The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Grant and Kelly are on sparkling form, as is Jessie Royce Landis as the latter's formidable and smirky mother, and the French Riviera is beautifully captured by the Oscar-winning cinematography of Robert Burks.
Francie finds something inauthentic in Robie: "like an American in an English movie". Well, yes, perhaps. But Grant's debonair and oddly unlocatable mid-Atlantic identity is absolutely right for the part.
Hitchcock and screenwriter John Michael Hayes posited voyeuristic spectacle as the essence of cinema in Rear Window; in To Catch a Thief they validate their thesis with plenty of spectacle to be voyeuristic over.
One of the most lightweight (and not even particularly deceptively so) of Hitchcock's comedy-thrillers; a retreat from the implications of Rear Window into the realm of private jokes and sunny innuendo.