The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
If The Monuments Men never overcomes its unwieldy structure and unevenness of tone, the film still manages to make a profound, even subtle point: that Hitler's darkest impulses and annihilating reach extended from human beings to history itself.
Clooney's obviously going for old-school charm and camaraderie here, but the first half of the film is so scattered, and the characters are so lacking in specifics, that a sense of group bravado never feels earned.
The Monuments Men - with its shifting tone between light comedy and drama - rarely gets the viewer invested enough to really care what happens to them. And that's unfortunate, because it really is a fascinating footnote in history.
The Monuments, Fine Arts, and Archives program, established by the Allies during World War II to protect European and Asian cultural treasures from destruction, deserves a better movie dramatization than this fumbling prestige project.