The Man Who Killed Hitler and Then The Bigfoot (2018)
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Critic Reviews for The Man Who Killed Hitler and Then The Bigfoot
All Critics (20) | Top Critics (3) | Fresh (18) | Rotten (2)
All its idiosyncrasy expended on that undeniably head-turning title, this low-key, literal-minded indie manages to make those marquee events pretty uninteresting.
A wise, odd, and unforgettable ballad.
An unusual-and mostly successful-hybrid of a pulpy adventure tale straight out of a midcentury men's magazine and a meditative reflection on loneliness and aging...
Barr, a mythic all-American hero, is a foil to Trump - and the film plays like a melancholic elegy for the old-world values of modesty, charm and decency which Barr embodies, but which are slowly dying along with him, if not quite yet dead.
For a few open to its surreal, somber, silly greatness, this film is a towering achievement.
As it stands, The Man Who Killed Hitler and Then The Bigfoot is an uneven attempt at telling too many stories and succeeding with none.
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