Being released the same year as Christopher Nolan's 'Dunkirk' coming in July, it seems a little coincidental similar referenced film is also released. 'Their Finest' is really about 1940's propaganda film making at the height of WWII, where an unlikely ensemble band together to make something incredible. I must say ever since I saw 'Prince of Persia' in 2012 I've always had a huge crush on Gemma Arterton and this film holds no bars as this is an outstanding performance from her as a Welsh screenwriter, while her chemistry and relationships with the other cast members is superbly delightful. It is in itself a piece of social commentary on the world war 2 period, also on past film industry practices. Admirable as it is as a small scale drama, whilst throwing smart pieces of comedy and romance into it's mix as it's one of the most unique and well accomplished pieces of British Cinema I've seen this year alone. I highly recommend this delightfully crowd pleasing underrated British flick that should be on people watch list this year even if you are definitely thinking of seeing Dunkirk in July.

Their Finest (not to be confused with Their Finest Hours, even though this is based on a book called Their Finest Hour and a Half) is a disarmingly sweet and poignant true story that resonates with empowerment and the power of creativity. Set at the start of WWII, the British film industry is trying to make ends meet as well as provide morale boosts to the public. Catrin Cole (Gemma Arterton, her best performance yet) goes in for a copywriting job and walks out a hired screenwriter, pegged to write the "women's parts." Thanks to the depleted workforce, Catrin has an opportunity she never would have otherwise and she blossoms under the crucible of creative collaboration. This was one aspect of the movie that I was very taken with, as a writer and screenwriter myself, the natural progression of creativity, solving a problem, finding a solution, and the elation that follows. The complications keep coming, first from the British film office who need the movie to be inspirational, then from the divergences from the true story of a pair of French girls who stole their uncle's boat to rescue soldiers at Dunkirk, then from working with American producers who insist on an American hero who can't act, and then from natural calamities of scheduling, casting, and oh yeah, the bombing and blitzes that could obliterate everyone. The movie is alive with conflict and feeling and the sweet story of a woman finding her sense of empowerment in the arts. The movie-within-the-movie is filmed to period appropriate techniques, and Bill Nighy is effortlessly amusing as an aging actor still fighting for some scrap of respect in an industry ready to forget him. The insights into the different stages of film production were fun and illuminating. I appreciated that the war isn't just something in the background but a constant. It upsets the order, takes lives, and is a striking reminder why these people are doing what they're doing. The film also rhapsodizes the power of the arts, and in particular cinema, in a way that feels reverent without being overly sentimental or self-congratulatory. A great collection of characters is assembled as a ramshackle sort of family with a mission, and the movie drives right into one payoff after another, lifting your spirits and warming your heart. There is a sudden plot turn that will likely disappoint many in the audience eager for a simple happy ending, but I almost view it as industry satire on the difference between American and European cinema tastes. Their Finest is a small gem with sympathetic characters trying their finest and achieving something great. It's a rich story that deserves its moment in the spotlight and I'd advise seeking it out if possible. Nate's Grade: B+