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Taste of Cherry's somewhat simple aesthetic belies a richly ambiguous character study with an impressively ambitious thematic scale. Read critic reviews

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Movie Info

A middle-aged Tehranian man, Mr. Badii (Homayoun Ershadi) is intent on killing himself and seeks someone to bury him after his demise. Driving around the city, the seemingly well-to-do Badii meets with numerous people, including a Muslim student (Mir Hossein Noori), asking them to take on the job, but initially he has little luck. Eventually, Badii finds a man who is up for the task because he needs the money, but his new associate soon tries to talk him out of committing suicide.

Cast & Crew

Mir Hossein Noori
The seminarian
Hassan Yektapanah
First Assistant Director
Mohammad Reza Delpak
Sound Designer
Alireza Ansarian
Camera Operator
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News & Interviews for Taste of Cherry

Critic Reviews for Taste of Cherry

All Critics (38) | Top Critics (11) | Fresh (32) | Rotten (6)

Audience Reviews for Taste of Cherry

  • Apr 12, 2017
    The frustrating last scene feels like a copout included by Kiarostami only to draw some puzzling intellectual reaction from his audience; but still, this is a deeply human film that moves us in its simplicity while never offering a reason for a man wanting to end his life.
    Carlos M Super Reviewer
  • Apr 28, 2016
    Abbas Kiarostami's 1997 film "Taste of Cherry" is a beautiful minimalist film composed mostly of long shots and close-ups of characters speaking to one another in a car. The story is relatively simple enough. Mr. Badii (Homayoun Ershadi) drives around Tehran looking for someone to burry him after he commits suicide. Badii is willing to pay whoever the man is. He has dug a hole in the hills somewhere and plans to lay in it and take some pills, he asks that whoever helps him to return at a certain time and call down to him, if he responds pull him up, if he doesn't cover him with dirt. Badii deliberately drives around areas of town where men are out of work and looking for odd jobs. At first it is implied that he is a homosexual looking for sexual favors, but that quickly does not seem to be the case. He finds a few men who seem they could use the money, but they refuse to help him. He finally finds a Turkish taxidermist to help. There is no mention of why Badii wants to committ suicide and there is little known about his character. Where did he come from? What does he do? Where did he get that money to offer these people? But, is all that really needed in a film this good? Does a film always need to develop characters and provide as much backstory for them as possible so the audience can identify with them? "Taste of Cherry" is an Iranian film and Iran is a country that doesn't receive a lot of attention for their cinema, but recently Asghar Farhardi won an Academy Award for Best Foreign Film for "A Separation" and even received a Best Original Screenplay Oscar nomination. It's safe to say that maybe Americans should consider more Iranian cinema.
    Joseph B Super Reviewer
  • Jul 25, 2013
    *may contain small spoilers* Palm d'Ore winner, Taste of Cherry, is a profound story about a young man who wished to end his life, but needs some help in doing so. Despite not being in one stationary setting, this film takes place in mostly one location, his car. It's not immediately clear what his intents are, even though one could predict it, there's also the possibility of him being a hit man. But he's not, he's just ready to end his life premature. The film grapples with deep ethical questions, and how much man is willing to stick to his roots. Some would say they'd never partake in assisted suicide no matter the money involved, and some the opposite. Similarly when the opportunity approaches it's much different than just having it as a rhetoric. The film is head deep in symbolism, and despite not much being said, everything is clear. The ending didn't really connect with me. Like Close-up (also directed by Kiarostami) the ending is up to many interpretations, but I think one thing is clear, it shows at the end it's a film. A reenactment or just a crew member remembering his past, I'm not sure.
    Daniel D Super Reviewer
  • Nov 09, 2012
    Another brilliant stroke from Abbas Kiarostami depicting a man seeking to end his life and taking a tour of characters in his community to ensure that he is buried. We get to see the reaction of characters to the main character's choice which leads to delightfully expected exchanges.
    John B Super Reviewer

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