a great feeling of Hitchcock tendencies. Not only does it have a successful man put in the center of the situation, but there is a key "wronged man" essential toward the middle of the film. Scenes play out not often with suspense, but tight tension, simply waiting to be snapped in half. There is a point in the film where Ross finds that he cannot trust anyone -- the audience feels the exact same way.
Mamet constantly hits us in the gut with complete wrongness, and while it feels terrible that we aren't able to outsmart the long con in the first place, it also builds upon the entertainment presented. The twists and turns are satisfying, never predictable. Scott, an actor not often used in leading roles like this one, is fit for the role, as he seems as completely aghast as we do.
In the end, "The Spanish Prisoner" feels like a reward. In this day in age, it simply is wonderful to get a film so bent on classic thriller values without having to resort to cliches. It comes to show that we can have fun without groaning first.
November 26, 2013
David Mamet goodness.
October 21, 2013
Very good story with no dead spots. Very clever movie. Steve Martin is well casted for this role. And Cambell Scott does a great job as well as does
Rebecca Pidgeon
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