Mary Poppins Returns
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All Critics (18)
| Top Critics (9)
| Fresh (17)
| Rotten (1)
Precise as a blueprint, the film convinces you of Shulman's worth (and, by extension, of the architects he helped immortalize) without imparting the passion the filmmakers so obviously feel. It's functional, but it could have used a little more form.
Although Shulman died after Visual Acoustics was completed, this stylish film reminds us that great images endure after bodies and buildings crumble.
Eric Bricker's glowing portrait of Shulman uses its subject's photos to persuade the viewer that one picture is worth a thousand architectural masterworks.
Bricker doesn't have much filmic pizazz, but Shulman's photos encompass the entire history of modernist architecture.
The Shulman we see is a man of sharp humor, with an ego to match some of the architects he worked for. He's been slowed down by time, but relishes all the attention lavished on him as a living master.
Visual Acoustics is nominally about the life and career of landmark Southern California architectural photographer Julius Shulman, but it's more about the buildings he photographed than it is about him. Which is probably the way he'd like it.
Narrated with warmth and occasional wit by Dustin Hoffman, the film relates the artist's growing years and early love of photography.
Shulman's still photographs are essential to any study of the style's vast popularization and commercialism.
Eric Bricker's documentary celebration of America's most renowned architectural photographer is effusive in its praise, tame in its public-television-style execution.
Architectural photographer Julius Shulman was a pivotal figure in US popular culture. He's the one who taught Americans to love modernism.
Shulman is such an interesting character due to the influence he wielded in Modern architecture's ability to flourish in America that all the gushy conversations with architects and academics actually seem merited.
A thoroughly compelling, well-edited and illuminating documentary that rarely has a dull moment.
I am a great fan of modernism and Shulman's work. I was really hoping for more of his work and perspective, Bricker's film just has a post-modern feel that would make Shulman roll over in his grave. If Shulman had lived through the completion of the project the would have added some much needed editing. The movie promises some insight into Frank Loyd Wright, but it is very brief. Beyond allot of Shulman's work and looking into work and visiting the houses 50+ year later, there is some insight into many architects that are overlooked, but pivotal in the movement. Not a great film but I give Bricker credit for capturing Shulman before he was gone.
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