The LEGO Movie 2: The Second Part
The Walking Dead
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All Critics (12)
| Top Critics (6)
| Fresh (12)
| Rotten (0)
| DVD (1)
Both sections of the flavorful, vernacular-filled screen play have been given professional treatment.
This 1960 drama is probably Elia Kazan's finest and deepest film, a meditation on how the past both inhibits and enriches the present.
In studying a slice of national socio-economic progress in terms of people, it catches something timeless and essential in the human spirit and shapes it in the American image.
One of [Kazan's] least theatrical and most affecting films.
Kazan's films are better known for showcasing stratospheric Method-emoting over visual expressiveness, which makes Wild River's gorgeous imagery a shock...
Sympathetic to both sides, the movie pits tradition against progress, rugged individualism against the greater good.
It's an expansive work, distinguished by exceptional location photography, but, as ever, (Kazan's) focus is on complex interpersonal relationships.
Shooting predominantly on location in Tennessee, Kazan makes evocative use of the mist that hangs over the river like a lingering regret.
Montgomery Clift gives a superbly tender performance in one of his last and most tortured roles, and Lee Remick is touching as his confidante.
The grim inevitability of the eviction gives the film a melancholy power.
This dramatic tug-of-war between progress and tradition remains a memorable example of director Kazan at his best.
Evocative sociological/historical melodrama.
A government official turns up in a flood ravaged Tennessee town, circa 1930's, to order the residents to move so that a dam can be set in place. Many conflicts ensue, all set against the peaceful country surroundings. It's an interesting mood piece of a film, with the ladies doing all of the heavy lifting onscreen.
Strong little known drama with excellent work from all involved.
Will the river stay wild or be tamed? You can ask the same of the old woman who lives on the island about to be flooded or the other characters in this heartfelt melodrama. It features wonderful, yet restrained performances, particularly by Clift. The love story between Clift's character, the TVA representative and local girl Carol Garth (Lee Remick)is as important to the story as the TVA's struggle to evict the inhabitants of one island. Furthermore, the TVA and Clift struggle to drag the town into the 20th century, including some degree of racial integration.
Although much younger than these characters, having grown up in a similar town in TN, I found them and their town believeable. Wild River was filmed on location on the Hiawassee river near Charleston,TN. Finally,the cinematography is excellent. Elia Kazan and his crew did a superb job all around. Highly recommended.
In "Wild River," to curb deadly flooding along the Tennessee River and create jobs during the Great Depression, the Roosevelt Administration creates the Tennessee Valley Authority to build dams to control the flow of the river. By 1934, all but one landowner has sold their property, the exception being eighty-year old matriarch Ella Garth(Jo Van Fleet). Chuck Glover(Montgomery Clift) is the third man sent to persuade, not force, her, her family and sharecroppers to vacate before the island is flooded by the closing of the dam's gates.
Directed by Elia Kazan, "Wild River" is a well-photographed, if obvious, movie that succeeds by capturing a time and a place without being consdescending towards the rural inhabitants, especially in its use of unadorned faces(Hey, isn't that Bruce Dern?), while also having meaning for the present day. As shown by the opening footage, a documentary approach would have definitely been the way to go. The underlying theme is progress and Glover sometimes forgets exactly where he is in helping not only the white people of the valley who dominate the social structure, but also the blacks who he attempts to hire at the same wages against the wishes of racist businessmen, bringing electricity to all, regardless. He also has to combat Ella and her plantation mentality. She is another force of nature that progress is meant to curb. Without any doubt this is Jo Van Fleet's movie and it suffers badly when she is offscreen which is often, ceding much of the story to a romantic subplot.
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