Umberto D
1952, Drama, 1h 31m
32 Reviews 5,000+ RatingsWhat to know
Anchored by Carlo Battisti's moving performance as Umberto D, Vittorio de Sica's deeply empathetic character study is a bracing glimpse into the lives of the downtrodden. Read critic reviews
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Cast & Crew
Umberto Domenico Ferrari
Maria
Landlady
L'amico di Antonia (uncredited)
Sister
Surprised Woman
Critic Reviews for Umberto D
All Critics (32) | Top Critics (8) | Fresh (31) | Rotten (1)
Audience Reviews for Umberto D
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Apr 10, 2013A beautiful heart tugging story of a retired bureaucrat who can't make ends meet. The sequence with his dog at the end is particularly poignant.John B Super Reviewer
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Oct 18, 2012This neorealist masterpiece by master Vittorio de Sica is a deeply heartfelt and unforgettable portrait of a poverty-stricken life in postwar Italy, avoiding any sort of easy sentimentality and needing no effort to make us love and care about its struggling character.Carlos M Super Reviewer
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Jun 09, 2012I was totally not expecting to feel sad after I watched this movie, it's even better than The Bicycle Thief and the dog... that goddamn dog. Vittorio De Sica had a great talent in breaking people's heart.Cita W Super Reviewer
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Oct 14, 2011Vittorio de Seca was a master of the neorealist style and Umberto D. is one of his many, some argue the greatest, masterpieces. The key to the neorealist movement was in utilizing real life locations and mostly ordinary people in the prominent roles. Umberto D. is played by Carlo Battisti, who was a professor and this is the only film he was featured in but yet what a wonderful performance! Battisti gives such a multifaceted portrayal of the character that you really feel for the down-and-out side but also cheer on the stubborn and prideful side too. The story itself isn't overly complex but rather tells a straight forward narrative following Umberto D. and his trusty companion, whom seems to be the only stability in his life. We see how Umberto's life has been going downward since his retirement and his surmounting back-rent forces his landlady to kick him out (in reality she simply wants to do some improvements to the house and needs his room). We then see him trying to catch a break and get the money in order to keep his room by selling his belongings, all of which the viewer knows is pointless as she wants him out, and thus setting him back all the more. Umberto after coming to this realization that he has lost his home and livelihood as well as any pride he once had, has two choices left. He can either end it all by committing suicide or carrying on into the unknown future with very little to his name, simply his dog for company. The ending can be bittersweet as there is hope but amongst a lot of hopelessness and gloom. The film is simply terrific in telling a profoundly moving story and one of the crowning jewels of the neorealist movement!Chris B Super Reviewer
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