Wait Until Dark (1967)
Wait Until Dark (1967)
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Critic Reviews for Wait Until Dark
It has, in the form of Audrey Hepburn and Alan Arkin, two of the very best performances in the genre's history.
This superb drama filled with spell-binding tension has not lost an iota of its considerable impact, even 40 years after it was made. Audrey Hepburn is mesmerising as the blind woman whose quick thinking is more illuminating than the brightest of lights
Audrey Hepburn received her fifth (and last) Oscar nomination for effectively playing a blind woman in this well-executed thriller based on the Broadway smash hit; equally good are the villains, played by the young Alan Arkin and Richard Crenna.
Os furos óbvios do roteiro acabam sendo compensados pela direção tensa de Young, pela eficiente montagem e, principalmente, pelas atuações de todo o elenco (mas Hepburn e Arkin merecem destaque).
Audience Reviews for Wait Until Dark
This is such a well-made, exquisitely-directed and nail-biting thriller that we easily overlook how contrived the plot may be, while Audrey Hepburn and Alan Arkin elevate this to a classic and offer us a climax that should be remembered as one of the most terrifying of all times.
A group of con artists try to get a doll, laden with drugs, from a blind who unknowingly received it. A wonderful and tense thriller, Wait Until Dark works on almost every level. Alan Arkin, who made a career out of playing charismatic but curmudgeonly goofs, is bone-chilling as the sadistic Roat, and Audrey Hepburn, classic and demure, is every bit the damsel in distress. The plot unfolds brilliantly, and the con artists' plan is both clever and mysterious. The climatic scene thrills in almost total darkness. I wish that the film had not shown us what is in the doll until the very end so that we can -- like Susy -- slowly discover the plot. Overall, this is classic thriller that stands the tests of time.
One of the darkest thrillers, and most innovative as well, this film is a classic suspense-thriller, verging into horror, without missing a beat. The aura of this film, or mis-en-scene, is always perfection, whether that be the bleak, underground set, the blank cinematography that captures the allure and horror of darkness, or the performances, all carried by actors who know their craft exceptionally well. The feeling of being trapped, or claustrophobic, permeates this film throughout, making you very uncomfortable and very aware of the stakes of the film. It's strange knowing the evil of the film, and the exposition, which makes the protagonist's plight that much more harrowing. The main heroine in the film is a recently blinded woman named Susie (Hepburn) who is left alone in her basement apartment by her husband to fight off several men who are looking for heroin in her apartment. The setup is so beautiful and horrific, and the way it is all explained in the first twenty minutes is encapsulating, strange since it simply involves several men talking to one another. The plot against Susie is extraordinary and yet so thrilling, because though they don't use blunt force against her, you know they could kill her in the next instant. Particularly scary is the performance from Alan Arkin as Harry Roate, described by many critics as one of the most terrifying and villainous performances onscreen. Arkin gets goofy once in a while, putting on disguises and trying to fool Susie, and that makes it a little cheesy, but otherwise this film feels perfectly thrilling from beginning to end. There's even an electrifying and heart stopping climax that will make any scaredy cat scream for their life. Just such a beautiful and shocking thriller, on so many levels.
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