Standing Tall

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Cast & Crew

Catherine Deneuve
La juge des enfants Florence Blaque

Rod Paradot
Malony Ferrandot

Benoît Magimel
Yann

Sara Forestier
Séverine Ferrandot

Diane Rouxel
Tess

Anne Suarez
La directrice du CEF

Ludovic Berthillot
Ludo

Aurore Broutin
La mère en colère

Enzo Trouillet
Malony à 6 ans

Emmanuelle Bercot
Director

Emmanuelle Bercot
Writer

Marcia Romano
Writer

François Kraus
Producer

Denis Pineau-Valencienne
Producer

Guillaume Schiffman
Cinematographer

Julien Leloup
Film Editor

Éric Barboza
Production Design

Pascaline Chavanne
Costume Designer

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Critic Reviews for Standing Tall

Audience Reviews for Standing Tall

• Mar 28, 2017

  An idealistic but worthwhile piece about a juvenile delinquent growing up in the French justice system. Those who are interested in the issues of social justice will see past the romanticism of the story to many pertinent statements about what it takes to save a child like Malony. It justifies Deneuve's selection of the role of judge, and her performance lends the story much depth. Malony's mother teeters in drug-fuelled irresponsibility; the boy is a wildly dangerous driver of stolen cars; his anger, sexuality and violence are explosive. Repeatedly, he fails everyone. The film stresses the importance of love, especially maternal love. The judge gives him a long series of chances - to the point that you can think it really is going to be hopeless. The justice system is presented as caring. You see into the judge's long experience, how she makes her judgments, and her determination to help Malony and the many kids like him whom she sees. The other lead actors, the supporting cast and the finished product are all very fine too. Of course, only those on the inside can say how far all of this is an accurate snapshot of French juvenile justice, and how much it is making recommendations for reform. The film's sugary side will offend people and some in the audience were openly cynical; it also helps the character of Malony that his worst crimes against people (rather than property) are forgiven by the victims. Despite these cinematic devices though, which will send it to a wider audience than otherwise, the film is elevated by the performances to a determined statement about the need for properly funded, caring public interventions to support young parents and children at risk. Someone has to paint not only the faults, but also the possibilities and the vision.
  . . Super Reviewer

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