The Love Parade (1929)
The Love Parade (1929)
The Love Parade Photos
Movie Info
Cast
as Count Alfred Renard
as Queen Louise
as Jacques
as Lulu
as Major Domo
as Prime Minister
as Foreign Minister
as Admiral
as Minister of War
as Sylvanian Ambassador
as Afghan Ambassador
as First Lady in Waiting
as Paulette
as Afghan Ambassador
as Paulette's Husband
as Priest
as Cross-eyed Lackey
as Cabinet Minister
as Cabinet Minister
as Himself
as Cabinet Minister
as Extra in Theater Audience
as Second Lady-in-Waiting
Critic Reviews for The Love Parade
All Critics (6) | Top Critics (2) | Fresh (6) | Rotten (0)
It's a fine, near-grand entertainment.
Made before the production code was inflicted, the film is rife with Lubitschian innuendo.
Combining the Ruritanian settings and aristocratic glamour of operetta with the lightness of revue, the film takes musical cinema out of the Broadway theatres and into a romanticised vision of the world.
Students of film lore will find much to enjoy in The Love Parade.
Lubistch's charming film, boasting a grand performance from Maurice Chevalier, was nominated for the Best Picture Oscar.
The pic proved extremely popular.
Audience Reviews for The Love Parade
Ernst Lubitsch's first talkie, Jeanette MacDonald's first screen appearance, and the first of many time these two would make movies with Maurice Chevalier. Lubitsch with his cinematographer managed to keep the camera moving through the grand set, which was something that most early talkie/musicals could not deliver. This film is a joyful romantic comedy. The battle of the sexes will still make you chuckle. The added comic relief, well not relief but zingers, of butler Jacques (Lupino Lane) and maid Lulu (Lillian Roth) were highly enjoyable. MacDonald is a regal, spoiled Queen. Chevalier is a scampish, charming Count (the model for the skunk Pepe Le Pew). There are grumpy cabinet members arguing over policy in the fictional country of Sylvania. Of course their main concern is finding the Queen a husband to subdue her moods and demands. And the Count loves the challenge of seducing the Queen. At first he is content with the gender reversal as he lounges around the palace while his wife goes to work making big decisions, but then like the cabinet members he turns quite sexist in insisting that she let him take more control. With impeccable comic timing and lilting melodies this famous screen couple leads the viewer through a love parade.
Super Reviewer
I am really a fan of the Chevalier films. They have a modern quality despite the fact that they exist at the beginning of the film making era. Here we have a comedy of errors that is not tacky and speaks to genuine feelings.
Super Reviewer
lubitsch's first sound film and the first hollywood musical with integrated songs, it's delightful to watch and remarkably modern for 1929. the gender swap and 'battle of the sexes' themes would soon become de rigueur and the film's stars, chevalier and jeanette macdonald would have long careers in hollywood musicals
Super Reviewer
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