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Critics Consensus: A rough-edged thriller that lacks the precision of Polanski's best work, but makes up for it with its skillful mounting of paranoia, dread, and dark themes.
Critic Consensus: A rough-edged thriller that lacks the precision of Polanski's best work, but makes up for it with its skillful mounting of paranoia, dread, and dark themes.
All Critics (30) | Top Critics (6) | Fresh (27) | Rotten (3) | DVD (6)
It has a humorous tang, underlying the macabre.
As the plot escalates into increasingly arbitrary excesses of fantasy and heads for the predictable pay-off, the movie looks more and more like a potboiler.
The film is superbly acted by Mr. Polanski, Mr. Douglas and Miss Winters.
As a film by Polanski, it's unspeakably disappointing.
It's an exercise in urban paranoia and mental disintegration that echoes or anticipates everything from Repulsion and Rosemary's Baby to Bitter Moon and The Pianist.
The end result is somewhere between Franz Kafka and William Castle, but still worth seeing.
This creepy psychological thriller, dealing with paranoia and split identity, is one of Polanski's most underestimated films.
Poorly received on its release, it has since become a cult fave.
A disturbing and poignant anthology of Roman Polanski's favourite, oppressive themes.
The film [is] extremely, scarily effective (it is also surprisingly funny).
Although overshadowed by director Roman Polanski's more famous horror efforts... The Tenant is in many ways superior - a haunting, mesmerizing tale of a man's loss of identity and descent into madness.
Owing to the very same personal urgency that makes it a masterpiece, it is overwhelmingly solipsistic and ultimately alienating.
Though it's slow--and doesn't come near the brilliance of the classic Rosemary's Baby or the cinematic masterpiece that was Polanski's Macbeth--it is a successfully spooky mystery/thriller with a solid performance from Polanski and a well-filmed, hair-raising climax.
Super Reviewer
Let's just say that the rating is somewhere between 3.5-4, and that the grade is around a strong B to a B+. Part of Polanski's "Apartment Trilogy", this is a surreal psychological horror/suspense thriller about a timid and quiet file clerk named Trelkovsky whose life starts to go downhill after moving into a new apartment. He is told that the previous tenant went mad and took a swan dive out a window. Trelkovsky himself starts to feel that his neighbors all have something against him and are trying to get him to follow the same path taken by the previous tenant. Is this really the truth though, or is it all just in his head? The set up is great, and I love how Polanski plays with ambiguity here, all the way through. It's also funny how he plays the lead role, but isn't even listed in the credits, something that is both odd and cool. This is a psychological horror/suspense thriller, but it is also rather funny at times, albeit the comedy is of the really dark variety. Like I said, I love the set up, but the film isn't perfect. The biggest issue is that it is just way too drawn out. I really don't think it needed to be 125 minutes long. It could have been way condensed. However, haviing a long running time does allow for a tremendous amount of mood, tone, and atmosphere to be really expanded upon, even if it does start to become a tad much. The cast is international, and they are all great. Polanski does a great job in the lead, and it is a shame he really doesn't act too much. He's pretty talented in this department. Isabelle Adjani is great with her frilly hair and oh so 70s glasses, but probably my favorite is Shelley Winters as the concierge. She's a hoot. All in all, a mostly pretty satisfying film. The soundtrack is nice, the cinematography top notch, and the storyline wonderfully Kafkaesque. Give this one a shot.
My favourite Polanski movie of all! He stars in it as well, and he's so cute! The story is really strange and suspenseful. I love it, and I highly recommend it.
I think I know what happened. But I'm not sure. Opening shots of apartment windows are amazing.
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